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SKYE DYNAMICS IS A MULTI-STAGE, THREE-IN-ONE DYNAMICS PROCESSOR FOR MUSIC PRODUCTION. IT COMPRISES OF AN EXPANDER, COMPRESSOR AND LIMITER DELIVERING ULTRA-TRANSPARENT PROCESSING.

STEINWAY D Bright, regal and elegant. The Steinway D captures the full sound of the concert hall and grows into a space larger than life. While capable of gracefully handling soft passages, this piano shines in broad, virtuosic passages. In the hands of a composer, it's an excellent way to bring one of the world's most famous pianos into your own studio; in the hands of a skilled performer, it's a highly powerful weapon in your arsenal.

BOSENDORFER 290 Far mellower than the Steinway D, the Bosendorfer 290 excels in both light & bouncy and legato & sustained passages. Rather than aspiring to the grandeur of its brighter rival, it prides itself on buttery smooth performances. When you engage the sustain pedal, this smoothness increases tenfold and lends this Bosendorfer the power and richness of an entire orchestra.

BECHSTEIN 280 The clear winner in clear detail and note separation. Whereas the other instruments in Pianos excel in creating a larger-than-life acoustic tapestry, the Bechstein 280 is perfectly content to offer precise harmonic separation between every note. Each note is slightly thinner than the other pianos, which affords you the ability to perform incredibly complex passages and still hear each individual note, no matter how large your chord stacks are.

LoFi - Flux LightAnalog modeled Tape Warble as pristine or characterful as you like.

EscalatorEnergize your tracks at the turn of a knob Escalator takes a complex process of saturation and reduces it down to just one knob. It sounds great on drums, vocals, strings, guitars and anything else you want to stand out in a mix.

LoFi - Flux LightAnalog modeled Tape Warble as pristine or characterful as you like.

EscalatorEnergize your tracks at the turn of a knob Escalator takes a complex process of saturation and reduces it down to just one knob. It sounds great on drums, vocals, strings, guitars and anything else you want to stand out in a mix.

YAMAHA C7 With a beautiful mid-range and a light twinkle in the high end, the Yamaha C7 is an excellent choice for blues and folksy music, especially old American classics. It offers a unique blend of smoothness and character that practically beg you to throw in a few jazzy ornaments here and there. While perfectly suitable for orchestral writing, this piano shines in genres like stride and ragtime.

Cutting-edge audio manipulation software that accurately isolates voice, drums, bass, guitar, keyboard, noise, sound effects and other layers from full-mix stereo MP3s, WAVs, FLACs and other file formats, using world-leading AI audio separation.

WOODWINDS No section of the orchestra has such a diverse set of tone colors as the woodwinds, and they're all subtle enough that they blend extremely well with the string section (they can also double the brass, but in a live setting, the brass section often overpowers the woodwinds). They're best suited to woodwind ensemble passages and thickening up key moments in the strings and brass.

PERCUSSION All the odds and ends you can ask for in drums, metals, woods, cymbals, and gongs. From bombastic bass drums and huge timpani rolls to detailed auxiliary percussion like crotales, chimes and steel plates, you can cover virtually all your orchestral percussion with this one section.

BRASS Brass - Dynamic, bright, and bold, you can use the brass section to pump up the strongest moments with trumpet and trombone marcato, crescendos, and fortepianos. For softer, more lyrical moments, the French horns will become your best friend. And when you're looking to create either whimsy or absolute terror, the Wagner tubas will lay all the groundwork you need.

included: Albedo v1.1.1 - granular cloud reverb Blend v2.0.3 - multi-voice chorus

STRINGS Strings - Expressive, buttery and incredibly smooth, the strings shine when you need to capture delicacy and inner strength. They're more than potent enough when you need to add some heat to your productions, but they're at their best when they have room to breathe and you gently ride the expression (CC11).