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Billegal Sounds is proud to present their 11th entry in their featured "artist series": Stin - Sideways. This pack encompasses all of the currently trending sounds, plus a metric ton of other new and neato ideas. From neuro bass rippers to fresh foley pops and percs, this pack will absolutely round out your sample library.

Created by NYC producers half.cool, Modal Jazz & Post Bop is a sample pack dedicated to the era of Ornette Coleman, Don Cherry, and Albert Ayler. The pack includes a wide range of saxophone samples, that demonstrate smooth horn stacks and swells of post-bop lineage, as well as chromatic intervals and harmonies aligned with the school of free jazz. In addition, you’ll find expressive drum loops, erratic and mind-bending guitar, alongside warm, glittering rhodes––all to provide a substantial collection of sounds from the era.

Custom made one shot kit with 200 sounds total + 10 bonus loops created by A-Dawg of Internet Money. Contains

Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician.

Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician.

Transient shaping has become a vital technique in music mixing. The abilities to sharpen or soften the onset of a sound and to lengthen or shorten the decay have been very useful for giving each sound just the right size and position in the mix.

Rare, real, raw. The Trident A-Range equalizer is a legendary piece of equipment. Only thirteen A-Range consoles were ever made, but it remains a holy grail for sound engineers and producers around the world due to the list of classics that were originally recorded on the A-Range - David Bowie's Ziggy Stardust, records by Queen, Elton John, Rainbow, Metallica... the list goes on.

A slightly dark and distorted delay has a way of giving a great sense of space and size to a mix without really drawing attention to itself. Tube Delay is a vintagey analog style echo box that allows you to create everything from clean doubling effects to endless dub delays with filthy feedback.

A filter on steroids.Go from shimmering bright to warm and wide with a twist of a knob! The Tonelux Tilt plug-in is a fast and easy way of making a track sit better in a mix or make it sound 'warmer' or 'cooler'. It's also perfect in a live situation where you need to tweak the whole mix to adjust for ear fatigue.

This Mk II version of our beloved Tube-Tech Classic Channel benefits from all the sonic improvements to its component parts – a ground-up remodel of the CL 1B, and revamped EQs using our very latest signal processing technology.

Light the fuse. In the 1800s, a Swede named Alfred Nobel invented dynamite. In the 1980s, an American named Paul Buff created Dyna-mite. Could the two have ever imagined that, someday, worlds would collide and produce the most perfectly unruly processor plug-in known to man?

The Classic Channel is not your everyday channel strip, with a surgical equalizer and fast bus compressor. The Classic Channel is a vintage style and warm sounding channel strip put together from the most famous and classic Tube-Tech gear: The “Pultec” equalizer PE 1C, the mid-range equalizer ME 1B and the tube driven opto compressor CL 1B.

The user interface of the ME 1B is pretty straightforward. You have three different sections, the Low Frequency Peak, Mid Frequency Dip and the High Frequency Peak. The only confusing thing is that the mid section never boosts, but always attenuates the selected frequency. The other two sections, low and high frequency, always boost the frequencies. But as soon as you start to use the ME 1B in conjunction with the Tube-Tech PE 1C 'Pultec' Equalizer you'll find that these equalizers complement each other perfectly.

The real battle for getting a clear and vibrant mix is often fought in the midrange frequencies. The Tube-Tech ME 1B is a tube-driven passive equalizer that addresses the midrange—and only the midrange. So gear up, soldier and go, go, go!

The Tube-Tech CL 1B is a modern classic for a very good reason. As a vocal compressor in particular, its mixture of characteristic warm slow opto gain reduction and surprisingly versatile can’t-sound-bad operation have made it a staple across a wider variety of genres than perhaps any other optical compressor. Classic rock, cutting-edge pop, rap and hip hop, EDM… you name it.