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Bathroom Sounds Pack is an ideal royalty free audio track for any project that requires a bathroom, bathtub and bundle audio tune. Complete sound bundle of bathroom sound effects. Useful for film, video games, ads, teasers, trailers, radio, TV, animations, cartoons, podcasts and other video projects. Available both in mp3 and wav.

TRAVELER precisely models the acoustic phenomenon of the Doppler effect, with a powerful and intuitive graphical path editor to determine a sound's virtual movement. A common example of Doppler shift is the change of pitch heard when a vehicle sounding a horn approaches and recedes from an observer.

Brandon Chapa goes through the Custom Patches inside of the Glacier (Omnisphere Bank) ✔️ 20 Custom Omnisphere Patches ✔️ 20 Bells + 1 Bonus Pluck

With its virtual rack, console, devices and cables, Reason 11 is as close as a studio in a box as you can get. And now that you can use Reason as a plugin inside another DAW, it is even more versatile than ever. Explore the creative possibilities of this fun and powerful software (and plugin) with trainer and producer Joshua Carney!

'January Trap' by Shobeats brings you WAV loops, MIDI files one-shots, and Presets grouped into five high-quality Construction Kits, with banging 808s and hard-hitting drums to boost your productions. Inside are carefully crafted sounds that you need to achieve the sought-after sound in the style of Lil Pump, Eminem, Lil Uzi Vert, XXXTentacion, Kendrick Lamar, 21 Savage, Future, Migos, Young Thug, and so on. Now it's time to take over and use these sounds to cook up epic Trap bangers.

"Lurk Season" is full of Melodic Guitar Samples (Both Electric and Acoustic Guitar). I had artists such as NoCap, Polo G, Rylo Rodriguez, Gunna and Roddy Riich in mind when making this!

ghxst atmosphere kit ~ volume I [ specialty sonic environment kit ] - atmosphere kit vol. I is a specialty kit focusing on textures, backgrounds, and melodic ambiance. - also inside is a small, dark, specially curated drum kit to flow on top of any one of these textures. features: - 10 atmospheres ~ - 4 kicks ~ - 3 rims ~ - 3 hats ~ - 3 basses ~ - each atmosphere is a long, moving texture that will live under all the other elements of your beat. - chop, shift, and alter the atmospheres to fill in the melodic gaps in your sound, and to give your instrumental it’s own, unique sonic environment. loop a section, or two, or let the whole atmosphere expand and develop as your beat goes on. - ghxst

Adam Pollard presents Low End and Sub-Bass tutorials! Learn how to produce and engineer proper low end and sub-bass for your tracks and productions, creating impact and power. These sub bass production videos are designed to help you create a great bottom end for your songs, giving them a fat, tight sound.

Watch Bob Horn, a Grammy award winning mixing engineer, who's worked with artists such as, Usher, Timbaland, Akon, Ne-Yo, Brian Culbertson, Macy Gray, Michael Jackson, Jay-Z, and many more, record the band Mayfield at Signature Sound Studio. You'll learn techniques that Bob learned during his entire career in Nashville, TN. Watch the episode for Bob's recording techniques, mic techniques, and compression, EQ, and reverb techniques. Bob also covers overdubs, vocal tracking, and much more.

Known by the fast-paced music and aggressive vocal styles, Active Rock is a style of music that’s quickly finding it’s place at the top of the mainstream market. With bands from all over the world breaking into the genre every day, the sound of Heavy Rock can sometimes be tricky to achieve. San Diego based Producer/Engineer Elmo Arteaga has spent nearly the last decade working with bands who are pioneering the genre and will be on Pro Studio Live to bring his techniques from the studio right to your computer screen!

In this seminar Elmo shares with us his recording process as he works with a local Punk Metal band called Abused. Throughout the event, he covers how he captures the true feeling and vibe of the band, recording bombastic drums, achieving a sense of emotion through the tracking process, as well as taking a detailed look at microphone choice for Live tracking. If you’re looking to add some dirt into your next production, or simply want to understand the Punk and Metal music scene a little bit more, this is the event for you. With how much will be covered in this session, surely you won't want to miss out.

Watch this reality TV style video to witness a full day of recording at our studios with Gus, a musician/engineer from Buenos Aires Argentina. In this video, he tracks drums, bass, and guitars. This episode gives us an inside look into what a real session looks like, including experimentation and trouble shooting to get the perfect sound. We start with getting the right drum sound, where you can pick up many techniques for mic placement, tuning, and even performance advice for the drummer.

Take a seat and watch a professional studio recording from beginning to end. This is an 8 hour session, condensed into 2 hours packed with techniques, effective teamwork and great musicianship by the band Ottopilot. This is a reality TV style show, all the interactions are natural, and in essence, what you would expect in a real session. The song being worked on is called “I like the sound of that”, and you can find the mix deconstruction of this same song taught by Daniel Robert Ford in our archives.

In this engaging and informative episode, Chris Baseford brings us through day 2 of tracking with band QUOR. You’ll watch and learn how Chris tracks, comps, and edits guitars, bass, and vocals. Chris also gives us advice throughout on topics such as tuning philosophy, the importance of paying attention what type of pick is used, and amp placement. He teaches us how and when he uses playlists, what he recommends while setting up for tracking these instruments, and some advice on microphone selection.

In this engaging and informative episode, Chris Baseford brings us through a day of tracking with band QUOR. You’ll learn how Chris got started with audio engineering, what he does for pre-production, and what he does leading up to a tracking session. He’ll cover his drum and guitar tracking setup in detail, including how and why he chose the setup he chose for this episode. You’ll hear how he starts setups like these, how and why he will choose to adjust the setup, and other tips about his process. This includes details like why he uses 3 overhead mics on drums, his process for when and how much compression to use for the tracking process, and some tips and tricks for comping and editing. Chris demonstrates and discusses the philosophy of many interesting topics in this episode, including elastic audio vs beat detective, mic positioning for guitar cabs, and some frequency balance tips for guitars. You’ll also learn organizational tips that will help you become more efficient as an engineer, including a full explanation of how he takes notes during tracking. This episode is great for anyone that’s interested in learning a bit more about the production and tracking process, so check it out!