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Statement Lead instrument is a five-octave polyphonic synth plug-in for lead sounds with 90 waveforms recorded from a variety of rare, expensive hardware synths and built-in Softube effects to give you precise control over your sound.

Loudness done right. Based on the legendary Weiss DS1-MK3, the centerpiece of mastering studios the world over (and also now available as a Softube plug-in), we're delighted to offer the future of fast and professional mix maximizing - the MM-1 Mastering Maximizer.

Rarefied tube emulation with a fat tone that breaks up in delicious ways, growing increasingly crusty but never harsh. This rarefied tube emulation has a fat tone that breaks up in delicious ways, growing increasingly crusty but never harsh, turning cymbals from brass to gold, and gluing bass into a molten fiery blob of love. Pairs perfectly with the Omega Mic Pre.

A lovely saturation and distortion generator pulled straight from the heart of Kush's own Tweaker hardware compressor. Model TWK is a vintage distortion pulled straight from the heart of Kush's own Tweaker hardware compressor. The sound of Omega TWK comes from modeling the way Tweaker overdrives a pair of “supermatched transistors” feeding a long chain of dirty 70's op-amps, all of which have specs that, by modern standards, would be considered abysmal.

Add the legendary tube sweetness of A-Designs' Bass D.I. Box to any sound in your mix. From A-Designs Digital by Kush. THE SOUND OF REDDI The original hardware REDDI is a legend among professional session players and commercial studio owners. Its hybrid tube/solid state gain circuits, beefy transformer, and oversized power supply have an uncanny ability to both reign in bass transients and punch them up.

SUPER BUNDLE includes:SUPER FAT SUPER THIN SUPER MUSCLE

Musiqual SUPER Bundle includes:Musiqual RED SE Musiqual BLUE SE Musiqual GREEN SE

Pi and Phi (π & φ) is our landmark product, designed and destined to impress, and deliver. Pi & Phi MkII, the second generation Pi & Phi, allows you to explore and unleash its full potential like never before! What's new?

Mia Compressor One is MIA Laboratories' premier compressor. Carefully designed to act like the much esteemed analog compressors of past decades, with the distinctive sound of MIA Laboratories.

The 413 Tape Saturator reproduces the non-linear characteristics that would result when overdriving analog tape, as magnetic saturation occurs with increasing amplitude of the 'recorded' signal. It offers 3 different types of Analog Tape, as well as 3 different types of distortion.

980 Spark is a unit that consists of three modules: Compressor, Colour and Saturator. This plugin was especially designed to help enrich and thicken audio content with minimum of effort, without compromising quality and usability. It is a handy tool for sound design, as well as a sophisticated saturation unit.

The 925 is MIA Laboratories' preferred main mix compressor. It is designed using physical modelling principles, based around the classic 'feed-back' topology in hardware circuit-design.

409 Opto Compressor provides from gentle, transparent compression to heavy deep-cutting limiting, suitable for a very wide range of applications: - Highly optimized dynamic response. - 'Damping' and 'Skew' controls.

The 358 Enhancer is a single-stage, 'straight-path' process allowing control of the bass/treble frequency balance of a stereo mix or mono channel. It can be used in many applications requiring from slight to more drastic frequency balance correction, but unlike a conventional EQ or filter, the 358 uses internal multiband phase processing. This results in a more dynamic, realistic frequency content which is adjustable with two main controls for constructive (boost) process, folding at the classic 150Hz (LF) and 2.4KHz (HF) frequencies.

PSP HertzRider2 (frequency shifter plug-in) is the successor to the PSP HertzRider. It benefits from algorithm optimization and adds numerous significant new features. It's been designed to be as simple as possible, to take as few resources as possible, and to incur only a very slight (and frequency dependent) latency.