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The FRG-EEE Rack Extension plug-in is a modern four-band equalizer consisting of low and high shelving EQ wrapped around two parametric bands. The FRG-EEE equalizer (aka 'froggy') packs a punch at the low and high end using a shelving EQ technique we call frequency resonant gain (FRG). This approach gives the FRG-EEE a little extra near the selected shelving frequency for, well, a little extra. The two parametric bands have a reasonably tight (but musical) Q, and wide frequency ranges.

The Moo Tube Rack Extension plug-in is a software emulation of modern tube-based hardware compressors. When you want to fatten up your tracks, don't have a cow. Get some Moo in your music with the Moo Tube compressor.

The Moo Q Rack Extension plug-in is a software emulation of modern tube-based equalizers. Moo Q goes with audio tracks like milk goes with cookies. Get some Moo in your music with the Moo Q equalizer.

Introducing one of the most popular music and post production tools for adding grit, distortion, and character to your audio... FutzBox! The FutzBox Rack Extension plug-in is a collection of filtering, distortion, noise generation, and lo-fi effects, coupled with the ability to harness the sound from over 160 devices including walkie-talkies, telephones, radios, and more!

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The Synapse Vintage EQ-3 is a precise model of a 3-band analog tone stack, as found in late 50s guitar amplifiers. The unique sound of these devices is due to the coupled, passive circuits employed.

The RM-1 is a virtual-analog ring modulator with a unique soft-saturation characteristic. Both an internal oscillator as well as mono and stereo side chains are available as a modulation source. Full CV control for all knobs is available on the backside of this rack extension.

The Synapse RE-160 is a high-quality RMS compressor, modeled after a famous studio classic. Its distinct compression characteristics make the RE-160 an indispensable tool in any studio setup.

Synapse Ninety is a software emulation of a legendary 1970s phaser. What makes this phaser unique is the feedback path, which gives the sound a very distinctive character, unlike any other analog phaser. Our emulation employs a zero-delay feedback network, a technique popularized by recent synthesizers, and particularly well suited to emulate analog feedback loops.

The Synapse GQ-7 rack extension is designed as a professional mixing and mastering equalizer, offering five bands with high-quality parametric and shelving EQs, plus two additional low- and high cut filters. The GQ-7 is suitable for a broad spectrum of tasks - whether you need an equalizer to mix instrument tracks, remove problem frequencies in your master with surgical precision, or get rid of the mic rumble in recordings, the GQ-7 does it all, while delivering superior results.

Fat Space is a completely novel type of reverb never seen before. With a largely customizable reverb envelope and introducing a new technology we call Liquid Convolution, Fat Space produces a thick sound like no other reverb does and excels both at real room modelling and unreal spaces alike. With its novel technology, Fat Space is free of reverb artifacts and thus works on a wide range of sounds.

Inspired by a high-end 1980s outboard reverb, the Synapse Deep Reverb DR-1 delivers a deep, lush sound not found in modern software reverbs. Rather than trying to imitate real spaces, the DR-1 gives an uncolored and pleasant reverb sound that is especially well suited for synthetic material and lead sounds.

The DC-2 dual chorus offers a warm, sweeping stereo chorus effect based on a two-stage design with well-matched delay times. Sound parameters include the delay time, modulation rate, depth and a bipolar feedback control. The delay time, modulation rate and feedback parameters can be controlled via CV Inputs on the backside.

The Synapse AP-12 is a very musical sounding 6/12 stage phaser effect emulating vintage analog hardware. The Synapse AP-12 emulates vintage analog phasers, which are composed of a series of phase shifting stages with a feedback path wrapped around them. The phase shifting stages (switchable between 6 and 12 stages) are modulated by a LFO, which can be synchronized to the current song tempo. In contrast to most hardware phasers, the AP-12 employs a stereo signal path, allowing the LFO to use different phases on the left and right channel, and thus creating a nice stereo effect. Furthermore, the feedback can be set to both positive and negative amounts, each resulting a in different timbre.

The AF-4 is a virtual-analog lowpass filter module, based on the well-known transistor ladder design. In order to obtain highest quality, this lowpass filter employs a topology-preserving, zero-delay feedback network with 4x oversampling, yielding results comparable to industrial circuit simulator.