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We love pluck sounds…who doesn’t, but often when you start layering different sounds, you find yourself at the bottom of the rabbit hole with the laborious task of going into each synth and tweaking the envelopes to make each sound cohesive.

The Tines They Are a-Changin’ Tines emulates an electric piano. With internal effects like a stereo tremolo, a multiband distortion panel and a subtle roomy reverb, Tines can sound like anything between a dreamy slick Rhodes to a nasty Wurlitzer (however, it is not designed to be a ”vintage” emulation, but a modern and playable instrument). A fine-tuned velocity curve makes Tines a true joy to play on a MIDI keyboard.

Compress Here, Here and Here. PressIt is a very sophisticated dynamic tool, best used as a master plugin, or to tighten up bus masters. It works really well on drums, but also background vocals or other stems that need to be tamed will fit well. PressIt consists of three compressors who work independently of each other. They are fed with the low, mid & high frequency band of the incoming audio signal.

Have some yummy padding. Pads is a thriving and organic pad synthesizer. It consists of a wavetable synth with a noise/grain generator and a high cut filter. With a carefully developed ”wobbler” that detunes the waveforms and makes very small inconsistencies to several internal parameters and a nice sounding chorus, this synthesizer is able to create some really interesting and non-statical pad sounds.

Kuvert defines a whole new way of dealing with effects. In short, Kuvert allows you to draw five different envelopes. These envelopes control different effect parameters, and can be drawn freely or onto a grid. The envelopes are looped, while the incoming audio isn’t (unless you’re feeding it looped material of course). This is a powerful & fun way of altering your sounds to reach a whole new level, sometimes not even recognizable! Thanks to the looping nature of the plug-in, it will fit very well into any musical context. One way of using it would be to revitalize any looped material (such as beats) within just a few seconds.

Audio Finalizer A powerful tool designed for quickly finalizing complete mixes, stems, buses and/or individual audio tracks.

Synced Band Splitter Gaffel is a tool that splits audio into different frequency bands. Using it on multiple channels lets the user create multiband effect(s) out of any other plugin installed. Frequency parameters are globally synchronized between different instances of the plug in if they’re set to the same group, which makes it really convenient to work with in any DAW.

A golden throat at your fingertips. Jussi emulates male voice vowels in a unique way. Thanks to a set of powerful parameters you can make Jussi sing anything from soft and airy choir-like vowels to hard and angry shouting. Formants are controlled by playing with different velocity, which makes it fun and easy to play using a MIDI keyboard.

Finally, a de-esser that doesn’t suck. Esspresso is a fast, beautiful & powerful de-esser for everyone doing audio recording. De-essers have previously been aimed towards highly professional audio producers that needs full control over the sibilance (high frequency noises) in their mix. These noises can bring trouble to your overall sound – for example if you want a ”crisp” tone to the voice and add the EQ, the S’s will eventually distort and make it hard to balance the mix.

Get the point of a needle, without the needle. DAW LP is a vinyl player simulation plug-in for Mac & Windows (AU/VST/AAX), and iPad (AUv3). It simulates various artifacts associated with vinyl – all the way from the vinyl record surface, to the output cable of the RIAA amplifier. Tune in anything from an old 78:s player to a modern HiFi sound.

Get carried away. Baervaag is a fairly simple FM synthesizer with one carrier and one modulator. The oscillator waveforms can be modified seamlessly between sine wave to pure square wave with PWM (pulse width modulation)

Audio Gear ModelerAnalog gear simulation with a unique & efficient spectral saturation algorithm REAMP is a complex spectral saturation processor, simulating a set of different analog gear in a new and unique way. Benefits of this algorithm is that it is highly CPU efficient and adds (almost) no latency. The seven models available are based on real analog gear, individually measured in two dimensions; gain responses (-inf dB to +6 dB) at the frequency spectrum 20Hz to 20kHz. This data is used to transform input audio to output audio. A four-band spectral drive allows you to let the unit work even more.

Monophonic Synthesizer This fully featured monophonic synthesizer can create a huge variety of sounds. Fat basses, stabby leads, glitchy noises, old style chip tune sounds (including arpeggios), weird percussion, you name it. Enkl does the job! Enkl comes with 93 high quality factory presets, all crafted by professional music producers. Of course it is possible to create new ones and save.

Polyphonic Synthesizer Syndt is a high quality polyphonic synthesizer with a lot of possibilities. The oscillator waveform can be morphed between pure sine to pure square, and supports altering of pulse width. Both the shape and pulse width can be modulated by two independent LFOs. With fine-tuned low pass and high pass filters combined with a separate filter attack setting, (optionally based on velocity) this synth can create some raw and interesting sounds.

Multi-Band Distortion SquashIt is a powerful distortion filter, with a wide range of uses. Whether you want to completely mangle your sound to the unrecognizable, or just beef up the saturation a bit, SquashIt can be your friend. A simple and effective interface let you tune in the perfect amount of distortion, on three different frequency bands. Combined with a unique distortion algorithm, SquashIt has become essential in many music producers’ toolset.