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Released on 22 October 1969, Led Zeppelin II is one of one of the greatest and most influential rock albums of all time. With sales passing 12 million copies, Led Zeppelin II is a showcase of the band’s evolving musical style, fusing blues-derived material with the now classic hard rock guitar riffs to create Led Zeppelin’s heaviest album.

In this brand new course aimed at intermediate to advanced players, Tom exclusively and for the first time, breaks down not only his approach to soloing and improvisation but also his method of composing and achieving his tone. Debuting his track “Tapioca”, a Latin infused instrumental in a similar vein to the likes of Chick Corea and Greg Howe. Tom uses a manor of motifs, patterns and phrases combined with techniques such as Legato, Hybrid Picking and Sweeps to mold his signature sound and with the help of this course he will explain to you in great detail how it’s done, as well as showing you a pathway to finding a sound of you own.

Sylenth1 is the top choice for many producers looking to design rich sounds. In this video, Eric Kauffmann will take advantage of Sylenth1’s features to create a bright dance lead. This is a very versatile sound that can be used in just about any style of dance music!

Getting access to the stems of a song for an official remix can be quite difficult…especially for new producers. An alternative to this is flipping the MP3 or WAV of the full track for a bootleg. In this video, Shanahan will give you a step-by-step guide on how to flip a track for a bootleg. This includes reverse engineering the chord progression of the song, clever EQing, and much more!

In this video tutorial series, Novation pro Josh Bess shows beginners how to get up and running fast with Novation’s Circuit, the way-cool all in one sequencer, synth and sampler!

Synth wiz Tyler Coffin breaks down the virtual recreation of one of the most famous synths in history, the KORG Legacy M1. Learn the ins and outs, and get up and running fast, with in-depth videos on this epic virtual classic synth!

Learn how to play one of the greatest guitar works of all time Django Reinhardt's Improvisation No. 1 is considered by many to be one of the greatest solo guitar works of all time. In this course, I will show you how to play this tour de force, note by note.

Learn How To Make Trap music. Details:

10 Pro Tips for Serum. Despite launching a few years back, the flexibility and power of Serum has allowed sound designers of all backgrounds to continually discover new tricks the longer they spend using it.

Toontrack’s Superior Drummer 3 is a major upgrade! Learn how to use the world’s most comprehensive drum production tool in this course by master trainer Matt Vanacoro!

Are you a piano student and want to improve your technique?Are you struggling with sound control and playing too loud like hammering the keys? Does your hand get tired when playing arpeggios and accompaniments?

Frequencies getting flabby? Sound-design getting weak? Can't stand your stereo image? With the new year, it's time to strengthen your resolve and get better in the studio once and for all. Get inspired now, revolutionise your workflow, and give your tracks the heft they deserve with our transformative guide.

Grammy-winning mixer Chris Lord-Alge has mixed some of the most famous albums in music from bands like Green Day, Bruce Springsteen, Cheap Trick, and so many more legendary acts. And now, he’s teaching you all of his mix techniques step-by-step.

This book constitutes the thoroughly refereed post-conference of the 12th International Symposium on Computer Music Modeling and Retrieval, CMMR 2016, held in São Paulo, Brazil, in July 2016. The 22 full papers presented were carefully reviewed and selected from 40 submissions.

Hearing Harmony offers a listener-based, philosophical-psychological theory of harmonic effects for Anglophone popular music since the 1950s. It begins with chords, their functions and characteristic hierarchies, then identifies the most common and salient harmonic-progression classes, or harmonic schemas. The identification of these schemas, as well as the historical contextualization of many of them, allows for systematic exploration of the repertory’s typical harmonic transformations (such as chord substitution) and harmonic ambiguities. Doll provides readers with a novel explanation of the assorted aural qualities of chords, and how certain harmonic effects result from the interaction of various melodic, rhythmic, textural, timbral, and extra-musical contexts, and how these interactions can determine whether a chordal riff is tonally centered or tonally ambiguous, whether it sounds aggressive or playful or sad, whether it seems to evoke an earlier song using a similar series of chords, whether it sounds conventional or unfamiliar.