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Hatebreed drummer Matt Byrne brings you a crosscut of hardcore from then and now. Not only inspired by his own band’s catalogue but a broad selection of pioneering songs, influential artists and notable drummers of the genre, Hatebreed drummer Matt Byrne delivers an uncompromising, full-on assault of relentless grooves spanning the whole range of the hardcore genre from then and now. Expect anything from the metal-tinged and devastatingly heavy to the alarming, crushing and aggressive onset of classic hardcore.

BEATS FOR THE SCREEN.Groove foundations for dramatic scenes, soundscapes and songs. The Action Drums MIDI pack presents a collection of unique and unconventional grooves designed for use in any dramatic or action-packed scene, soundtrack or songwriting context.

A FILL-IN-FUSED COLLECTION.More than 700 fills, tailored for fusion. Fusion. “The process or result of joining two or more things together to form a single entity”. The general dictionary definition of the word applies perfectly to the music genre as well – it’s a mix of disparate elements from several genres that, put together, make perfect sense. In a seamless merge, it combines the complexity of jazz, the groove of funk and the raw power of rock, particularly when it comes to the drums.

A NEW SCHOOL OF GROOVE.Drum beats and fills ready for your modern eighties-flavored pop songs. Pop drums in the eighties were somewhat a marriage between two eras. At one end of the scale, drum machines and monotonous beats were forcing their way into the sound of the time, while on the opposite side, groove, feel and timing were more important than ever. Amid all this was the traditional drummer, caught in an age when technology came head to head with tradition. Producers introduced click-tracks on a larger scale, asked drummers to play with machine-like precision to not clinch with their sequenced parts and had them lay down their tracks as the first step in a production – all while session drummers like John Robinson, Ricky Lawson, Phil Collins, Manu Katché, Jonathan Moffet, Jeff Porcaro, Kenny Aronoff and Stewart Copeland rose to iconic fame and had more work than ever. This era is indeed a man-against-machine scenario, where drummers who bridged the gap the best came out on top. Who’ll ever forget those gated reverbs, larger-than-life drum fill breaks and machine-like beats? Interesting time indeed.

LARGER THAN LIFE.Grooves and fills inspired by the icons of rock. Ear-deafening guitars, screeching vocals and thunderous bass in all their glory, but at the end of the day, a rock song is only as good as its heartbeat – the groove. With the Arena Rock MIDI pack, we reclaim center stage and let the floodlights shine on the drummer. This is the ultimate collection for fans of every stripe of big, earth-shattering rock where the beat is not only important, but pivotal.

SIXTIES POP CHOPS.Pop grooves and fills inspired by the '60s pop and rock revolution. Transitioning from rhythm and blues, rock 'n' roll and soul to a more open sound, the '60s pop era is one of blurred lines when it comes to drums. Suddenly, drummers were caught in the midst of a musical and cultural revolution bursting with innovation, calling for new ideas, grooves and personality. Pop and rock players like Bobby Orr, Mick Avory, Keith Moon, Levon Helm, Charlie Watts, Mitch Mitchell, Ringo Starr and others in many ways rewrote the role the drums used to have in a pop or rock song.

In order to give track elements the classic 'telephone' treatment, options are limited: invest in an expensive speaker-simulation plugin, dial in your own fiddly processing setups from scratch, or laboriously reamp the signal through an actual speaker or phone. Surely there's an easier, cheaper way?

LONDON CALLING.EZkeys MIDI inspired by modern British pop. Adele, Ed Sheeran, Coldplay, Amy Winehouse, Sam Smith, James Bay, Ellie Goulding – the modern British pop wonder is more than a fact, it’s a force in motion, unstoppably charging through the worldwide charts. Inspired by this wealth of music, the UK Pop EZkeys MIDI pack dives headfirst into the treasure chest of British pop to come up with new ideas that you can use to craft your tracks from.

Classic algorithmic reverb plugins use a combination of short feedbacking delays to create the illusion of reverberation. These delays cause unwanted metallic resonances and sharp spikes in the reverb's frequency response. The denise team challenged themselves to create something better - a perfect room - and invented their TXVerb technology. Using this technology, the denise Perfect Room doesn't use delays for the tail and will enhance the character and colouration of any audio you run through it in an extremely natural way, sounding defined and tight from the lowest kick all the way up to the highest vocal.

Drumart is a VST/AU drum rompler for Windows and Mac users. Drumart is simple but big in sound, stock sounds are focused for any type of electronic music. Features:

GET YOUR BALLADS BACK ON TRACK. A profound collection of timeless rock grooves inspired by AOR ballads from the golden age of the '70s and '80s.

GROOVES THAT ROCK HARD.Drum grooves and fills inspired by hard rock music of the past four decades. Any decent drummer can play a basic beat, but not all can throw down a groove. There's a dichotomy between the two that sometimes is painfully obvious. One rocks, the other not so much. In this collection, Rival Sons' sticksman Michael Miley shows that his drumming undoubtedly belongs in the category that rocks. His sense of timing, feel, musicality and overall ability to play rudimentary drum grooves that just scream for a bass, a guitar and a vocal is second-to-none.

FOR YOUR EPIC METAL.Galloping beats, frenetic double bass drums, rampant tempos and crushing heaviness. Strip any given power metal song down to the bare bones of the rhythm section and a few simple but key elements emerge: speed, power, accuracy and extreme musical prowess. In respect of the drums, that's exactly what this collection of MIDI is all about. Think the likes of Helloween, Blind Guardian, Iced Earth, Sabaton and Dragonforce and you'll hear the galloping beats, the frenetic bass drums, the rampant tempos and, of course, the odd crushing heavy grooves with all the fills and epic parts to go with them.

A RAMPANT THRASH ATTACK.All the conservative traits of the genre – and then some! This collection of MIDI grooves and fills takes a headfirst plunge into the deep realms of thrash metal music from the late ’80s through to today. Delivering a battery of piercing brutality that encapsulates all the conservative traits of the genre, but also adding elements and ideas that upend the sometimes narrow confines of the style, this pack is the perfect choice for anyone looking for a solid yet versatile foundation of beats for use in any thrash or broad-scope metal context.

NOTHING LESS THAN DEATH.Death metal drumming in its most raw and stark form. With extreme finesse and razor-sharp execution, drummer Dave McGraw steamrolls his way through this collection of MIDI like a battering ram. Handling drumming duties in the death metal band Cattle Decapitation, he’s obliged to master anything from the heaviest and most basic of backbeats to the utmost in technical prowess – something that goes to show in this pack. Expect the entire range, from bombastic and ultra-heavy to savage tempos, hammering bass drums and blistering fills. This is death metal drumming in its most raw and stark form, executed by a drummer at the vanguard of the international scene.