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The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines—including rhetoric and composition, performance studies, anthropology, history, and information science—the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary.

This course stresses on the importance of being a beatmaker behind music theory knowledge When you're a beatmaker, all you want to do is create amazing beats.

Find the heart of your sound With 10 Grammys and almost 50 years on stage, Carlos teaches you his spiritual take on playing guitar. Learn how he weaves emotion, artistic expression, and musical styles from across the world to create a sound that transcends genre and connects with audiences. Join Carlos in his studio as he breaks down his process note by note—so you can discover the soul of your sound.

A complete Pro Tools reference - from recording to mixing to mastering Pro Tools has long been the recording industry's leading solution for capturing, mixing, and outputting audio. While it was once a tool known and used exclusively by engineers in pro studios, it is now readily available to anyone wishing to create their own recording.

In Statistics in Music Education Research, author Joshua Russell explains the process of using a range of statistical analyses from inception to research design to data entry to final analysis using understandable descriptions and examples from extant music education research. He explores four main aspects of music education research: understanding logical concepts of statistical procedures and their outcomes; critiquing the use of different procedures in extant and developing research; applying the correct statistical model for not only any given dataset, but also the correct logic determining which model to employ; and reporting the results of a given statistical procedure clearly and in a way that provides adequate information for the reader to determine if the data analysis is accurate and interpretable.

Learn the science behind some of the most essential digital audio terms that pop up in the post-production process. Join audio post-production engineer Cheryl Ottenritter as she dives into an array of key concepts, explaining how each one plays into the creation of high-quality audio. Learn how sample rates are used in digital audio, as well as what perceived loudness, or LKFS, is and how to mix with it in mind. Plus, learn how understanding sound fields can help you select the right audio track type, what the most common audio track layouts are, and more.

"Sound is 50 percent of the movie going experience." - George Lucas. If you are looking to learn more about sound in videos, you came to the right place.

By gaining a solid understanding of sound synthesis, you'll be empowered to create and shape your very own sounds. In this course, learn how to use Serum, the popular synth plugin, through a series of practical lessons, tips, tricks, and sound design projects. Instructor Rick Schmunk goes over wavetable synthesis, as well as how to shape sounds using ENVs and LFOs. Plus, he covers how to use macros to add real-time changes, how to create and edit sounds, and more. Throughout the course, Rick shares tips and tricks for more efficient, nuanced usage of the tool. As new features are added to Serum, this course will be updated to ensure you're prepared to leverage all that this wavetable synthesizer has to offer.

Grammy Award Winning Producer, Engineer, and Mixer, Jacquire King, has worked with some of the world’s most influential artists in every role you can imagine in a recording studio. From being an acclaimed recordist to mixing and producing multi-platinum records (9X in the case of Kings Of Leon) by superstars like Kaleo, Modest Mouse, Kings of Leon, Tom Waits, Norah Jones, Buddy Guy, Cold War Kids, MuteMath, Melissa Etheridge, and James Bay.

Reason master Paul Ortiz brings you a collection of video tutorials designed to get you going with Reason 10 from scratch. Learn everything you need to know to understand Reason 10’s layout, basic functions, recording and editing MIDI and Audio, Bussing, Routing, using Instruments, Devices and much, much more!

Welcome to Intro To Music Publishing: A Creative and Business Perspective For Musicians. This 2 part entry level video series is based on Bobby Borg’s popular book Business Basics For Musicians, and is for beginners who want to understand the fundamentals of music publishing, as well as for more advanced musicians who need a solid business refresher.

This course will be focused primarily on three different types of synthesis that are employed by different virtual instruments in Ableton Live. You'll learn about subtractive synthesis using the analog instrument, frequency modulation (FM) synthesis with operator, and we'll also explore granular synthesis using the sampler instrument. We will look at a few Max for Live devices (such as the drum synths and standalone LFO) that can be useful aids in sound design.

This is a deliberately provocative book crossing many disciplinary boundaries and locating music and art education within a context of contemporary social and political problems in a time of growing disruption and authoritarianism. Intended firstly for music teacher educators, practicing music teachers, and graduate and undergraduate music education majors, the book also speaks to arts and media studies teachers, parents, or others interested in exploring how composing, performing, improvising, conducting, listening, dancing, teaching, learning, or engaging in music or education criticism are all political acts because fundamentally concerned with social values and thus inseparable from power and politics. Among the book’s central themes are the danger of democratic deconsolidation in the West and how music education can help counter that threat through the fostering of democratic citizens who are aware of music’s ubiquity in their lives and its many roles in shaping public opinion and notions of truth, and for better or for worse! The arts can obviously be used for ill, but as George Orwell demonstrated in his own work, they can also be employed in defense of democracy as modes of political thought and action affording opportunities for the revitalization of society through its re-imagining

This course is designed to highlight and explain how to use the devices in Ableton Live that have a sidechain input. Utilizing the sidechain input of these devices allows the user to modulate them by using the audio from another track, which can be useful in many practical and creative applications. This allows you to control how the track pumps and breathes, as heard in lots of music today. Each lesson will highlight a new device and show creative examples of how to take advantage of this feature.

The objective of this mini-course is to give the viewer a better fundamental understanding of basic mixing concepts and techniques. We will use a project with many tracks (essentially an unmixed song) and begin by discussing gain staging and techniques for establishing a good volume balance between tracks (while maintaining a good amount of headroom on the master channel). From there we will discuss grouping tracks, subtractive EQing, panning, effective ways to control dynamics such as compression, and insert effects versus send effects. By the conclusion of this course the viewer will have a much better understanding of how to properly approach mixing their own music.