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What do children need from education now, and in the future? How is technology best used in teaching and learning? How can innovative approaches to education be reconciled with established, traditional ones? What does student-centred learning really mean?

Licensing your music for use in video games, film, advertisements and other audio-visual contexts is one of the best ways for you to monetize your songwriting efforts. In this course, learn how to license your music. Instructor Jake Versluis helps to acquaint you with the basics of music licensing, explaining what licensing is, exactly, how income is generated in music licensing, and what you own when writing and recording. He also steps through how to strategically prepare and pitch your songs, work with quote requests and master use and sync licenses, broadcast your successes, and more.

Brazilian Girls are a funky and eccentric dance music group from NYC and in this full-length mixing tutorial Grammy winner Carlos “El Loco” Bedoya mixes their single “The Critic” from start to finish.

No one would argue that the best way to learn how to play bebop is to learn how to play songs from the bebop songbook. For guitar players, learning songs always starts with learning the chords, progressions, and accompaniment approaches first. In this rhythm edition of the Bebop Guitar Fake Book from Sheryl Bailey, you’ll learn the chords, rhythm patterns, and comping approaches for bebop chord progressions used in dozens of the most popular bebop standards.

Following the release of Ableton Live 10, Sonic Academy welcomes brand new tutor and Ableton certified trainer P-LASK for an in-depth look at How To Use Ableton Live 10 Drum Buss.

This week Chris catches up with internationally renowned dj and producer Patrice Bäumel for a relaxed chat about where it all started right through to where he's heading next.

Ableton Live is packed with a ton of stock plugins that can be used to increase the quality of your mixdowns. Thorough understanding of everything that Ableton Live offers, however, is required to fully utilize these plugins and push them to their limits.

Adam Pollard aka Multiplier, brings you the first of many series designed for the electronic music producer. In this series, Multiplier covers some basics and deeper sides of EQ, as well as how it’s utilized when producing electronic music.

In this Groove3 video series, DAW guru Gary Hiebner reveals the steps to take to build a powerful Orchestral Template that you can use time and time again, as a great starting point when creating cinematic orchestral type productions.

From epic impacts to white noise sweeps, sound effects are an essential part of any EDM track. Expand your synthesis techniques with these advanced FX sound design tutorials by our dance music expert, Multiplier!

With its meticulously sampled instruments, NI’s Symphony Essentials lets you create authentic-sounding MIDI orchestral scores. Join trainer Matt Vanacoro in this 20-tutorial course, and see how this amazing Kontakt library can help you compose epic soundtracks!

The NLE AudioPedia series, our video-based audio encyclopedia, is an invaluable resource for sound engineers, musicians, students, educators and all audio enthusiasts. This ninth installment is about MIDI terminology.

In todays video, Zetta creates a Riddim track from scratch in Ableton Live 10. Follow along to learn arrangement and sound design tricks to take your track to the next level!

The recent release of Ableton Live 10 came packed with tons of new stock features, effects, and instruments for all Ableton users to dive into! One of the most interesting new additions that came with Ableton Live 10 is the Wavetable instrument – a simple and effective wavetable synthesizer with endless possibilities.

Musical sounds are some of the most mobile human elements, crossing national, cultural, and regional boundaries at an ever-increasing pace in the twentieth and twenty-first centuries. Whole musical products travel easily, though not necessarily intact, via musicians, CDs (and earlier, cassettes), satellite broadcasting, digital downloads, and streaming. The introductory chapter by the volume editors develops two framing metaphors: “traveling musics” and “making waves.” The wave-making metaphor illuminates the ways that traveling musics traverse flows of globalization and migration, initiating change, and generating energy of their own. Each of the nine contributors further examines music―its songs, makers, instruments, aurality, aesthetics, and images―as it crosses oceans, continents, and islands. In the process of landing in new homes, music interacts with older established cultural environments, sometimes in unexpected ways and with surprising results. They see these traveling musics in Hawai‘i, Asia, and the Pacific as “making waves”―that is, not only riding flows of globalism, but instigating ripples of change. What is the nature of those ripples? What constitutes some of the infrastructure for the wave itself? What are some of the effects of music landing on, transported to, or appropriated from distant shores? How does the Hawai‘i-Asia-Pacific context itself shape and get shaped by these musical waves? The two poetic and evocative metaphors allow the individual contributors great leeway in charting their own course while simultaneously referring back to the influence of their mentor and colleague Ricardo D. Trimillos, whom they identify as “the wave maker.” The volume attempts to position music as at once ritual and entertainment, esoteric and exoteric, tradition and creativity, within the cultural geographies of Hawai‘i, Asia, and the Pacific. In doing so, they situate music at the very core of global human endeavors.