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It's time to take control of time itself, with the Doepfer A-188-1 Bucket Brigade Device for Softube Modular. Our officially licensed software version of the BBD module represented a new challenge in terms of component by component analog modeling, and the results were worth the effort.

Ever since the low pass gate was invented by Don Buchla for his 200 series instruments in the early 1970s, low pass gates have been heralded for their ability to add a lifelike and organic response to modular synth patches. They work by applying an envelope to a low pass filter with its 0-voltage cutoff frequency way below audible range, so when the envelope is down, the 'gate' is closed. As a note decays, its high frequencies die soonest – just like most acoustic sounds.

For cinematic scoring, for expressive, intelligent, modern electronic music, for video game and theatrical soundscaping... a one-off synth can create a one-off mood. How often have you looked at your everyday workhorse synth with its million billion options, and thought, "nothing here sounds quite right!"?

Mastering compression, limiting, and de-essing without compromise. Every mastering engineer's fondest dream is about to come true. Our plug-in is a line-by-line code port of the legendary Weiss DS1-MK3 mastering processor - the unit no serious mastering engineer can do without.

There's a reason Weiss Engineering's EQ1 has been at the top of the heap since its release in 1996. The EQ1's dazzling sonic qualities combined with its flexibility as either a Minimum Phase EQ, a Linear Phase EQ, or a Dynamic EQ have made it the must-have digital mastering equalizer. The Weiss EQ1 plug-in crystallizes that legacy - in software form.

The name Weiss is synonymous with quality in mastering, and a truly exceptional compressor/limiter is essential to any serious mastering engineer. The Weiss DS1-MK3 is the gold-standard for the world's greatest mastering gurus, and for the Weiss Compressor/Limiter, we draw on its essence (and code-base) to bring a totally focused modern answer to the question 'how should I deal with dynamics on my mix bus?'

Whether you're trying to tame sibilance in a lead vocal, rein in a sharp-sounding hi-hat, or reduce harshness while mastering, a truly great de-esser is as elusive as it is essential. Enter the Weiss Deess, available as an individual plug-in or as part of the Weiss DS1-MK3 collection.

Vibes like a mic plugged straight into an API console from 1976, with hints of sparkle and sheen to the saturation Model A vibes like a mic plugged straight into an API console from 1976. Adding a hint of sparkle and sheen, it slowly breaks up into a gritty white cloud of antique saturation. Pairs perfectly with the Omega Mic Pre.

Nails the dark, thick, and rounded sound of the coveted vintage Neve pre it's modeled after Model N nails the sound of the coveted vintage Neve pre it's modeled after. Dark, thick, and round, just a kiss imparts a dusty patina, pushed hard it gets downright fuzzy and soft. Pairs perfectly with the Omega Mic Pre.

Modern Bass. Mix-ready Bass. Monoment Bass. In the modern day, music production leans more heavily on bass than ever before. Although track counts can number a hundred or more, often the core of a song is built around little more than a beat, a vocal, and a rich, living bass sound.

Statement Lead instrument is a five-octave polyphonic synth plug-in for lead sounds with 90 waveforms recorded from a variety of rare, expensive hardware synths and built-in Softube effects to give you precise control over your sound.

Loudness done right. Based on the legendary Weiss DS1-MK3, the centerpiece of mastering studios the world over (and also now available as a Softube plug-in), we're delighted to offer the future of fast and professional mix maximizing - the MM-1 Mastering Maximizer.

Rarefied tube emulation with a fat tone that breaks up in delicious ways, growing increasingly crusty but never harsh. This rarefied tube emulation has a fat tone that breaks up in delicious ways, growing increasingly crusty but never harsh, turning cymbals from brass to gold, and gluing bass into a molten fiery blob of love. Pairs perfectly with the Omega Mic Pre.

A lovely saturation and distortion generator pulled straight from the heart of Kush's own Tweaker hardware compressor. Model TWK is a vintage distortion pulled straight from the heart of Kush's own Tweaker hardware compressor. The sound of Omega TWK comes from modeling the way Tweaker overdrives a pair of “supermatched transistors” feeding a long chain of dirty 70's op-amps, all of which have specs that, by modern standards, would be considered abysmal.

Add the legendary tube sweetness of A-Designs' Bass D.I. Box to any sound in your mix. From A-Designs Digital by Kush. THE SOUND OF REDDI The original hardware REDDI is a legend among professional session players and commercial studio owners. Its hybrid tube/solid state gain circuits, beefy transformer, and oversized power supply have an uncanny ability to both reign in bass transients and punch them up.