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As an editor, you need to know how to mix and sweeten audio yourself, as well as hand off tracks for others to finesse. In this installment of the Premiere Pro Guru series, Luisa Winters shares practical techniques for finishing the audio side of a project using Premiere Pro and Adobe Audition. Luisa explores a variety of topics, including track vs. clip level control, mastering the audio mixers, using submixes and automation modes, and working with the Essential Sound panel. Plus, explore restorative techniques with Adobe Audition, as well as how to output audio from Premiere Pro.

Learn how to use Live Loops in Logic Pro 10.5 to produce music. Instructor Scott Hirsch starts by introducing basic concepts for working in the Live Loops grid view. Next, Scott shows how to integrate the new Step Sequencer and Drummer Tracks. Find out how to establish a composition by building scenes in the Live Loop grid. Scott also demonstrates the process of recording your Live Loop performance into the traditional timeline. Explore how to use the new Sampler and Quick Sampler. After that, Scott introduces how to use Drum Synth, Step Sequencer, and how to design your own drum machine to create evocative-sounding and sequenced beats. Then, learn about mixing and remixing with Remix FX and Drum Machine designer enhancements.

The Blues is one of the most loved and recognizable forms in all of popular music. But the essence of the blues isn't limited to a 3-chord, 12 bar structure. The Blues is a powerful construct of harmonic and rhythmic elements we can easily draw from to craft bass lines across Rock, Jazz, Funk and any other style of music you play.

If your pentatonic and blues box licks are leaving a bit high and dry when soloing then that's your signal that it's time to step up your game - a rite of passage that all blues players must travel to get those more sophisticated blues sounds that they hear in their head, into their fingers, and onto their fretboards.

People spend thousands of dollars every year in expensive college music degree programs, and virtually every one of them includes an ear training course of some kind. They do it for good reason; hearing and identifying pitch is a powerful tool. Ear training helps you learn new songs faster. Ear training helps you avoid mistakes before they happen. Ear training gives you the ability to improvise and compose.

Melody, rhythm, and fills are all a big part of the mandolin player's role in a bluegrass band, and we'll focus on all three of those skills in Andy Wood's Bluegrass Mandolin course.

Learn How to Craft and Perform Compelling Jazz Rhythms If you think about it, your primary role as a Jazz Guitarist is to be a great accompanist. Players like Kenny Burrell, Wes Montgomery and Freddie Green all possess a wide variety of comping rhythms, voicing options, and chordal embellishments to draw from whether they’re supporting a vocalist, an instrumental group or even a big band.

What are the various types of equaliser designs/topologies what are the differences between them, and how and when to use them. Active, Passive, Graphic, Parametric, Fixed and Peaking Eqs is a video tutorial that explains the differences between and the various equaliser topologies.

Learn professional electronic music production techniques from an expert music producer: Get signed by record labels! Whether you're a beginner, intermediate, or an expert producer, this course will teach you fresh and new techniques to take your EDM productions to the next level. After all, we're never truly finished learning - there's always something around the corner that we never saw coming!

The 1960s was a decade of shifting cultural norms, of challenged conventions, of political upheaval and social rebellion. It was also the decade that brought us a band—and music—that would change England and the world forever.

How to use ‘bump’ automation within your DAW to control the volume of recorded vocals in a mix. Using Bump Automation to Process Vocal’s Volume is an in-depth video tutorial explaining how to use Automation to manipulate a vocal’s volume.

Modern Jazz Voicings and Rhythmic Approaches for Guitar When you’re comping in a modern jazz ensemble setting, guitarists need to be focused on how they can complement the rhythm section and, at the same time, support the soloist harmonically. What rhythmic approach should be applied? What voicings are appropriate? How simple or sophisticated should the guitar part be?

Mix vocals with Waves StudioRack and Reid Stefan Realest Puppet in the Game as he creates a pop vocal template using Waves StudioRack v11 and other waves plugins. Create a perfect lead vocal chain for clarity and brightness in any pop vocal. Mix your doubles, harmonies, and adlibs instantly with Reid's signal flow in Pro Tools.

2x Golden Melody Award-winning and 2x Diamond engineer Scott Banks has become one of the top engineers in the field through his dedication to upholding the artistic integrity of electronic music and imprinting with his signature style. His experience as a live musician gives him the ability to utilize distinct techniques and ideas that aren't commonly used by most pop/dance-focused engineers. In this course he shares his person plugin settings for mixing drums in electronic dance music. Scott explains how he uses Saturation, Compression, Transient Shaping, and Clipping to achieve his signature drum sound.

3x Grammy Mixing & Mastering Legend Luca Pretolesi shares his Mid/Side Multiband Exciting mixing techniques using the Ozone 9's Exciter. This plugin tutorial covers how to use the Mid/Side mode properly, how oversampling within the Exciter works, when to add 2nd and 3rd harmonics in your mix, the best frequencies to target when using multiband exciting, how to gain stage and increase perceived loudness of your mix without adding volume, and which saturation modes work best with each band. Specifically, Luca demonstrates on how he personally approaches mixing drums and synths using Mid/Side excitement within Ozone 9.