MusicTech April 2019

Aside from the art of writing a melody, crafting the perfect lyric and finding the most suitable chords for your music, beatmaking (or sculpting the rhythmic elements of your track) is perhaps the most important stage to get right, particularly if you work in the EDM arena. It’s often, however, something that can start to feel quite ‘samey’ and characterless for some, as those musical elements tend to take priority.
Read More... Yesterday, 18:59
Computer Music May 2019

Inside this months issue:FATHOM CM: How to use this incredible modular synth freebie UNDERRATED synths: Under-the-radar instruments in virtual form
Read More... 20-03-2019, 16:42
Future Music April 2019

Turning simple musical ideas into full tracks can sometimes be harder than it looks. While dance music structures can sometimes seem simple on paper, nailing those perfect builds, drops and breakdowns can take real skill.
Read More... 12-03-2019, 10:12
Future Music March 2019

Get the full lowdown on the synths, drum machines and studio gear you'll be lusting after in 2019. Find out all you need to know about Korg's killer Minilogue XD with our full review and in-depth tutorial. Plus, new gear revealed from Teenage Engineering, Ableton, Bitwig, Akai, Elektron and more.
Read More... 12-03-2019, 10:09
MusicTech March 2019

I write this fresh from MusicTech’s annual sojourn to Anaheim, California where, once again, we were lucky enough to spend some hands-on time with a wealth of brand-new music technology, set for release at various points throughout 2019.
Read More... 21-02-2019, 07:13
Computer Music March 2019

MIXING MAGIC It’s amazing to think that not so long ago, the ability to automate fader levels and mutes on a hardware mixer represented state-of-the-art technology. The arrival of the software DAW changed all that, and now we can automate pretty much any parameter we like.
Read More... 23-01-2019, 12:03
Future Music February 2019

The depths of winter and the post-Christmas lull offer the perfect opportunity to spend some quality time in the studio and give your production skills an overhaul. So brush those mince pie crumbs off your desk, wipe the eggnog from synth keys and get ready to make your best tracks ever in 2019.
Read More... 12-01-2019, 10:41
MusicTech January 2019

As another year sails off into the horizon, it’s time for us to take stock of the plethora of tech, gear, software, hardware and everything in-between that has landed on our doormat this year.
Read More... 20-12-2018, 11:48
Future Music January 2019

Although it seemingly goes against everything we stand for here at FM, we’ll admit it – you don’t need to spend thousands of pounds on new gear to make great music.
Read More... 13-12-2018, 17:25
Future Music November 2018

The beauty of semi-modular synths is their ability to straddle the divide between accessibility and complexity. With a pre-routed, subtractive synth engine, anybody can create and edit sounds with ease, but the addition of a patchbay opens up the road to more complex, creative and weirder sound design tricks.
Read More... 24-10-2018, 18:13
MusicTech October 2018

Over the past 20 years the internet has transformed the world of music-making. Sharing our works-in-progress or collaborating with people around the globe is but a click away. But what if you've never done this before? Assembling the correct tools to begin doing this easily is the bedrock of this month’s cover feature, where we highlight the essential techniques, tips and resources to start composing in the Cloud.
Read More... 20-09-2018, 10:38
Beat Magazin Oktober 2018

Zweifelsohne bilden Drums das Rückgrat nahezu jedes Tracks. Doch wo und wie findet man zu beliebten Stilen wie Tech House, Trap, Dubstep, Cinematic, EDM oder Pop passende Drum-Samples? Wie baut man daraus einen stiltypischen Groove und worauf kommt es bei Veredelung und Mixing an? Im großen Drum-Spezial führt Beat in wenigen Schritten vom rohen Sound zum groovenden Pattern. Jetzt zugreifen: http://bit.ly/BeatMagazin
Read More... 5-09-2018, 10:32
Sound & Recording August 2018

George Ezra: Cam Blackwood produziert Staying At Tamara’s +++ Focusrite Clarett USB Audio-­Interfaces mit USB-­Anschluss +++ Mikrofonreperatur +++ MAGAZIN
Read More... 5-09-2018, 10:22
Future Music Issue 335 2018

For a track to sound at its best on a club sound system, it needs to sound tight at certain key frequencies. You need powerful bass that avoids being muddy and overblown, you need highs that will cut through without sounding tinny. In this issue’s Mixing For The Club cover feature, we’ll help you get your tracks club-ready. We’ll look at how to make sure they’ll sound great on any system, and how to prepare your creations to slot perfectly into a DJ set.
Read More... 24-08-2018, 10:29
MusicTech September 2018

In our cover feature this month, Alex Holmes guides you through the science and logic behind why it’s necessary to calibrate your studio and equipment, and the steps you’ll need to take to guarantee perfect, balanced sound at all times. Also this issue, Erin Barra simplifies some vital music production concepts that may have long eluded your understanding – to hopefully increase your sonic vocabulary, and we speak to Kanye West’s former controllerist and cutting-edge musician Laura Escudé about her creative approach and working with some of the biggest names in music. We also find out from IK Multimedia just how their new all-analogue UNO synth came into being in an interview with Erik Norlander, and of course we provide you with our usual wealth of tutorials and reviews of the latest products that could revolutionise your workflow. I hope you enjoy the issue.
Read More... 16-08-2018, 08:57
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