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Rum simulates different kinds of rooms – from acoustically treated studio booths to spaces found in an ordinary home. Think of this plug-in as if the audio source was recorded in stereo from the other side of the room, a common technique for recording acoustic instruments in order to breathe life into a dry sound source. In addition to the ten multi-recorded rooms (with different mic settings and characters that can be cross combined) there’s an advanced stereo spread and modulation unit for even more tweakability. This plug-in also comes with low cut and high cut filters, pre-delay (with tempo sync), a full set of factory presets and a built-in ducker making it easy to tame transients on the wet signal.

GLORY style phaser. Tempo sync sinusoidal modulation of the pahser. The WIDTH knob can be used to open space. The modulation of the right and left channels can also be inverted. This gives an interesting experience phaser. Use the DRY / WET knob to determine the ratio of the wet signal.

We created GLORY following the basics of classic synthesizer design. With it’s analog style oscillators and additional wav oscillators, we can create truly unique sounds. The sound of the real-time oscillators can be mixed with a single-layer wavetable synthesis, and can be enhanced with an additional wave (transient) sample. A custom sub oscillator is available to create a variety of bass tones. You can further shape the sound of the oscillators with High or Low Pass Moog or Hybrid style filters and FM-PWM modulation. You can improve the sound with the Matrix Designer, and for the final polish, use the FX section.

GLORY style flanger. Tempo sync or free run the sinusoidal modulation of the flanger. The SYMMETRY knob can be used to dissolve static waves. The modulation of the right and left channels can also be inverted. This gives an interesting three-dimensional flanger. You can use the FEEDBACK knob to control the phase shift. Use the DRY / WET knob to determine the ratio of the wet signal.

VOICE CLEANERDetail highlight. Self-developed detail enrichment process. In this way, we can create a detail-rich, well-interpreted sound from dull, faded signs.

PIF Russian kid synth We love little playful synthesizers, which is why we made one of our favorites. An indispensable musical accessory of Russian kindergartens, this little synth is from the 1980s. We modeled both the original tone and the sound we can hear through the speaker. In this emulation, you can view a small piece of history inside and out. It was available in several colors. While playing, even random can change its color, making the synth more fun. All sounds are oscillator generated, not sample based. No boring repetition .

SIMPLE AUDIO PUMPERDetail highlight. Self-developed detail enrichment process. In this way, we can create a detail-rich, well-interpreted sound from dull, faded signs.

The W-77 vst concept The project started in 2006. After a long break, following encouragement from musicians, we updated the W-77 plugin to 64-bit version. This is when the modification panel was added, with which we expanded the capabilities of the synthesizer. The original is a Wersi Bass synth from 1977. Based on our copy, we created the sound and graphic look of the VST version. This is a vintage sounding MONOPHONE BASS / LEAD synth. It has 3 waveforms, bass guitar emulation, and automatic LFO that can also control the filter. Simple ATTACK / DECAY and auto WAH control was given to the original device.

GLORY style overdrive. Classic digital overdrive with a little refinement. Use the SOFT knob to soften the square signals. This gives an energetic but slightly softer distortion. Use the OUTPUT LEVEL knob to increase the output volume. You can follow the formation of the sound with a spectacular oscilloscope. Use the DRY / WET knob to determine the ratio of the wet signal.

GLORY style delay. Tempo synced or free running is also available. You can color the recurring delays with low, mid, and high cuts. DELAY or AUTO PANORAMA mode can be selected. You can use the PAN WIDTH and FEEDBACK knobs to control the size of the space. Use the DRY / WET knob to determine the ratio of the wet signal.

GLORY style reverb. High, mid and low frequency cutting allows for setting the mood of the space. The mid frequency attenuation can be switched to automatic. The auto cut is controlled by the midi note, so you get a clearer sound, such as during playing leads. With the FEEDBACK control we can adjust the size of our space. Use the DRY / WET knob to determine the ratio of the wet signal.

GLORY style detail highlight. Self-developed detail enrichment process. In this way, we can create a detail-rich, well-interpreted sound from dull, faded signs. Use the SOFT knob to soften the highlight. Use the DRY / WET knob to determine the ratio of the wet signal.

Open Sidify Amazon Music Converter, drag & drop music from Amazon Music Unlimited or Amazon Prime, choose the output format & customize the output path, and then you can export Amazon Music to your local computer.

ORGANIC DIGITAL WAVEMAKER SQ80 V is Ensoniq’s classic ‘80s Cross-Wave synth reborn, weaving hybrid lo-fi character, complex industrial textures, and thousands of unique waveform combinations into a quick-fire softsynth enhanced for modern production. Digital synthesis unraveled. Digital synthesizers are often known for sounds that are razor-sharp, crystal-clear, and precise - SQ80 V has other ideas. Explore a detailed software resurrection of a digital anti-hero that’s out to break the rules. Capture the grit, character, and charming imperfection favored by John Carpenter, Adamski, Mr Bungle, and countless others with an instrument that’s simultaneously complex and accessible, focused and intricate, edgy and dream-like - and unlike anything you’ve heard before.

The recent digital world tends to line up everything. That makes things predictable and... well, boring. The beauty of life is in chaos and randomness of unexpected. And Verbum Entropic Hall reflects that which makes it one of the most realistic reverbs out there.