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Desi’ is a South Asian polysemous word which means ‘from the homeland’ or ‘from the countryside’. Traverse through the hard hitting grooves and rhythmically inspiring soundscape of South Asian beats and rhythms with Desi Percussion.

The Ableton Live and FL Studio projects of the demo song I created are included as is. Why not use them as inspiration for your own productions? To open the projects, you'll need the latest version of your DAW and the following VST plug-ins.

'Holy Grail' by 2DEEP is packed with some of the most epic samples, MIDI and One-Shots. This product is made up of a wide range of orchestral elements, backed by some of the hottest drums that will set your DAW on fire.

Test Press is back, pushing the boundaries of preset sound design once again with “Serum 2 90s Volume 2”, another outstanding collection of the most iconic sounds and riffs that defined 90s dance music, and following on from the huge success of Serum 2 90's Volume 1.

We teamed up to create a sonic-toolkit that captures the feeling and sound of Limusic Studio in the south of France - consisting of over 200 WAV sounds featuring foleys, fx, textures, drums, one-shots and many other elements, all recorded at Limusic Studio.

'RnB Honey' by Loops 4 Producers is a great choice for RnB Music lovers. This unique royalty free sounds will satisfy every RnB and Pop artist. 'RnB Honey is a mix of Soul Trap with Future RNB inspired by Ariana Grande, Kehlani, Saint Jhn and Khalid loaded with commercial sounds that will make your musical production sound like the artists of the moment.

DOPE DRUM KIT BY WIGGI & NUMN9NINE CONTAINS: 808 - 80 CLAPS - 45 FX - 18 HI HAT - 35 KICK - 14 LOOPS - 20 MIDIS - 16 MIX PRESETS - 4 OP HAT - 20 PERC & VOX - 35 PHRASES - 13 SNARES - 50

An echo chamber is a reverberant real space, which is used to add reverb to any audio signal. This is done by playing the signal into the space through a speaker, and picking up the audio from that space with at least one microphone. The speaker/mic are usually arranged such that very little signal can travel directly between them, with the sound waves having to bounce off of the walls (becoming diffuse) at least once before reaching the mic(s). In other words, mostly just the reverberation of the space itself is captured. This new, reverb heavy aka “wet” signal can then be mixed back in with the original dry audio to taste.

For Monochrome we wanted to create a premium sound effects library for composers, sound designers and experimentalists fusing a rough electronic aesthetic with film and trailer sound effects for a unique set of modern sonic tools.

Want to create drops like Odd Mob, GENESI, or Max Styler? Then you need sounds that hit hard – punchy, clean, and ready to drop.

Known for his genre-blurring sound that fuses the energy of drum & bass with the polish of modern dance music, Dutch producer Arcando has made serious waves with releases on STMPD RCRDS, DnB Allstars, and Monstercat, and has earned major support from names like Martin Garrix, Jax Jones, and BBC Radio 1.

Transform your productions with the Minimal Deep Tech Sample Pack, inspired by the iconic sounds of Chris Stussy, Sidney Charles, Robbie Doherty, L.P. Rhythm, Josh Baker, Max Dean, and more. This pack delivers over 500 premium-quality sounds and everything you need to create standout House and Tech House tracks.

By using this preset pack, you are agreeing to not distribute any files included in “Kawaii_Melodic | Harmor Preset Pack” as your own. All contents are authorized to use for commercial use.

'Inner Lights' from Producer Loops delivers a smooth and uplifting Drum & Bass experience, featuring dreamy atmospheres, crisp drums, and warm sub-bass. The pack is rich with lush pads, airy textures, and delicate melodic elements that create a deeply introspective vibe. The sound design is pristine, with each loop and sample finely processed for a polished yet organic feel.

An echo chamber is a reverberant real space, which is used to add reverb (not distinct 'echoes') to any audio signal. This is done by playing the signal into the space through a speaker, and picking up the audio from that space with at least one microphone. The speaker/mic are usually arranged such that very little signal can travel directly between them, with the sound waves having to bounce off of the walls (becoming diffuse) at least once before reaching the mic(s). In other words, mostly just the reverberation of the space itself is captured. This new, reverb heavy aka “wet” signal can then be mixed back in with the original dry audio to taste.