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After years producing award-winning sample collections, Sample Magic share the secrets of house music production in this 144-page full-colour book packed with hundreds of walkthroughs, hints, tips and insights from some of the biggest names in the industry.

Thomas Schuttenhelm provides a detailed account of the events leading up to and throughout the compositional process associated with Michael Tippett’s Fifth String Quartet and a comprehensive analysis of the entire quartet. The commentary discusses this work in the context of Tippett’s creative development and places it within the historical context of the genre of the string quartet. The commentary includes interviews with the members of the Lindsay String Quartet, who premiered the work, as well as previously unpublished letters from the composer and interviews with Tippett in which he discusses the quartet in detail. Special attention is given to Tippett’s preliminary attempts, which were only recently discovered (2011) and to the evidence that suggests he altered the original ending. Included are images from the composer’s sketchbooks and manuscripts, as well as the original beginning and the altered ending

What John Berger did to ways of seeing, well-known indie musician Damon Krukowski does to ways of listening in this lively guide to the transition from analog to digital culture

Having made his name in the late 1980s as a member of the indie band Galaxie 500, Damon Krukowski has watched cultural life lurch from analog to digital. And as an artist who has weathered the transition, he has challenging, urgent questions for both creators and consumers about what we have thrown away in the process: Are our devices leaving us lost in our own headspace even as they pinpoint our location? Does the long reach of digital communication come at the sacrifice of our ability to gauge social distance? Do streaming media discourage us from listening closely? Are we hearing each other fully in this new environment?

Examining one of the most popular and enduring genres of American music, this encyclopedia of classic rock from 1965 to 1975 provides an indispensable resource for cultural historians and music fans.

This book and streaming video course is all that you will ever need for getting started playing the most famous and cherished piano classics!

Piano Professor, Damon Ferrante guides you through how to play the piano with step-by-step lessons for beginners and 20 streaming video lessons.

(Easy Piano Songbook). 50 recent popular hits simply arranged to get beginning pianists started playing their favorite songs. Includes: All of Me * Brave * City of Stars * Foolish Games * Goodbye My Lover * How to Save a Life * I'm Yours * Just Give Me a Reason * Let It Go * My Immortal * No One * One Call Away * Roar * Say Something * Someone like You * Stay with Me * Thinking Out Loud * We Are Young * You Raise Me Up * and more. Includes lyrics.

(Super Easy Songbook). It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. This edition includes nearly 60 great songs: Bridge over Troubled Water * Can't Help Falliing in Love * Every Breath You Take * Hallelujah * I Will Always Love You * Imagine * Just the Way You Are * Lean on Me * On Broadway * Right Here Waiting * Stand by Me * Tears in Heaven * The Wind Beneath My Wings * You Raise Me Up * You've Got a Friend * and many more.

Popular music is a growing presence in education, formal and otherwise, from primary school to postgraduate study. Programmes, courses and modules in popular music studies, popular music performance, songwriting and areas of music technology are becoming commonplace across higher education. Additionally, specialist pop/rock/jazz graded exam syllabi, such as RockSchool and Trinity Rock and Pop, have emerged in recent years, meaning that it is now possible for school leavers in some countries to meet university entry requirements having studied only popular music. In the context of teacher education, classroom teachers and music-specialists alike are becoming increasingly empowered to introduce popular music into their classrooms. At present, research in Popular Music Education lies at the fringes of the fields of music education, ethnomusicology, community music, cultural studies and popular music studies. The Ashgate Research Companion to Popular Music Education is the first book-length publication that brings together a diverse range of scholarship in this emerging field. Perspectives include the historical, sociological, pedagogical, musicological, axiological, reflexive, critical, philosophical and ideological.

Are you tired of muddy and sloppy bass in your room with bass notes masking your music into one big bloated mess? Need a cost effective way of dealing with the problem? Then you should build your own DIY Bass Absorbers following our easy to follow plans!

Are you tired of homogenous, ugly looking foam stuck up on your walls? Need a cost effective way of dealing with the problem? Then our DIY Acoustic Panels are ideal for you!

by Roey Izhaki (Author)

Mixing Audio: Concepts, Practices, and Tools, Third Edition is a vital read for anyone wanting to succeed in the field of mixing. This book covers the entire mixing process – from fundamental concepts to advanced techniques. Packed full of photos, graphs, diagrams, and audio samples, it teaches the importance of a mixing vision, how to craft and evaluate your mix, and then take it a step further. The book describes the theory, the tools used, and how these are put into practice while creating mixes.

A Dictionary for the Modern Percussionist and Drummer is an essential resource for any student, professional, or amateur musician who wants to delve into the vast world of percussion and drumming instruments and terminology.

With an emphasis on modern terms in many languages and genres, James A. Strain has defined, detailed, and explained the use of percussion instruments and drums not only for classical genres (such as orchestra, symphonic, band, and opera) but also for popular styles (such as jazz, rock, music theater, and marching band). Also included are those world music instruments and ensembles commonly found in public school and university settings (such as steel drum bands, samba bands, and gamelan ensembles) as well as historical genres related to rope and rudimental drumming.

How To Network With DJ’s & Artists

Understanding how to network is crucial in developing your personal network of producers and DJs. In this video, Shanahan introduces the course and explains what he’ll be covering, and touches upon the basics of networking.

A comprehensive guide that addresses the theory and practice of spatial audio

This book provides readers with the principles and best practices in spatial audio signal processing. It describes how sound fields and their perceptual attributes are captured and analyzed within the time–frequency domain, how essential representation parameters are coded, and how such signals are efficiently reproduced for practical applications. The book is split into four parts starting with an overview of the fundamentals. It then goes on to explain the reproduction of spatial sound before offering an examination of signal–dependent spatial filtering. The book finishes with coverage of both current and future applications and the direction that spatial audio research is heading in.

Program audio and sound for Linux using this practical, how-to guide. You will learn how to use DSPs, sampled audio, MIDI, karaoke, streaming audio, and more. Linux Sound Programming takes you through the layers of complexity involved in programming the Linux sound system. You’ll see the large variety of tools and approaches that apply to almost every aspect of sound. This ranges from audio codecs, to audio players, to audio support both within and outside of the Linux kernel.