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PAIN PIANO: PREPARED PIANO STABS & RHYTHMS Pain Piano is a sound design Kontakt library based on prepared piano experiments. We have recorded a large collection of pianos including Mornington & Weston, a Collard piano from the 19th century, an old saloon-piano and even a piano harmonium, a one of a kind instrument combining a traditional piano with an harmonium apparatus.

Scoring Piano is a Steinway Model B piano, sampled in a great studio near Florence, Tuscany. This instrument will find a perfect spot for any kind of soundtrack and, like My Piano, for jazz and classical music. We have tried to take the softest dynamics particularly into account. Moreover, thanks to our Dynamic Range Control, it is very easy to achieve that "Thomas Newman" cinematic sound. In addition to this, Scoring Piano features a great dynamic range, enabling you to play any kind of music genres.

Ambient Tape Machines - C1 was created by first capturing 3 unique raw sets of samples, recording them onto cassette tape, and then playing them back at full and half speed on a vintage Library Of Congress C1 cassette player.

Epidemic is our biggest Kontakt library to date, with our most powerful engine to date. At its core Epidemic is a synthesizer, with the ability to load up to 4 sounds from a selection of 25 sounds - sound sources were recorded from a collection of legendary digital and analog synthesizers.

Paragons | Immense Sounds, Epic Instruments Designed for the modern electronic producer, Paragons delivers a toolbox of powerful, anthemic sounds to your production. It comes packed with over 1 gigabyte of enormous analog leads, epic stacks of acoustic and synthetic instruments and heavily processed ambiences.

Voculon 3000 | A Retro-Futuristic Vocal Machine Voculon 3000 is a retro-futuristic vocal machine. By combining repitch synthesis with analog processing, Puremagnetik sound designers have created a compelling library inspired by the Mellotron and 1950s science fiction.

The instruments in Gh'nuhan take you on a ethnic/fantasy journey through a collection of “imaginary” instruments, pad and textures. The instruments and sounds in Gh'nuhan are created from a collection of recordings of woodwinds, snare and strings, mallets and all kinds of percussive instruments that are processed through various effects and processes to create new sounds.

Fission A is a new library for Kontakt 6 and is inspired by works of Hildur Guðnadóttir and specially her soundtrack for the outstanding HBO serie Chernobyl. This library is created together with the Fission B library for Omnisphere 2. Both use the same soundsources, but are meant to be complimentary.

Bringing majestic melodies to your compositions Ever since we started our phrase-based sampling odyssey there’s been something we’ve longed to capture: The slow and stately sound of strings melodies, woodwind chord ensembles and smooth brass lines have been on our wish-list for years. Now, we present “Largo”, where we have finally created a set of performances that typify the kind of scoring of classic film scores and historical features. The emphasis here is on strong thematic writing with smooth, yet dramatic transitions between the notes.

Many people assume that Sonokinetic’s signature sound is grand and statuesque, as we fill our recording space with many talented players and layer phrases together in our bespoke Kontakt engines. However, sometimes it’s great to dial things down for a more personal feel, and that’s just what we’ve done with Indie. The style of these intimate ensemble phrases take their lead from modern TV drama, boutique film and independent video games with a naked and personal sound.

We've always loved the sound of jazz-influenced film scores. The orchestral approach to jazz harmony has a romantic flair that is irresistible and has easily stood the test of time. We just can't get enough of sweeping string passages, the sound of a trumpet's harmon mute, a big band sax section, flugelhorn and trombones with french horns. For many years we've felt the urge to create a product encompassing this style of music and now we have:

Recording these Carillon bells was a challenge, but one which we relished. These are real clock tower bells weighing up to half a ton on the biggest set, so it's a very powerful sound which we captured in great detail. Once we had managed to get these large bells into the studio (with the help of some heavy lifting equipment) we set about recording them with two different mallet types.

Finding the right bells for Chime sent us on a magical mystery tour to source authentic antiques. We didn’t want to record factory machined bells but rather remastered hand-cast copies of original clock bells from 17th and 18th century clocks.

Known as the meditative musical sound of tranquility, the bowls we recorded for this instrument have a magical quality and emit pure frequencies. These quartz crystal glass bowls give off such a lush and dreamy tone that we had a hard time tearing ourselves away from the recording. We sampled 4 bowls of varying sizes from 20cm to 25cm diameter, struck with a glass mallet with a rubber finish.

Orgone 2 began as an experiment around the thought "what would a Hammond organ with sawtooth waves sound like ?" Slowly the idea grew into a huge modular machine that combines multisampled waveforms from several classic synths into a 1GB+ Kontakt sample instrument that goes way beyond the possibilities of any of the originals.