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Pads is a thriving and organic pad synthesizer. It consists of a wavetable synth with a noise/grain generator and a high cut filter. With a carefully developed ”wobbler” that detunes the waveforms and makes very small inconsistencies to several internal parameters and a nice sounding chorus, this synthesizer is able to create some really interesting and non-statical pad sounds.

This fully featured monophonic synthesizer can create a huge variety of sounds. Fat basses, stabby leads, glitchy noises, old style chip tune sounds (including arpeggios), weird percussion, you name it. Enkl does the job!

Enkl comes with 93 high quality factory presets, all crafted by professional music producers. Of course it is possible to create new ones and save.

Haaze provides two different ways of making a mono (or a not-wide-enough-stereo) signal to a wider stereo signal.

By splitting the input signal into 16 different frequency regions, spanning from 20 Hz to 20kHz, Haaze can add different amount of stereo-widening to different frequency regions. This makes it possible to transform a mono track into a natural sounding stereo track (by for example keeping lower frequencies in mono while spreading the higher ones).

We are proud to present the RealLPC virtual guitar instrument bringing the incomparable Les Paul Custom Guitar sound to your studio.

Gibson's Les Paul Custom, a higher end variation of the Gibson Les Paul guitar has been used by the majority of world famous musicians, spanning generations and genres, such as Wes Montgomery, Al Di Meola, Pat Metheny, Chuck Berry, Jeff Beck, Peter Frampton, The Beatles, The Rolling Stones, Led Zeppelin, B.B.King, Bob Marley, Eric Clapton, Carlos Santana, Gary Moore, Eddie Van Halen and many others.

Esspresso is a fast, beautiful & powerful de-esser for everyone doing audio recording. De-essers have previously been aimed towards highly professional audio producers that needs full control over the sibilance (high frequency noises) in their mix. These noises can bring trouble to your overall sound – for example if you want a ”crisp” tone to the voice and add the EQ, the S’s will eventually distort and make it hard to balance the mix.

The uniqueness of Esspresso is that the detection frequency range isn’t coupled with the suppressors frequency range. That means you can listen to a specific frequency and compress another one, which is often what you’ll want from a professional de-esser. With a fast and accurate frequency response view, you will easily get full control over annoying S-sounds that otherwise can ruin the mix.

Based on research conducted between FAW and the audio research group at Maynooth University, Circle² brings you a new type of synthesis: Vector Phase Shaping. Unique and only available in Circle².

FULLY RE-WRITTEN AUDIO ENGINE
Circle² comes with a fully re-written audio engine. Better tone with improved low end depth and increased high frequency clarity. New factory sounds packed full of future leaning sounds.

Kuvert defines a whole new way of dealing with effects. In short, Kuvert allows you to draw five different envelopes. These envelopes control different effect parameters, and can be drawn freely or onto a grid. The envelopes are looped, while the incoming audio isn’t (unless you’re feeding it looped material of course). This is a powerful & fun way of altering your sounds to reach a whole new level, sometimes not even recognizable! Thanks to the looping nature of the plug-in, it will fit very well into any musical context. One way of using it would be to revitalize any looped material (such as beats) within just a few seconds.

Gaffel* is a tool that splits audio into different frequency bands. Using it on multiple channels lets the user create multiband effect(s) out of any other plugin installed.

Frequency parameters are globally synchronized between different instances of the plug in if they’re set to the same group, which makes it really convenient to work with in any DAW.

Grand Finale is a multi effect plug-in designed for finalizing complete mixes, stems, buses and/or individual audio tracks. The plug-in offers several modules in a pre-routed configuration. Each module has parameters to alter, and most modules offer a set of algorithms to select. These features come together to make Grand Finale a powerful tool for quickly finalizing a track, bus or mix.

This audio effect filter provides an unique distortion algorithm and should be essential in every music producers toolset. SquashIt doesn’t sound vintage, it just sounds good. SquashIt is developed by musicians for musicians.

If you work with audio, you’ll eventually need a good compressor in your toolbox. Korvpressor* is an adaptive compressor / limiter that’s usable in many different ways. It has a super-simple UI, a whole new ”physical” take on how to tame and visualize a compressor.

The controls are minimal – set the input gain, level of compression, and the output gain. However, don’t be mislead by this simplicity. Under the hood is a sophisticated set of algorithms, developed together with a team from the KTH Royal Institute of Technology in Stockholm. The compression algorithm was designed with transparency in mind, and Korvpressor will sound great on almost any kind of sound; all from a vocal track to a full blown mix. If you push it even harder, it gives a nice squeezing effect.

This audio effect filter is a hybrid between a simple reverb and a very complex delay. R0Verb consists of up to 50 separate delay lines, and puts you in charge of every single delay with controls for volume, pre-delay, feedback & high shelf. It can be used for everything from simple delays to complex spaces, whatever your mix needs. It also has a nice Randomizer if you’re feeling lucky!

Syndt* is a high quality polyphonic synthesizer with a lot of possibilities. The oscillator waveform can be morphed between pure sine to pure square, and supports altering of pulse width. Both the shape and pulse width can be modulated by two independent LFOs. With fine-tuned low pass and high pass filters combined with a separate filter attack setting, (optionally based on velocity) this synth can create some raw and interesting sounds.

Modulation Processor 3244 is a audio plug-in, designed for extensive modulation and synchronisation of audio hardware and software within a DAW host application.

Especially classic analog synthesizers and modular systems can be easily integrated into a DAW for synchronised parameter modulations.

Our highly anticipated launch is finally here! We have spent many thousands of hours rebuilding and redesigning every nook and cranny of ANA to create a beautifully elegant and powerful synth. One that is super simple to use but with an extensive toolset to allow you to create complex and exciting sounds.

Over 3 YEARS in the making, our baby is finally ready and we can't wait for you all to try it out.