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A deconstructed Ableton Remake version of "in da getto" by Skrillex in collaboration with J Balvin. And released by Sony Records. A track with a lot to learn about Transitions, Drums, Beatmaking, Sub Basses, Synths, Fx, Song Structure, Vocals, and many more of modern Dance Music Production Elements.

This is easily my best zenology bank i've ever created. These presets are catered to the style of style Future, Young Thug, Don Toliver, Travis Scott, Ken Carson, Playboi Carti, Swapa, Slayr, Osamason, Mexikodro, Lil Baby and many more! These wide range of presets and sounds are guaranteed to bring the heat when your cooking up!

Panacousticon takes its sonic vocabulary from a specific moment in the history of recorded sound: the cold, lo-fi tape-and-synthesizer culture of early-1980s European industrial and death-ambient music. It is not an emulation of any single record or studio, but a study of a timbral language - metallic detuning, frozen reverb tails, claustrophobic low end, mechanical pulses, and the particular grain of magnetic tape under stress.

Synthetic Hats is a collection of unique One-shot hi-hat samples that range from synthetic to textural and organic. The sounds in this pack are designed specifically for dance music and electronic production and are punchy and layered to help stand out in your productions.

“Punchy Snares, Knocking Claps” is a collection of one-shot snare and clap samples modeled after classic drum machine sounds.

There are ten sounds of each except for the kick where I also included ten more processed by the Overstayer and Elysia Xfilter/Xpressor. Every instrument has been carefully sampled at various settings. You'll find a copy of every samples originally included in the box for the two Sample slots. It's a mixture of hats and acoustic drums.

is back with the fourth installment from Big Citi Loops bringing you 5 Construction Kits inspired by RnB star, SZA. Get into the alternative RnB & Soul movement with these melodies designed to take your productions to the next level.

The Ultimate Low-Tuned Tone Enhancer for Guitar and Bass. AtlasDSP DI Hell is a powerful high-gain distortion and tone-shaping plugin designed for aggressive guitar and bass tones. With a finely tuned EQ, dynamic shaping, and additional tone enhancement options, DI Hell delivers crushing distortion, tight articulation, and a wide range of tonal customization.

It ain’t no mystery why Drum Language has become the go to break pack for producers and beat makers all over the world. The drum pack series is known for delivering sure shot after sure shot after sure shot and the newest volume is no different. Drum Language 12 contains open drum breaks with some of the deepest grimiest kick drums and brightest crisp snares available.

Meet PHAT * Slam your sounds with distortion and compression & instantly drive them through the roof with unreal character and punch.

J60 | Six voices, one chorus, and the sound of the early 80s. Built from the original circuit, not from samples. * Checked against the service manual. The manual lists the adjustments every unit got at the factory. We measured J60 against the same list: filter self-oscillation, envelope times, LFO rate and chorus.

BBD-modeled analog echo, sampled from real hardware. Most vintage-delay plugins start from a wishlist of features. This one started with a screwdriver. We measured a real bucket-brigade (BBD) hardware delay, the same chip family and circuit topology that defined analog echo from the early 80s onward: companded input, BBD clock-tied bandwidth, soft-clipped feedback path, self-oscillation through saturation. Dirac impulses, log sweeps, sustained sines, saturation curves at a dozen feedback levels.

Not Another Glue-Comp | A stereo bus compressor built on a classic British VCA topology. Transformer saturation, program-dependent auto-release, 4x oversampling. I built this because I kept reaching for the same classic British console-style bus comp in every session, and nothing I could afford actually sounded right. Too clean, too slow, or just off. So I modeled the circuit myself.

Multi-instrument & sound design engine Eight oscillators. A patcher you cable yourself. A sampler you can slice. Sixteen effects and 717 presets. One instrument, built for making sounds nobody else has.

Khotso Thahane is a passionate music educator, composer, and producer with a deep love for helping others unlock the language of music. With years of experience in the music industry, Khotso has mastered the art of simplifying complex music theory concepts, making them accessible and enjoyable for beginners and seasoned musicians alike.