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Tapehead is right in line with Massey’s track record. It’s dead simple to use, it sounds great and as always it’s free to demo for as long as you like! Functionality There are only three controls on the plugin interface; Drive, Trim and a three-stage Normal / Bright switch, all of which do exactly what they say.

By gaining a solid understanding of sound synthesis, you'll be empowered to create and shape your very own sounds. In this course, learn how to use Serum, the popular synth plugin, through a series of practical lessons, tips, tricks, and sound design projects. Instructor Rick Schmunk goes over wavetable synthesis, as well as how to shape sounds using ENVs and LFOs. Plus, he covers how to use macros to add real-time changes, how to create and edit sounds, and more. Throughout the course, Rick shares tips and tricks for more efficient, nuanced usage of the tool. As new features are added to Serum, this course will be updated to ensure you're prepared to leverage all that this wavetable synthesizer has to offer.

No FX No Leads No Bullshit just organic sounds that aredirectly taken from project files from samples from me <3 This is by far the best Omnisphere Bank out right now When I finished this bank man I though this is too hard to put out :D

450MB of Professionally Designed Melody Loops with Stems!

really good sounds/sounds i personally use 20 808's 20 kicks

Grammy Award Winning Producer, Engineer, and Mixer, Jacquire King, has worked with some of the world’s most influential artists in every role you can imagine in a recording studio. From being an acclaimed recordist to mixing and producing multi-platinum records (9X in the case of Kings Of Leon) by superstars like Kaleo, Modest Mouse, Kings of Leon, Tom Waits, Norah Jones, Buddy Guy, Cold War Kids, MuteMath, Melissa Etheridge, and James Bay.

Yo guys, here's my official drumkit. This kit includes custom 808's, Melodies, Snares, and Kicks. This Kit Includes:

Reason master Paul Ortiz brings you a collection of video tutorials designed to get you going with Reason 10 from scratch. Learn everything you need to know to understand Reason 10’s layout, basic functions, recording and editing MIDI and Audio, Bussing, Routing, using Instruments, Devices and much, much more!

After a long period of silence, Aria Sounds is very pleased to present the LSB Solo French Horn for Kontakt 4 and above. This instrument is yet another step up for Aria Sounds, packed with features, and carefully sampled to produce a powerfully convincing sound. The library is 5GB extracted and runs in Kontakt 4 and above.

Thank you for all the support! means a lot!! I hope you guys like the kit, just a collection of sounds I use, enjoy <3 808s acapellas

THE "FLOWRENCY DRUM KIT" CONSISTS SOLEY OF THE SOUNDS I USE REGULARY INCLUDE THIS PACK:

'Gypsy Swing Guitars Vol 1' is perfect if you're looking for some bright and bouncy Gypsy swing guitars. This pack features 112 sharp and shiny guitar loops ranging from 195-220 BPM and was made by using a mix of steel and nylon string guitars.

Welcome to Intro To Music Publishing: A Creative and Business Perspective For Musicians. This 2 part entry level video series is based on Bobby Borg’s popular book Business Basics For Musicians, and is for beginners who want to understand the fundamentals of music publishing, as well as for more advanced musicians who need a solid business refresher.

This course will be focused primarily on three different types of synthesis that are employed by different virtual instruments in Ableton Live. You'll learn about subtractive synthesis using the analog instrument, frequency modulation (FM) synthesis with operator, and we'll also explore granular synthesis using the sampler instrument. We will look at a few Max for Live devices (such as the drum synths and standalone LFO) that can be useful aids in sound design.

This is a deliberately provocative book crossing many disciplinary boundaries and locating music and art education within a context of contemporary social and political problems in a time of growing disruption and authoritarianism. Intended firstly for music teacher educators, practicing music teachers, and graduate and undergraduate music education majors, the book also speaks to arts and media studies teachers, parents, or others interested in exploring how composing, performing, improvising, conducting, listening, dancing, teaching, learning, or engaging in music or education criticism are all political acts because fundamentally concerned with social values and thus inseparable from power and politics. Among the book’s central themes are the danger of democratic deconsolidation in the West and how music education can help counter that threat through the fostering of democratic citizens who are aware of music’s ubiquity in their lives and its many roles in shaping public opinion and notions of truth, and for better or for worse! The arts can obviously be used for ill, but as George Orwell demonstrated in his own work, they can also be employed in defense of democracy as modes of political thought and action affording opportunities for the revitalization of society through its re-imagining