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Slapper is a multi-tap surround delay with a stunningly intuitive interface, fantastic console integration and some freakish sound design potential. You can make anything from an attic to a canyon... from a simple vocal slap to insanely complex syncopated grooves - and you'll do this quickly, and precisely, and with a big smile on your face.

Matchbox is a Change Management solution, aimed at anyone working in post production. It compares two versions of a reel or episode and finds every cut change, VFX tweak or dialog slip. It reveals the differences, reporting on the damage, and then retimes your sound mix, compositing work, dialog scripts, closed captions, and anything else created to picture.

Envy is all about envelopes – stealing characteristics of one sound and applying them to another. It's kinda like a morph, but it's really not that. It's part dynamics tool and part vocoder, but you won't use it for either of those things. It's officially a modulation plugin, but that doesn't even begin to explain what it actually does.

Turns drums into crushed gravel, direct guitars into vintage fuzz, and the human voice into an alien specter. THE SOUND OF PUSHER Turning drums into crushed gravel, direct guitars into vintage fuzz, and the human voice into an alien specter – Pusher encourages improvisation and rewards exploration with endlessly surprising colors and overtones.

DSP compressor with groundbreaking attack & release qualities, separate i/o Saturation, and two optional tone circuits. Novatron is an analog-modeled compressor that borrows so many sonic properties from so many different classing hardware units that, ironically, it could only exist in the world of DSP.

Mythical top end sheen and tube-thickened low end from A-Designs Digital by Kush THE SOUND OF HAMMER DSP The Hammer's mythical top end sheen and tube-thickened low end quickly earned it a permanent place on mix busses around the world. And with its smooth, bite-free midrange, I'm sold.

SYSTEM 6000 Integration Plug-In for Workstation Systems Product Features - Audio and video software plug-in lets you integrate pristine SYSTEM 6000 processing with your DAW or NLE

With expansion, compression and limiting separate for each band, the MASTER X HD is the ultimate multiband dynamics processing plug-in. Designed for use on single sources, buses and master mixes its pioneering fusion of software and optional hardware control gives you powerful award-winning algorithms combined with the latest in dynamics technology.

With 12 bands of parametric EQ, intuitive controls, and legendary Midas tone, the PEQ 3000 is a versatile EQ plugin which brings the smooth response and immediacy of a Midas console to your DAW.

Native loudness meter plug-in Get the very latest in native plug-ins to measure Loudness and True-Peak on mono, stereo and surround tracks. We've loaded the native LM2n with new dedicated settings, new viewing options, improved off-line measuring in Pro Tools - and a host of other new features.

With powerful compressor and gate effects intuitive controls, and legendary Midas tone, the DYN 3000 is a versatile dynamics plugin which brings the flexibility and immediacy of a Midas console to your DAW.

BRICKWALL HD is a brick wall limiter plug-in like no other. Designed for use in professional and home studio mastering scenarios, it sports both classic transparent limiting and modern loudness oriented workflow for outstanding and predictable results. With its optional desktop controller, BRICKWALL HD is a pioneering fusion of premium software and next-generation hardware assisted workflow.

Syn’X 2 is a Polytimbral Synthesizer inspired by the synthesis part of a legendary Italian Synthesizer from the 80's, while its multi-layer card-based architecture is inspired by sophisticated hardware analog monsters like the Oberheim Matrix 12.

The hardware Electra EQ set a high standard for fast, smooth, punchy equalization, and the Electra DSP's precisely modeled filters embody that spirit flawlessly. The high shelf is surprisingly flexible, the bass reaches down to the floor. But those midrange filters have a magic proportional-Q, the more you boost the tighter they get. They're so articulate, they can make drums sound like they were tuned and even mic'd differently.

Everything you need to design the ultimate bass tone. Parallel bass processing has been used for decades. Dual rigs or multiple plugins would be configured to distort treble for clarity and aggression, and compress lows for a massive foundation.