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Helios is an incredibly advanced instrument for Kontakt. Combine two sound sources and rhythmically swap between each sound or create rich evolving soundscapes with gradual modulation. Each channel has an additional 11 individual sequencers which can all be synced to different speeds to control a rich collection of effects in either a pulsed or blendable system.

Morphzilla is a dual layer morphing tool for Kontakt 5 with a wide range of sounds including monstrous textured drones, evolving pads, ghostly atmospheres, impacts to complex, microscopic sound design elements. You can also add your own samples.

Version 2.0 includes a Sequencer (upto 64 step) and Effects page including Distortion, Tape Saturator, Compressor, Delay & Reverb

Tapestop is a Effect standalone plugin for both Mac & Pc. Comes in 32bit,64bit VST,Audio Unit also AAX you can load up in your music host and add some cool tapestop effects.

Modernize is the first true rompler by StudioLinked VST. The goal of making modernize was to take all our favorite instruments from Studiolinkedvst and create a bread and butter plugin. Create 808s,Leads,Plucks,Pianos,Pads and more.

In November of 2013, Jim Root went into his garage to begin writing new Slipknot song. He did this after a six-year break in recording, following the loss of a friend and bandmate, all amidst a period of great personal and professional change.

Nearly a year later the result was .5: The Gray Chapter - an intensely heavy and deeply personal album that has been hailed as a masterpiece by both critics and fans.

Every successful producer in pop music can agree that the "less is more" approach is a crucial element for making a hit track, especially when it comes to the drums. No 32nd note fills. No five against six polyrhythms. No bullsh*t. Just a rock solid groove that holds down the time, while propelling the song up the charts. AKA: "The Money Beat".

Motown. Not only is it a record label responsible for producing a staggering amount of hit songs, but for also crafting its own signature sound. As one of the most recorded rhythm sections in the history of modern music, The Funk Brothers created a unique blend of funk, jazz and soul that provided the ultimate foundation for hits by Marvin Gaye, The Tempations, Martha and the Vandellas, The Supremes and a host of other classic Motown artists.

With bombastic Bonham-inspired backbeats and highly syncopated Stewart Copeland-esque hi hat patterns, this Multitrack release infuses the excitement and articulation of live rock drums with the grimey, halftime feel of dubstep. Clocking in at the dead center tempo of 140 bpm, "Live Dubstep" serves up a wide assortment of grooves and fills (yep, plenty of triplets), allowing endless possibilities for customizing your tracks. And with the multitrack format, you have total control over every element of the kit; from gating and eq'ing the kick to filtering and throwing a delay on one of the snares (yep, we tracked two snares).

Extremely dry. Extremely punchy. Extremely awesome. That is the drum sound that Ringo Star made famous with The Beatles in the mid to late 1960's. By placing tea towels on his drum heads and using an abundant amount of compression, Ringo, along with engineer, Geoff Emerick, created a signature sound that is still sought after by producers and artists to this day. For this Multitrack Drum Session release, we utilized the "towels on the drums" method while playing an assortment of indie pop grooves and fills. The result? A vintage sound with a modern day feel, perfect for songwriters and producers looking for that "classic" vibe, along with the flexibility of multitracked drums.

From the great fusion groups of the 70's, to the prog rockers of the 80's, to the grunge bands of the 90's, to the modern jazz artists of today, there is one thing they all have in common: a love for the odd meter of 7/8. Our seventh Multitrack Sessions release, "Lucky Sevens" takes an in-depth look at this time signature from every angle. With a massive selection of intro, verse, chorus, bridge, fill and stop grooves, you'll find the perfect drum and percussion tracks to drag and drop into your next odd meter arrangement.

Inspired heavily by the sound and feel of late 50's and early 60's Blue Note releases (notably, the albums engineered by the great Rudy Van Gelder), the Bop Mambo Multitrack Drum Sessions consist of a combination of uptempo bebop and latin-jazz tracks. With a wide selection of delicate brush playing, thunderous snare roll crescendos, tribal tom grooves and syncopated swing, the Bop Mambo sessions is one of the most dynamic collections we've ever released. If you're looking for tracks that recall the hard bop drumming of Elvin Jones, Max Roach or Art Blakey, then this is the Multitrack session for you!

Our fifth Multitrack Drum Session release delves into the unique style of "linear drumming". This is a conceptual approach to playing where no two limbs hit at the same time, resulting in an intricate, yet musical flow broken up between the kick, snare and hi hat. This refreshing break from the traditional, steady 8th note approach to pop rock drumming was made famous by Steve Gadd on Paul Simon's 1975 hit "50 Ways To Leave Your Lover". The Linear Leverage Multitrack Drum Session expands on those grooves even further, mixing in funky ride patterns, melodic tom breaks and an assortment of percussion tracks to seamlessly layer into your own multitrack production.

Take the melodic mallet drumming of Art Blakey, combine it with warm brush strokes of Philly Joe Jones and mix it together with some 21st century backbeats, and you get our latest Multitrack Drums release, "Felt and Wires". Consisting of six individual channels of drum set mics along with 4 channels of percussion, this collection gives you complete control over a very orchestral, dynamic and ethereal sounding session that will appeal to film scorers, songwriters and instrumental composers alike.

Artificial nature is a unique palette for bright synthetic sounds creation. Topic of the library is dedicated to imitation of natural sounds by using granular synthesis and cascade of the delay effects. The library concludes 100 sound files in WAV format, 24 bit, 44100 Hz, stereo. The average duration of samples - 1.5 minutes, the overall sound 2:10:10 minutes. For convenience, the library is divided into two sections - Textures and Soundscapes. The first section consists of 50 sound textures created within experiments with the granular synthesis based on the field entries. The second section contains 50 ready-made, multi-faceted soundscapes made with reverb. The library is useful firstly for sound-designers and perfect for the elaboration of sound atmosphere for the games and multimedia projects.

Granular layers - good choice for creating deep multi-layered soundscapes. Most of the material created using granular synthesis technology. The library concludes 100 sound files in WAV format, 24 bit, 44100 Hz, stereo.