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The roughest and most direct sound comes with Jazz in Da House Vol.3. With 27 samples based on the Gritty style, this pack is designed for those looking to create uncompromising productions, full of strength and authenticity. These samples offer a strong, unpolished sound, perfect for genres such as boom bap, underground rap or jazz fused with hip-hop. If you want your beats to stand out for their raw energy, this pack is for you.

Originally conceived for use in American's consoles, this latest version is a continuation of the original 1967 equalizer with one additional filter band and several new frequencies. Incorporating American's exclusive circuitry and proprietary components (such as the legendary 2520 op-amp), the A5B artfully blends the past with the present. Many eQs today offer a huge assortment of complex features, but the A5B provides exactly the right number of controls to the professional engineer.

Myth Rhythm combines deep modulation, powerful effects, and avant-garde sound design in a seamless, NKS2-integrated multi-cell percussion and sound FX instrument. Myth Rhythm is a versatile cell based instrument featuring 16 individual cells, each capable of holding one of over 4,800 included samples or a user-loaded sample. Each cell offers extensive editing capabilities, including filters, envelopes, LFOs, dynamics effects, and send levels. Cells can be easily copied, pasted, and customized with key color settings. Additionally, each cell supports extensive external modulation, utilizing velocity, polyphonic aftertouch, and pitch bend for dynamic performance control.

'METRO Vol. 12' by Smemo Sounds is a Trap Sample Pack loaded with 514MB of content, including 86 WAV Loops and 66 MIDI Files. Designed to capture the essence of Metro Boomin's signature sound. This robust collection provides an extensive array of Trap and Hip-Hop sounds ideal for crafting modern, high-impact tracks. It ensures that producers have everything needed to create dynamic and innovative Trap hits.

18 professional captures created from a Fortin/Synergy Killer Kali module in a Syn 1 unit using the power section of a 5153 Stealth 100 Watt amp for bone crushing tone all the way through Marshall-esque gold!

Pure environmental recordings featuring wind, rain, leaves, forest textures, wildlife moments, and outdoor presence. Designed for creators who want natural life and organic realism in their scenes.

10 professionally created studio and DI NAM captures created from a Marshall/Synergy JMP module into the power section of a Friedman BE100. You get Low Gain, Mid Gain, High Gain. This pack is straight to the point and gives you exactly what you expect in just 10 captures. As a bonus, you get Mid and High Gain boosted with Octonaut Hyperdrive. The Mattfig cab has Greenbacks and V30 plus full DI.

61 New & Original Royalty Free Reggae Samples for DJs, Producers, Selectors and Sound Systems. 16-bit/48kHz.

40 new & original royalty free DJ, Producer and Sound System samples. 16-bit/48kHz.

OBSO is an inspiring catalog of sounds coaxed directly from various forms of obsolete media and extant technology. We celebrate the undulating inconsistencies of bygone days, lovingly filtered through the oxide and worn machinery of VCRs, cassette-decks and other consumer products from the 80s and 90s.

Crates Motel Beats Vol. 1 10 Rare open breaks and beats, edited, remixed, and remastered for your beat tapes. 16-bit/44.1kHz.

Crates Motel Beats Vol. 2 10 Rare open breaks and beats, edited, remixed, and remastered for your beat tapes.BPM is approximate as they are the original unwarped audio. 24-bit/44.1kHz.

DIMEBAG VOICED CABS Created especially for the custom "VULGAR" amplifier, both designed to easily recreate Dimebag's classic tone without relying on complex chains or tedious post-processing.

Get 50 professional-quality processed vocal samples from the Glitchedtones vault. These sounds are carefully selected from our full libraries and distilled into a compact, affordable pack - perfect for instant inspiration.

Designed by the now legendary Saul Walker in the late 60's, this discrete EQ was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of this unit, it quickly found it's way into many custom console designs becoming the standard channel module EQ when the company began manufacturing consoles in 1971. The combination of Walker's incomparable 2520 op amp and his "Proportional Q" circuitry give the user an uncomplicated way to generate acoustically superior equalization.