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Sovereign of analog mastering equalizers. If there was a hierarchy of analog studio gear (and let's face it, there kind of is) it'd be hard to dispute the Chandler Limited® Curve Bender's claim to the throne. Among analog mastering grade equalizers, this one's about as blue-blooded as they come.

Screaming guitar feedback in the box. Release your inner beast with our stunningly, brutally realistic guitar feedback simulator plug-in. Go from moderate and subtle to rampant and wild with the twist of a knob (or two).

A secret weapon from the 60s. Meticulously modeled by Softube, the RS127 Rack, RS127 Box, and RS135 deliver the sweetest treble equalization imaginable – the sound of real passive analog circuitry in all its glory.

Flexible and tweakable. Classic drum synthesis is back with a vengeance! Flexible and tweakable - Heartbeat is your source for familiar, yet unique, drum machine sounds.

Modular synthesizers are a way of life. The sense of endless possibility, of open-ended adventure, is captivating. Addictive even. And nothing else can produce the sonic extremes of which a modular system is capable. Patch four or five modules together in a new way and you just might hear something no human ear has ever heard before.

It's time to take control of time itself, with the Doepfer A-188-1 Bucket Brigade Device for Softube Modular. Our officially licensed software version of the BBD module represented a new challenge in terms of component by component analog modeling, and the results were worth the effort.

Ever since the low pass gate was invented by Don Buchla for his 200 series instruments in the early 1970s, low pass gates have been heralded for their ability to add a lifelike and organic response to modular synth patches. They work by applying an envelope to a low pass filter with its 0-voltage cutoff frequency way below audible range, so when the envelope is down, the 'gate' is closed. As a note decays, its high frequencies die soonest – just like most acoustic sounds.

For cinematic scoring, for expressive, intelligent, modern electronic music, for video game and theatrical soundscaping... a one-off synth can create a one-off mood. How often have you looked at your everyday workhorse synth with its million billion options, and thought, "nothing here sounds quite right!"?

Mastering compression, limiting, and de-essing without compromise. Every mastering engineer's fondest dream is about to come true. Our plug-in is a line-by-line code port of the legendary Weiss DS1-MK3 mastering processor - the unit no serious mastering engineer can do without.

There's a reason Weiss Engineering's EQ1 has been at the top of the heap since its release in 1996. The EQ1's dazzling sonic qualities combined with its flexibility as either a Minimum Phase EQ, a Linear Phase EQ, or a Dynamic EQ have made it the must-have digital mastering equalizer. The Weiss EQ1 plug-in crystallizes that legacy - in software form.

The name Weiss is synonymous with quality in mastering, and a truly exceptional compressor/limiter is essential to any serious mastering engineer. The Weiss DS1-MK3 is the gold-standard for the world's greatest mastering gurus, and for the Weiss Compressor/Limiter, we draw on its essence (and code-base) to bring a totally focused modern answer to the question 'how should I deal with dynamics on my mix bus?'

Whether you're trying to tame sibilance in a lead vocal, rein in a sharp-sounding hi-hat, or reduce harshness while mastering, a truly great de-esser is as elusive as it is essential. Enter the Weiss Deess, available as an individual plug-in or as part of the Weiss DS1-MK3 collection.

Vibes like a mic plugged straight into an API console from 1976, with hints of sparkle and sheen to the saturation Model A vibes like a mic plugged straight into an API console from 1976. Adding a hint of sparkle and sheen, it slowly breaks up into a gritty white cloud of antique saturation. Pairs perfectly with the Omega Mic Pre.

Nails the dark, thick, and rounded sound of the coveted vintage Neve pre it's modeled after Model N nails the sound of the coveted vintage Neve pre it's modeled after. Dark, thick, and round, just a kiss imparts a dusty patina, pushed hard it gets downright fuzzy and soft. Pairs perfectly with the Omega Mic Pre.

Modern Bass. Mix-ready Bass. Monoment Bass. In the modern day, music production leans more heavily on bass than ever before. Although track counts can number a hundred or more, often the core of a song is built around little more than a beat, a vocal, and a rich, living bass sound.