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This book presents advances in speech and music in the domain of audio signal processing. The book begins with introductory chapters on the basics of speech and music, and then proceeds to computational aspects of speech and music, including music information retrieval and spoken language processing.

This Bundle includes the PDF eBooks A Practical Handbook: From Piano To Strings, A Practical Handbook: Workbook and A Practical Handbook: MIDI/Audio Examples Package for a complete self-study solution.

Sound Affects: A User's Guide is a collection of sonically-charged concepts ranging from those felt , 'heard' and repeated (silence, the oriental riff, shuffle), to the vocal (whispers, sing, the disembodied voice), to sounds at the threshold (tin/ny, thump, buzz) to sounds beyond the limits of audibility (inaudible tremors, distortion, sub-bass). Sound Affects invites the reader to reflect on the ways that sounds produce affects and the ways that affects can operate as sound.

This fully updated and complete guide takes you inside the world of creating music for film, television, and—unique to this third edition—video games. Industry expert Jeff Rona addresses a wide range of topics including musical aesthetics, cutting-edge technology and techniques, and current business aspects.

Learn the different sound synthesis methods and how to implement them in C++. Requires knowledge of programming in C++. Additive Synthesis Subtractive Synthesis

Discover the proven step-by-step mixing process that's helped thousands of musicians and producers confidently release their records. > Simplify your mixing process to create better mixes in less time

Bei Live-Veranstaltungen müssen Tontechnikerinnen und Tontechniker innerhalb kürzester Zeit viele verschiedene Aufgaben erledigen – eine zweite Chance gibt es in der Regel nicht: Mikrofonieren, den optimalen Sound für die Bühne und für das Publikum einstellen, mit Bands und Veranstaltungsleitung kommunizieren sowie Mischpulte effektiv und sicher bedienen.

A complete and harmonious history of music, from prehistory to the present day! Have you ever wondered how blues influenced rock music? Or why jazz took a more Latin-American approach? Classical or rock, everyone has their favorite music style, but how did your top choice come about? If you find yourself asking these musical questions and more, then this may be the book for you!

Stay on Beat - Aligning Yourself with Winning Trends in the Music Industry explores the intersection of music, technology, and entrepreneurship in today's music industry. If you are an artist trying to navigate the music business and the world of DIY music-making, this is the book that is #1 on your must-read list. It's a wealth of information for those interested in industry trends, and the many options to help you jumpstart your career and monetize your music using today's innovative digital tools.

Acclaimed cultural critic Greil Marcus tells the story of Bob Dylan through the lens of seven penetrating songs “The most interesting writer on Dylan over the years has been the cultural critic Greil Marcus. . . . No one alive knows the music that fueled Dylan’s imagination better. . . . Folk Music . . . [is an] ingenious book of close listening.”—David Remnick, New Yorker

Founded on Chicago’s South Side in 1965 and still thriving today, the Association for the Advancement of Creative Musicians (AACM) is the most influential collective organization in jazz and experimental music. In Sound Experiments, Paul Steinbeck offers an in-depth historical and musical investigation of the collective, analyzing individual performances and formal innovations in captivating detail. He pays particular attention to compositions by Muhal Richard Abrams and Roscoe Mitchell, the Association’s leading figures, as well as Anthony Braxton, George Lewis (and his famous computer-music experiment, Voyager), Wadada Leo Smith, and Henry Threadgill, along with younger AACM members such as Mike Reed, Tomeka Reid, and Nicole Mitchell.

Directly addressing the underrepresentation of Black composers in core music curricula, Expanding the Canon: Black Composers in the Music Theory Classroom aims to both demonstrate why diversification is badly needed and help faculty expand their teaching with practical, classroom-oriented lesson plans that focus on teaching music theory with music by Black composers.

Music, Authorship, Narration, and Art Cinema in Europe: 1940s to 1980s investigates the function of music in European cinema after the Second World War up to the fall of the Berlin wall, a period when composers and directors embraced experimentation. Through analyses of music and sound in a wide range of iconic films from across Europe, the essays in this book provide a nuanced reconsideration of three core themes: auteur theory, art house film, and national cinema.

A must-have for any conductor, conducting student and orchestral librarian. How does a conductor know whether the score they use is what the composer wrote? How do orchestral players know that their parts are reliable and reflect the latest scholarship? As Jonathan Del Mar reminds us in this ground-breaking book, editions of the orchestral repertoire are beset by textual problems: simple misprints, mistakes in the score or player's part, or hopelessly outdated scores at odds with current scholarship.

Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study to situate Herbert's roles as priest, poet and musician in the context of the musico-poetic activities of members of his extended family, from the song culture surrounding William Herbert and Mary Sidney to the philosophy of his eldest brother Edward Herbert of Cherbury. It examines the secular visual music of the Stuart court masque as well as the sacred songs of the church. Arguing that Herbert's reading of Augustine helped to shape his musical thought, it explores the tension between the abstract ideal of music and its practical performance to articulate the distinctive theological insights Herbert derived from the musical culture of his time.