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Gated Multi-FX A grid where each step is a tiny envelope - swell, pluck, pulse. String them together and any sound turns rhythmic, perfectly in time.

VHS / CRT circuit-bend FX Tape wow, head burn, tracking wash, dropouts and snow - six knobs of damage on whatever you run through it, over a CRT that shows you every bit of what it does.

BEEFY is a saturation and loudness effect for making sounds thicker, punchier and more up front. It adds body, squeezes some space out of the peaks, and brings out harmonics that help a sound feel bigger. A little can fill things out. A lot can get rude. That's what the big knob is for.

7 Processors. One Window. One Job."Make it hit." Stop stacking a transient shaper, an EQ, a saturator, a compressor and a mono tool just to make one 808 land. 8008 runs 7 purpose-built processors at once - band-split transient design, sub-fundamental boost, eight saturation characters, one-knob dynamics, phase-perfect mono bass, lo-fi character and a brickwall limiter - every one of them tuned for the 30-150Hz region where an 808 actually lives. One plugin in. A finished, punishing low end out.

15 Lofi Effects. One Window. Zero Compromise."Three ways to ruin a signal." Stop stacking six plugins to get one dusty loop. TRIO runs 15 hand-coded lofi effects at the same time - bitcrush, tape wow, vinyl noise, valve warmth, lush reverb, stutter, Juno chorus, granular dust, filter sweeps, ping-pong delay and a full mastering bus - all inside a single window that never gets in your way. One plugin in. A finished, broken, beautiful sound out.

Your Mix Is Too Clean. Feed It A Dying Tape."A dying VHS deck and a bleeding CRT television." A real VHS transport and a bleeding CRT television, not a tape plugin with a nostalgia filter. TVHS models wow, flutter, saturation, Hi-Fi compander mistracking, tape hiss, random dropouts, head-switching glitch and CRT flyback whine as 11 separate, individually-bypassable effects, plus 10 real tape-head impulse responses and NTSC/PAL switching. Wow and flutter never loop - they're driven by filtered noise, not an LFO, so a pad never settles into a cycle.

He's Back Under - And This Time It's Vector"The 2020 classic. Same heart. Brand new body." UNDERWATER 2 keeps the exact sound that made the original a staple on thousands of records - that drowned, slurred, Drake-style filter sweep - and rebuilds everything around it. Eight filter stages up to 96 dB/oct, a redux stage, 36 dB of drive, and a face on screen that cries, blinks and drowns with your audio. Drop it on a vocal. Pull the river up. Done.

The latest in our esoteric "collectables" range of instruments and tools to inspire you and your listeners with sounds that sit outside the mainstream. Transcend the ordinary with a piano like no other (and bring your bendy rubber spoon).

The Chorus Ensembler is a faithful simulation of the Boss® CE-1™, a mid 70's BBD chorus and vibrato pedal. This is the first product Roland® marketed as Boss®, becoming one of the most sought after pedals thanks to its warm and organic character.

Six Voices. One Stage. Sing one line and The Backups puts a sixties revue behind it: six singers who read your pitch, find the key and take their parts. The stage is the plugin. Everything you hear, you can see.

Unleash your creativity- Signature attack engine for snappy plucks and stabs - Modulation matrix for instant routing and deep movement - Create presets with your favourite AI*

In the lexicon of instruments, timbres and colours available to us there is no sound more potentially terrifying than that of a young voice. As beautiful as it can sound in the right context, when placed against darker subject matter or accompaniment it can become the thing of pure nightmares.

THE BBD CHORUSChief Chorus is a faithful simulation of the Boss® CE-2™, a late 70's BBD chorus pedal. Built around the MN3007 BBD chip, this pedal was the first compact chorus made by the Japanese company and replaced the previous CE-1™ sacrificing several features, mainly the vibrato and the stereo output.

Remanence runs the complete reel-to-reel signal chain: input gain, record equalization, head magnetization, playback EQ, and gap loss. Each stage interacts with the others the way they do on real tape - not as isolated color added at the end, but as a chain that shapes the signal from the moment it hits the heads.

XLN Audio's DB-30 Drum Butter is a multi-effect plugin designed specifically for drums and percussion, allowing you to effortlessly give you inspired, punchy drums full of character.