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A deconstructed Ableton Remake version of ARTBAT´s Atlas, from the Upperground EP released by Diynamic. A great song to learn a lot about Techno music production, transitions, automations, and also elements such as Sub Bass, Pad Synths, Drum Samples, Automations, Layers and much more.

The Faust programming language provides a generic way to implement signal processing algorithms for sound synthesis and processing towards professional audio applications. Thanks to its architecture system, Faust can be used to generate a wide range of ready-to-use elements such as audio plug-ins (e.g., VST, AU, etc.), externals for other computer music environments (e.g., ChucK, Max/MSP, PD, CSOUND, SuperCollider, etc.), standalone applications, mobile apps, web apps, etc. Additionally, it is a great tool to make DSP engines embeddable in larger projects.

Eli Krantzberg presents comprehensive Spectrasonics Trilian video tutorials covering the new features in version 1.5! Learn everything you need to know about the new Trilian 1.5 features and functions, including how to use them creatively. You'll also get a lesson on sound design, showing how to create a unique bass from scratch. These videos are for those who already know how to use Trilian and just want to focus on the new features added in version 1.5. If you are completely new to Trilian, we suggest watching Trilian Explained® first.

Synth wiz Tyler Coffin presents comprehensive Arturia ARP2600 V tutorials! See and hear how Arturia has recreated a true classic synth of the '70s, the ARP 2600 synthesizer. Explore and learn all of the ARP2600 V's features and functions, as well as how to make awesome sounds with this powerful virtual recreation. In addition, you also get the presets made in the video series to experiment with and use for your tracks. These videos are designed for new Arturia ARP2600 V users.

For Beatmakers That Are Producing : Phonk, Dark Trap, Trap Metal, Hip Hop, Witch House, Electronic, Trap & Lo-fi

ACAPELLA - 63BASS - 25 CHANTS - 3 CLAPS - 10

Mythic's exclusive phonk kit containing over 100 original sounds and samples

yo, it's legend and i'm back with my 4th drumkit. hope you all enjoy the sounds! This kit includes:

OP1um sound Kit ! 20 Presets For Hive2/40 One shots.

The Smooth Metal Tone Machine SIGMA is a Three Channel Amp Sim based on a mix of classic british hotrodded boutique amps but with a modern touch.

Welcome to Tarquin Studios for a series on tracking, production, and mixing with Peter Katis! In this instalment, the renowned producer focuses on the alternative rock single 'Kids in '99' by Death Cab for Cutie. Katis plays the original demo, describes how he approached the project, and recounts the journey taken to the final mix. He explains why he suggested song arrangement changes, used particular microphones and preamps, and made other choices to help realise the vision of the record. Aside from sharing his tracking methods, Peter elaborates on his enviable mixing setup that harnesses the best of analog and digital capabilities. He imparts his hybrid workflow that incorporates 'ITB' processing, analog summing, outboard mix treatment, tape layback, and a final Pro Tools mix chain. He also discusses important psychological aspects of his profession – countering resistance from artists, maintaining fresh perspective, and more!

- 114 CHOIRS- 35 808S - 10 CLAPS - 10 CRASHES

60s Acid Rock Vol. 1 Combining some legendary musicians, a wild and hedonistic lifestyle, and the occasional mind-enhancing chemistry experiment, the late 1960s generated some ground-breaking music. That musical style is fully captured in 60s Acid Rock, delivering all the musical impact and attitude but without the illegal substances.

Italian born Brazil-based artist, producer and audio engineer Cesare vs Disorder delivers an inspirational sample pack for our Originals series. Immerse yourself in this vast library of sounds created with Cesare’s hardware-heavy studio set up.

Join us for a detailed walkthrough of Tchad Blake’s ITB mix template! Hosted at Studios La Fabrique, this series gives a revelatory look into how one of history’s most innovative engineers sets up his multi-track sessions for mixing. Using a Pro Tools session without audio, we focus purely on Blake’s track layout, routing, and signal chains. He discusses fundamental differences of achieving desired results from hardware vs. plug-ins, digital gain structure, and overall loudness, then shows all of his inserts and their parameters used on channels for drums, samples, percussion, bass, guitar, strings, and the mix buss. He also explains the roles of his extensive number of effects tracks, unveiling his creative plug-in combinations used for delay, spatial enhancement, reverb, modulation, tape saturation, and cassette emulation.