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The Ultimate Fuzz and Octave Weapon for Guitar and Bass. AtlasDSP DI Rekak is a crushing fuzz and tone-sculpting plugin designed to transform your guitar or bass into a wall of harmonically rich, octave-infused destruction. Whether you're chasing searing leads, gnarly bass fuzz, or heavy sludge textures, DI Rekak gives you the tools to shape it all with precision and character.

Choose a year. Hear your drums age. Decade puts eight decades of drum sound on a single timeline. Move the puck from 1950 to now and the whole chain follows - the console, the room, and the format the record was heard on. This isn't a preset browser with era names on it. The year is the instrument.

The Ultimate Low-Tuned Tone Enhancer for Guitar and Bass. AtlasDSP DI Hell is a powerful high-gain distortion and tone-shaping plugin designed for aggressive guitar and bass tones. With a finely tuned EQ, dynamic shaping, and additional tone enhancement options, DI Hell delivers crushing distortion, tight articulation, and a wide range of tonal customization.

Meet PHAT * Slam your sounds with distortion and compression & instantly drive them through the roof with unreal character and punch.

J60 | Six voices, one chorus, and the sound of the early 80s. Built from the original circuit, not from samples. * Checked against the service manual. The manual lists the adjustments every unit got at the factory. We measured J60 against the same list: filter self-oscillation, envelope times, LFO rate and chorus.

BBD-modeled analog echo, sampled from real hardware. Most vintage-delay plugins start from a wishlist of features. This one started with a screwdriver. We measured a real bucket-brigade (BBD) hardware delay, the same chip family and circuit topology that defined analog echo from the early 80s onward: companded input, BBD clock-tied bandwidth, soft-clipped feedback path, self-oscillation through saturation. Dirac impulses, log sweeps, sustained sines, saturation curves at a dozen feedback levels.

Not Another Glue-Comp | A stereo bus compressor built on a classic British VCA topology. Transformer saturation, program-dependent auto-release, 4x oversampling. I built this because I kept reaching for the same classic British console-style bus comp in every session, and nothing I could afford actually sounded right. Too clean, too slow, or just off. So I modeled the circuit myself.

Multi-instrument & sound design engine Eight oscillators. A patcher you cable yourself. A sampler you can slice. Sixteen effects and 717 presets. One instrument, built for making sounds nobody else has.

Lightning-fast sample browsing Finder Audio Tools replaces Finder’s preview engine with a much-improved version: instant playback, consistent volumes between samples, and full keyboard control.

DI CRANK is a powerful EQ + drive pedal VST plugin designed to make your AmpSim sound heavier, tighter, and more chugging. Built specifically for low-tuned guitars and basses, this plugin helps clean up muddiness while enhancing the aggression and clarity of your tone.

It centralizes system volume, application-specific volume, output device switching, and microphone management in a compact panel, allowing adjustments without opening system settings. The software can individually lower the volume of currently playing applications and enable up to 200% volume boost as needed, automatically remembering the volume of each application and restoring it for the next playback.

XMLimiter 2 - The World's Most Transparent and Loudest Mastering Peak Limiter XMLimiter 2 is not a classic look-ahead limiter. It does not rely on time-constant parameters such as Attack or Release.

Phoalis - Loudness Curve Matching Engine Phoalis analyzes your source material and calculates the gap between its tonal profile and an ISO 226-based ideal equal-loudness curve, then lets you close that gap by ear and by eye. Beyond that, MAGIC FLOW - RAWL's proprietary processing, entirely independent of the ISO 226 curve - further balances dynamics and space for a richer, more cohesive result. Up to four curves (PROFILE, IDEAL, AFTER, MAGIC) are displayed directly in the analyzer, so tonal decisions are never made blind.

ANCHOR - Stability Engine ANCHOR is an audio plugin that analyzes the "stable components" and "transient components" of a sound, shaping its character across frequency bands. Rather than working like a traditional EQ or compressor, ANCHOR takes an analysis-first approach - it reads the unique "stability profile" of the source material and applies custom processing tailored specifically to that signal, band by band.

BIGULATOR | A Circuit Model of a Rare Analog Mastering Clipper. Bigulator, a circuit model of an analog mastering clipper, showing the scrolling gain reduction display, transfer curve and control panel