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Adam Pollard aka Multiplier, now focuses on Dynamics and Compressors and how they’re used in the Electronic Music genre to tame signals as well as create interesting effects and colors.

Session 1: Getting Started and Creating Draft 1 As you watch the Kick Drum and Bass video follow along exactly with your version of Strobe 2 Berklee edition.

This course will show you the techniques that past and present Internet Money members have used in order to make their beats and mixes sound professional. This course outlines the exact method of mixing and mastering that members of Internet Money use step by step.

Arturia’s CMI V is a faithful recreation of the Fairlight CMI series IIx, the music workstation that revolutionized music production in the ’80s. Learn all about this digital sound design powerhouse with trainer and synthesis expert Nigel Broad.

What if you could make breakthroughs and transform your mixes every single month? Mix Vault is a 4-month program that provides you with a steady stream of insights from real-world, professional mix sessions and full multitrack access. It’s like a 4-month pro studio internship without leaving your house!

Tired of comparing your mixes to the pros and not even coming close? Hardcore Mixing is the flagship course from producer/mixer Jordan Valeriote (Silverstein, Neck Deep, Forevermore, etc). Learn the Hardcore Mixing secrets that will turn you from aspiring engineer into sought-after mixer – without buying more gear, having a fancy studio or going to audio college.

Editing is a crucial part of modern music production. If you want to go anywhere with engineering, and if you want your recordings to compete, you need to be able to edit

Monetizing Entertainment: An Insider's Handbook for Careers in the Entertainment & Music Industry offers a thorough, guided exploration of the current state of the industry, with an emphasis on trends in copyright, digital streaming, and practical advice for developing a career as an artist, technician, or industry executive.

Shape is a concept widely used in talk about music. Musicians in classical, popular, jazz and world musics use it to help them rehearse, teach and think about what they do. Yet why is a word that seems to require something to see or to touch so useful to describe something that sounds?

Learn how to solo on guitar in any style of music. Watch guitar solo lessons on improvisation and music theory! Learn to play a great guitar solo! Start with a clear understanding of how and why a great guitar solo works by learning to use and play intervals. You’ll learn how different note choices will convey different emotional impacts. But, even more importantly, students in this course will discover that a holistic approach to music encourages each player to develop their own “style”.

Virginia Lloyd spent much of her childhood and adolescence learning and playing the piano and thought she would make a career as a pianist. When that didn't happen, she spent a long time wondering about those years of study: had they been wasted? What was their purpose? This intriguing memoir explores those questions and investigates the mystery of the author's very musical and deeply unhappy grandmother Alice, and how their lives—both at and away from the piano—intersected and diverged.

Hands down, the best way to get your blues chops up to snuff is to first learn all of the most popular blues standards and then play them as often as possible on the gig, at the jam, or with your buds.

Make Music Faster and More Efficient in Propellerhead Reason 9.5 Create your own Master Template Today - Now is your chance to take action to create your own Master Template in Reason. And not just any template btw, your grand master template. A template to rule them all. A template that you can use for all your future music projects.

Have you heard Calvin Harris track "This is What You Came For"? Do you want to know how to make Calvin Harris style tracks that sounds like it and get in par with the "big guys" in the music industry?

You know that feeling when you get an email that says “Can we go back to the mix from three weeks ago?” We’ve all been there. Making multiple versions of a mix until we are happy, then sending it off to the client and entering a rigorous round of revisions, only to hear back from the artist two months later that they need a change for a tv spot, but it has to be made to the first version of the mix you sent. All of these different versions can get confusing and nearly impossible to keep track of, let alone communicate. Fab Dupont shows you how he deals with multiple versions of a mix and explains his versioning system that makes communication and recalls a breeze, saving you hours of frustration.