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7 Processors. One Window. One Job."Make it hit." Stop stacking a transient shaper, an EQ, a saturator, a compressor and a mono tool just to make one 808 land. 8008 runs 7 purpose-built processors at once - band-split transient design, sub-fundamental boost, eight saturation characters, one-knob dynamics, phase-perfect mono bass, lo-fi character and a brickwall limiter - every one of them tuned for the 30-150Hz region where an 808 actually lives. One plugin in. A finished, punishing low end out.

15 Lofi Effects. One Window. Zero Compromise."Three ways to ruin a signal." Stop stacking six plugins to get one dusty loop. TRIO runs 15 hand-coded lofi effects at the same time - bitcrush, tape wow, vinyl noise, valve warmth, lush reverb, stutter, Juno chorus, granular dust, filter sweeps, ping-pong delay and a full mastering bus - all inside a single window that never gets in your way. One plugin in. A finished, broken, beautiful sound out.

Your Mix Is Too Clean. Feed It A Dying Tape."A dying VHS deck and a bleeding CRT television." A real VHS transport and a bleeding CRT television, not a tape plugin with a nostalgia filter. TVHS models wow, flutter, saturation, Hi-Fi compander mistracking, tape hiss, random dropouts, head-switching glitch and CRT flyback whine as 11 separate, individually-bypassable effects, plus 10 real tape-head impulse responses and NTSC/PAL switching. Wow and flutter never loop - they're driven by filtered noise, not an LFO, so a pad never settles into a cycle.

He's Back Under - And This Time It's Vector"The 2020 classic. Same heart. Brand new body." UNDERWATER 2 keeps the exact sound that made the original a staple on thousands of records - that drowned, slurred, Drake-style filter sweep - and rebuilds everything around it. Eight filter stages up to 96 dB/oct, a redux stage, 36 dB of drive, and a face on screen that cries, blinks and drowns with your audio. Drop it on a vocal. Pull the river up. Done.

Six Voices. One Stage. Sing one line and The Backups puts a sixties revue behind it: six singers who read your pitch, find the key and take their parts. The stage is the plugin. Everything you hear, you can see.

Remanence runs the complete reel-to-reel signal chain: input gain, record equalization, head magnetization, playback EQ, and gap loss. Each stage interacts with the others the way they do on real tape - not as isolated color added at the end, but as a chain that shapes the signal from the moment it hits the heads.

XLN Audio's DB-30 Drum Butter is a multi-effect plugin designed specifically for drums and percussion, allowing you to effortlessly give you inspired, punchy drums full of character.

Instant VINYL sound! Magic on drums!

They Called it Magic. MemoryTone is XILS-lab's exploration of one of analogue synthesis's most ambitious instruments - a sixteen-voice polyphonic architecture built around three oscillators per voice and a 24 dB/octave self-oscillating ladder filter.

RHYTHMIC GLITCH ENGINEThe newest machine from the Lab: chop, pitch, morph and glide, all driven by one engine. GLITCH STUTTER MORPH. LOCKED TO YOUR TEMPO.

CREEPY turns a dry DI guitar into a finished, record-ready nu-metal LEAD tone the second you plug in. No amp to dial. No chain to build. No stack of plugins. One box, one signature sound - that ugly, singing, 2000s-style lead, ready to record.

The AutoTune lineup ranges from the streamlined workflow of AutoTune 2026 to the fine editing of AutoTune Pro 11, offering pitch correction for creators at all skill levels with features like real-time tuning, graph editing, harmony generation, pitch effects, formant shifting, and low-latency processing for live performance and tracking - all tailored to your specific vocal tuning needs.

MIDI Chord-Tracking Correction . More Than Snap To Scale. It Follows The Chords. Play anything on the track and it snaps instantly to a proven chord progression - live, in your DAW, following every chord change as the progression plays. Backed by 200+ patterns built for modern music. No exporting, no theory, no guessing. Built by a producer to save you the years it takes to learn this the hard way.

ALEC (Ableton Live Extra Controls) is an application that adds new keyboard and mouse controls for interacting with Live. By using two special keys configurable to the user’s liking, together with the ALT-OPTION / CONTROL / SHIFT keys and the mouse buttons, it allows to perform a series of different actions in Live. Some are new, while others are native to Live, but performed more efficiently.

Vintage Hardware FM BassFEM-BASO delivers the bass sounds of classic 4-operator FM hardware synths into your DAW. Meticulously multi-sampled from vintage 80s synths and modern FM hardware to put some authentic FM grit and texture into your tracks.