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The newest, and the fattest, Lately Bass. A compact four-operator FM synthesizer. Released in 1987, the Yamaha TX81Z is a four-operator FM tone generator in a 1U rack. Conceived as an affordable way to bring the FM synthesis pioneered by the six-operator DX7 to more musicians, this small unit nevertheless holds features that even its bigger siblings lacked: where earlier FM synths offered only sine waves, each of the TX81Z's operators can choose from eight waveforms. Combined with the character of its distinctive analog circuitry, this gives it an appealing sound quite unlike the DX7.

The world's only, and finest, JUPITER that faithfully recreates the legendary MKS-80. The Roland MKS-80 SUPER JUPITER is a legendary synthesizer produced only for a short period beginning in 1984. Often overshadowed by popular keyboards such as the JUPITER-8, this 8-voice polyphonic analog synthesizer is defined not only by its refined sound but also by a remarkable trait: almost every one of its parameters can be controlled over MIDI.

The ACM-SA series offers a collection of outstanding analogue modelled mastering plugins for Windows and Linux PCs, transforming your digital audio workstation into a versatile virtual analogue mixing and mastering environment.

Build your ideal virtual analogue mixing environment. The ACM500X series offers a collection of outstanding analogue modelled plugins for Windows and Linux, transforming your digital audio workstation into a versatile virtual analogue mixing environment.

SideKick brings drawable volume envelopes, intelligent spectral ducking and sidechain ring modulation together in one plugin. Get your kick and bass working together. Use your kick to drive precise volume ducking, target competing frequencies with spectral shaping, or explore sidechain ring modulation. Draw the envelope to shape how it reacts around each hit.

LUFS Leveler Dragon Fader is a premium LUFS leveler designed to beautifully "ride" any audio signal. While modern levelers rely on AI, Dragon Fader uses one of the most transparent compressor/expanders ever created to deliver flawless, natural results - while keeping you in complete control. Packed full of advanced features and powerful side-chain capabilities, it goes far beyond standard compression to give you total creative freedom over your level-shaping.

PSP McQ captures the sonic character and functionality of classic console equalizers, drawing particular inspiration from the versatile EQ sections found in MCI consoles. While rooted in these analog classics, PSP McQ expands on the original concepts with a number of modern features, including adjustable high-pass and low-pass filters, resonance controls for the shelving filters, optional bell modes for the low and high bands, and three nominal Q values for the midrange filters.

PSP RetroQ is PSP Audioware's unique take on a musical program equalizer, combining distinctive sonic character with low phase distortion for a smooth, natural sound. Its shelving filters are based on the highly regarded filters from PSP VintageWarmer, while the midrange section was designed using the same internal architecture to maintain a consistent musical character across the entire frequency range. An adjustable high-pass filter completes the feature set, making PSP RetroQ a flexible yet straightforward tool for broad tonal shaping.

3 distortion modes. One sweet weapon! Get a low end heavier, meaner, and loud enough to be heard even on tiny speakers. Your neighbors will have opinions.

Gated Multi-FX A grid where each step is a tiny envelope - swell, pluck, pulse. String them together and any sound turns rhythmic, perfectly in time.

VHS / CRT circuit-bend FX Tape wow, head burn, tracking wash, dropouts and snow - six knobs of damage on whatever you run through it, over a CRT that shows you every bit of what it does.

BEEFY is a saturation and loudness effect for making sounds thicker, punchier and more up front. It adds body, squeezes some space out of the peaks, and brings out harmonics that help a sound feel bigger. A little can fill things out. A lot can get rude. That's what the big knob is for.

7 Processors. One Window. One Job."Make it hit." Stop stacking a transient shaper, an EQ, a saturator, a compressor and a mono tool just to make one 808 land. 8008 runs 7 purpose-built processors at once - band-split transient design, sub-fundamental boost, eight saturation characters, one-knob dynamics, phase-perfect mono bass, lo-fi character and a brickwall limiter - every one of them tuned for the 30-150Hz region where an 808 actually lives. One plugin in. A finished, punishing low end out.

15 Lofi Effects. One Window. Zero Compromise."Three ways to ruin a signal." Stop stacking six plugins to get one dusty loop. TRIO runs 15 hand-coded lofi effects at the same time - bitcrush, tape wow, vinyl noise, valve warmth, lush reverb, stutter, Juno chorus, granular dust, filter sweeps, ping-pong delay and a full mastering bus - all inside a single window that never gets in your way. One plugin in. A finished, broken, beautiful sound out.

Your Mix Is Too Clean. Feed It A Dying Tape."A dying VHS deck and a bleeding CRT television." A real VHS transport and a bleeding CRT television, not a tape plugin with a nostalgia filter. TVHS models wow, flutter, saturation, Hi-Fi compander mistracking, tape hiss, random dropouts, head-switching glitch and CRT flyback whine as 11 separate, individually-bypassable effects, plus 10 real tape-head impulse responses and NTSC/PAL switching. Wow and flutter never loop - they're driven by filtered noise, not an LFO, so a pad never settles into a cycle.