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Join Fab Dupont as he dives into the creative and technical process behind mixing Dancing While the World Burns by future-pop duo Adore. Recorded entirely at Flux Studios in New York City, Fab reveals how he collaborated closely with Adore, exploring their production sessions and enhancing the raw sound design to bring out the entire energy and impact of the track.

In this Puremix exclusive, join award-winning mixing engineer Rachel Alina at Signal Corps Recording in Dumbo, Brooklyn, as she walks you through the process of remixing King Garbage's song “Piper” on the legendary Helios Type 69 Console. Discover the intricate world of mixing with an analog versus digital workflow and learn about the harmonic differences between the initial digital mix done during the pandemic and the analog remix for the full album.

Over the past 25 years, Luca Pretolesi's incredible mixing skills have launched him into a trajectory with some of the world's most successful artists like Drake, Diplo, Skrillex, Major Lazer, David Guetta, and many more. His work has won multiple awards and Grammy Nominations while reaching platinum and diamond status on sales charts.

For the past four decades, Producer and Engineer Joe Chiccarelli has been behind the console for some of the industry's most influential records, from Frank Zappa to The Strokes, The Killers, Counting Crows, Jason Mraz, Morrisey, and countless more.

Darrell Thorp's relationship with one of rock's prized producers, Justin Meldal-Johnsen, began in 2000 when he and Justin, a part of Beck's band, were recording the record "Sea Change." Since then, the two have been involved in numerous successful records. When Justin finished producing Poppy's record, "Flux," he reached out to Darrell to take it across the finish line.

If you want to learn from a real master watch this course. Have a notepad and pen to write down important points. Today people are obsessed with plugins to "repair"/"fix" their mixes! In these videos you will learn how to prepare your sounds, instruments and loops without plugins for your mixing session.

In 1965, Smokey and Claudette Robinson, Pete Moore, Bobby Rogers, Marv Tarplin, and Ronnie White, A.K.A. “The Miracles” walked into Hitsville USA (Studio A) to record “Tracks of My Tears,” which would become ranked as Rolling Stones' “Greatest Motown Song of All Time.”

Andrew Scheps is behind some of the recent years' most energetic rock mixes. He is a first-call mixer when artists want an intense and powerful mix with credits like Metallica, Red Hot Chili Peppers, Green Day, Jay Z, Michael Jackson, and countless others.

In this special episode of Inside the Mix, acclaimed multi-award-winning audio engineer Alan Meyerson breaks down the mix of one of the most extensive video game soundtracks in history while discussing the recording techniques they used to capture the massive orchestra and percussion sections over 41 tracking sessions at Abbey Road Studios.

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Have you been wondering about the differences between the types of compressors in your plugin folders? FET, VCA, MU, Optical... these are the types we see, and all have very different characteristics.

Andrew Scheps met the band “Geese” through a mixing inquiry to his manager. After listening to the material, Andrew knew he wanted to work with the band but received a phone call from the A&R rep shortly after, letting him know the record was going to another mixing engineer. Andrew said, “Not unless it's Dan Carey!” which… it was.

I want to be talking about EQing a bit and do a few lessons. I thought I'd either do one megalesson – or a few shorter ones, and decided for the latter.

Are you tired of feeling that your tracks sound a bit dull and lifeless? Don't you wish there was a way you could make them sound ... well ... bigger and better? You've come to the right place! In this video course, production expert Thomas Cochran will show you numerous ways to convert a stale, anemic-sounding instrument to something that commands attention and turns an ear. With the sound-layering techniques you learn in this tutorial, you'll never have to settle for a lackluster track again! These videos are designed for producers and recordists that want to increase the impact and vibe of their instrument tracks.

Logic Pro expert Stephen O'Connell presents a highly informative Logic Pro video course dedicated specifically to Logic Pro users composing primarily with MIDI instruments. Not only will you learn techniques for easing the burden on your CPU when dealing with resource-intensive VIs, but you will also discover plenty of other helpful tips, such as working with multi-timbral instruments, signal flow routing, resampling sounds, and much more, all of which will greatly improve your workflow. These videos are designed for intermediate Logic Pro users who work with predominantly virtual instruments on a regular basis.