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Based on SEARS/SILVERTONE 1484 Twin Twelve. USA 1484 CAB PACK: is an IR pack based on a vintage 1960s SEARS / Silvertone 1484 Twin Twelve, loaded with JENSEN C12Q.

It’s called PULSE for a reason. Get the floor shaking with deep-sea subs, corrosive and distorted lines, talkative formants, and futuristic takes on low-end classics. Hollow, wobbling subs have an added twist, organic analog-inspired rumbles inject some vintage vices, and mechanical, physical-modelling style sounds make for truly distinctive bass.

150 presets of pure house vibes covering everything from prophetic organs to acid lines; high-energy stabs to sequenced trickery. An homage to long nights and euphoric dancefloor vibes for bringing the energy all evening long.

There's no fire without smoke. Weave through 150 misty melodic leads, nebulous pads, and stratospheric sounds. HAZE hits the spot with cloudy trap, drill, and grime hooks. Morph between synth flavors with custom blend macros on many presets, and tweak things further for trippy, twisted heat.

150 reverb-drenched pads, shimmering arpeggios, and ethereal plucks for ambient soundscapes. From lush, reverb-drenched soundscapes, to dark and brooding moods, FADE brings 150 presets of ethereal pads, fluttering arpeggios, and evolving atmospheres for immersive sounds that morph between the uplifting and mysterious.

Craft anthemic and festival-ready EDM tracks with the electrifying synth leads and shocking sequences of CHARGE. Power up your sound with 150 tweakable MASSIVE X presets, to create infectious melodies and contemporary hooks that hit hard from the studio to the stage.

150 hazy vaporwave presets for MASSIVE X, with dreamy leads, arpeggios and pads for retro-futurist inspiration. Slick and seductive, these retro-futurist sounds combine glittering vibrancy with vaporwave and modern synth pop. With 150 presets combining phase modulation, wavetable and subtractive synthesis methods, DRIVE creates a neon-lit soundscape of hazy leads, arpeggios and pads, the perfect backdrop for late night drives with the top down.

BEAM comes ready to create, with 150 presets of hypnotic textures, pulsing pads, and ambient atmospheres to shine through your electronic tracks. Craft captivating standalone parts, or use in perfect harmony with CHARGE and BUMP, for immersive EDM sounds.

Loaded with 150 rave-ready rumbles, subs, swells and pulses, BUMP gets things moving - from the cones in your speakers to festival crowds. Combine BUMP's unforgiving presets with the new Bass Enhancer insert effect for larger-than-life low-end that's perfect for EDM basslines.

BOUNCE packs 150 one-shot style sounds that cover everything from heavy-hitting kicks and 808s to essential trap percussion, dusty old-school sounds, energetic risers, and lots more. From UK drill to West Coast styles, reggaeton rhythms to banging afrobeat - you'll find it here.

Sound design is often the difference between tracks that feel flat and tracks that feel alive. In Top 10 Sound Design Ideas, Larry Holcombe presents a focused video course packed with practical, production-ready techniques you can apply immediately to inject movement, depth, and personality into your sounds.

Mike Bandoni presents a 10 track album of instrumental breaks, beats and grooves filled with atmospherics, luscious textures and emotions for your listening pleasure! If you love Funk, Soul, Jazz, Hip Hop and Soundtracks, this is a must have for your music collection.

Phoenix II is an update of Crane Song's suite of TDM plug-ins designed to emulate the unique properties of a magnetic tape machine. Phoenix II runs both NATIVE and DSP on Avid's AAX format. Beta now available with additional AU and VST3 formats! Phoenix II uses 32 bit floating point math and has a lower noise floor than the original release.

Contains All Plugins from Strymon Includes:

All samples in this pack are royalty-free. This new series offers you 20 dark piano samples. You won’t find any clean sounds here, but a lot of noise, tape saturation, granular delays and weird effects. As a bonus you’ll get 5 experimental raw takes to chop. All files are in universal WAV format at 44.1 kHz sample rate and 16 bits resolution. All composed by The Attic