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DI CRANK is a powerful EQ + drive pedal VST plugin designed to make your AmpSim sound heavier, tighter, and more chugging. Built specifically for low-tuned guitars and basses, this plugin helps clean up muddiness while enhancing the aggression and clarity of your tone.

It centralizes system volume, application-specific volume, output device switching, and microphone management in a compact panel, allowing adjustments without opening system settings. The software can individually lower the volume of currently playing applications and enable up to 200% volume boost as needed, automatically remembering the volume of each application and restoring it for the next playback.

XMLimiter 2 - The World's Most Transparent and Loudest Mastering Peak Limiter XMLimiter 2 is not a classic look-ahead limiter. It does not rely on time-constant parameters such as Attack or Release.

Phoalis - Loudness Curve Matching Engine Phoalis analyzes your source material and calculates the gap between its tonal profile and an ISO 226-based ideal equal-loudness curve, then lets you close that gap by ear and by eye. Beyond that, MAGIC FLOW - RAWL's proprietary processing, entirely independent of the ISO 226 curve - further balances dynamics and space for a richer, more cohesive result. Up to four curves (PROFILE, IDEAL, AFTER, MAGIC) are displayed directly in the analyzer, so tonal decisions are never made blind.

ANCHOR - Stability Engine ANCHOR is an audio plugin that analyzes the "stable components" and "transient components" of a sound, shaping its character across frequency bands. Rather than working like a traditional EQ or compressor, ANCHOR takes an analysis-first approach - it reads the unique "stability profile" of the source material and applies custom processing tailored specifically to that signal, band by band.

BIGULATOR | A Circuit Model of a Rare Analog Mastering Clipper. Bigulator, a circuit model of an analog mastering clipper, showing the scrolling gain reduction display, transfer curve and control panel

BIG NOTES | Recall every knob, fader, and mic position. Snap photos of your outboard gear, pedal boards, synth patches, and mic setups — they save right inside your DAW session, exactly where you need them.

BIG LOADER | An All-In-One Reverb IR Loader. Big Loader convolution reverb, showing the impulse waveform, shape controls, reverb EQ and the wet and dry faders Big Loader is an all-in-one reverb IR loader. Load a plate, a spring, a hall or a room you captured yourself, then shape it into the space your mix needs without leaving the plugin. Trim the impulse, stretch it, set its decay and damping, and balance the early reflections against the tail, then finish the reverb with width, a four band EQ, chorus, drive, ducking and a gate. A built-in browser keeps your whole IR library a click away.

BIG PUMP | A single knob loudness shaper that reads the music in real time. Turn it up and your audio gets heavier, denser, and more forward, building weight in step with the performance instead of flattening it.

BIG LISTEN | A/B Reference Plugin for Mixing and Mastering. Big Listen A/B reference plugin running at the end of a master chain, with reference slots, waveform and metering.

This all-inclusive bundle provides access to advanced filters, distortion effects, delays, spectral blurs, pitch shifters and granulators - supercharged by our next-level modulation system - making it ideal for creators seeking a full range of sonic possibilities.

Complete compositions. One click. Chords, melodies, basslines and arpeggios that belong together, written in one click across 32 genres. Hear them against a guide drum groove, shape the feel, and drag full arrangements into your DAW. Built on music theory, not AI.

Deadline Mini is an audio mastering app for Mac. Drop in a song or an entire folder, choose a loudness style, and let Deadline Mini balance the level across each track. Adjust the tone when needed, compare the result with the original, and export in the format you want.

Satori Channel. The Moment Mixing Becomes Clear. Filters. Gate. Nine saturation modes. Compression. Transient shaping. Musical EQ. De-essing. Stereo generation. Psychoacoustic panning. Clipping. Limiting. Your entire processing chain, brought into one focused, musical workflow.

UVI Workstation becomes UVI Player Our core instrument environment has a new name. We chose it to reflect exactly what the software does: providing an effortless place to open, explore, and play your instruments. While the name has changed, the reliability remains, and the experience continues to improve.