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Back with his popular 'Top 5 Free Plugins' Protoculture's checking out his favourite free Distortion plugins today. All with different characteristics but all capable of crunching and tearing your audio to shreds, Nate checks out how they sound on a good ol' 303 acid loop.

Sonic Academy proudly welcomes back Jerome Isma-Ae this week for a brand new course, and this time he's showing us how to make his and Alastor's Progressive House track - 'Tiger'.

Protoculture's back with us for this week's course and this time he's taking an in-depth look into the world of effects. All of us use them in our tracks, but in this fascinating course Nate takes a closer look and breaks down what our go-to plugins are actually doing to the sounds, giving us the knowledge to use the right effect for the job.

This week we proudly welcome back GAWP as he takes us through the creation of his Spinnin' Deep belter of a track 'Nobody's Watching' in Logic Pro X. With over 67K views in 2 weeks on YouTube alone, there's definitely 'somebody' watching and it's going down a storm with its distinctive lead synths, groovy beat and classic vocal line.

Sound the fanfare because King Unique is back and he's got his hands on another awesome synth and this time Matt's checking out how to use the Moog Matriarch. A patchable 4-note paraphonic analog synthesiser with a built-in Sequencer, Arpeggiator, stereo Ladder Filters, and stereo Analog Delay this is a Moog that packs a punch and sounds as fun as it looks.

Back by popular demand, we have a brand new course from the brilliant Owsey this week in How To Make Future Chill 2020. In this 4 and a half hour epic course, Owsey builds this beautiful, bitter-sweet track from scratch in FL Studio. Packed full of sound design tips and tricks he creates ethereal pads, striking synth parts, incredible unique glitch effects from unassuming foley recordings along with awesome vocals. The processing and production skills on show here are truly mind-blowing and can be used in all sorts of genres and carried across to any DAW.

Do you think FM synthesis is too complex and confusing to use? You won't anymore after watching this course by artist and trainer Rishabh Rajan. Add FM synthesis to your sound designer's toolkit now!

Pure talent. Many of the most revered producers in the industry look to DubVision as the standard for production excellence, and 789ten is proud to be the exclusive provider of DubVision producer tools. We have partnered up once more, this time for an entirely new level of producer pack.

As you start watching tutorials from this product, we will automatically keep track of your progress for you so you can quickly resume where you last were or proceed onto the next tutorial.

Drums? Check. Faux Bass & Synth Bass? Check. Guitar Solo? Don't mind if we do! To fill out the middle jam section of the song, the entire crew gets involved in the creation of the guitar solo, with Jeff playing, and Vance and Jake tweaking on various pieces of gear to create a cathartic and bold solo that makes it impossible to ignore in the track.

Interview with Anthony Baldino, Talking Shop: Martin Terefe, 20 Classic Album: DJ Fresh and much more...

Follow along the full production process. While going through all important stages of the production, everything will be explained in detail. Pick up tricks and skills, save valuable time. Use the techniques and apply them to your own productions.

Sonic Academy proudly welcomes brand new tutor Michael Oakley this week for an all-new, much in demand synthwave course. Hailing from Glasgow and signed to NewRetroWave Records, his albums California (2017) and Introspect (2019) have gained huge critical acclaim and in this track walkthrough we get an in-depth look at his track 'Control' which features on his latest album.

Continuing on with recording the guitar overdubs, Vance and Jeff search for new parts and unique textures to add on to "Sweet Beast". As they experiment with different effects settings and tones, everything gets committed to the recording, baking the record full of the intended vibe.

Listening is a social process. Even apparently trivial acts of listening are expert performances of acquired cognitive and bodily habits. Contemporary scholars acknowledge this fact with the notion that there are “auditory cultures.” In the fourth century BCE, Greek philosophers recognized a similar phenomenon in music, which they treated as a privileged site for the cultural manufacture of sensory capabilities, and proof that in a traditional culture perception could be ordered, regular, and reliable.