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In terms of power and clean headroom it is the smallest of all the F-Type piggy back amps. If you want a cleaner and spankier tone, you can choose BlackVibe. As a clean amp, it’s not harshy or dirty. Best small clean amp in the world! Improved tone control and added MID control instead of original design to get more control on your tone.

Audio File Editing, AudioCD Mastering, Plug-in Hosting A new application forged on its distinguished past. Rebuilt from the bottom up for macOS Mojave (*), DSP-Quattro 5 stands on the foundation of its award-winning twenty-three year history, primed to carry on its tradition of excellence well into the future.

LESS IS MORE. Few songs call for a stronger backbone than a ballad. Here's a wide variety of grooves for just that – from super slow to mid tempo.

A SOLID FOUNDATION. All songs need a strong backbone. This pack presents mellow ballad to uptempo rock drums – all blessed with the touch, feel and subtle dynamic twists of a great drummer.

A JOURNEY BACK IN TIME SIGNATURES.Basic rock grooves in close to any time signature imaginable. By the end of the 1960s and continuing well into the late ’70s, bands like Emerson, Lake & Palmer, Kansas, Rush, Pink Floyd, Yes, King Crimson, Jethro Tull, Genesis and Styx were in the vanguard of a musical shift in rock. Suddenly, uncommon time signatures, long solos, technical passages, dragged-out instrumental parts and lyrical themes out of this world not only became common but largely accepted even on a commercial scale. In short: the prog rock scene that rose during this period applied extra everything – to everything. Maybe so the most in terms of drums. To this day, the timeless chops of Neil Peart, Phil Collins, Bill Bruford, Alan White and many others continue to inspire and set the bar.

ENTER THE MIDI MATRIX.Raw, progressive power courtesy of Jay Postones of TesseracT. Tesseract. A four-dimensional hypercube presenting almost endless possibilities in the world of space, time and geometry. Project this cubic prism science on the world of MIDI and an infinite maze of unexplored space unfolds. At a glance, just tiny dots in the grid of your DAW. Combined, a composite of perfect symmetry that can be changed, rearranged and pushed beyond the confines of imagination. Welcome to the MIDI matrix.

Hatebreed drummer Matt Byrne brings you a crosscut of hardcore from then and now. Not only inspired by his own band’s catalogue but a broad selection of pioneering songs, influential artists and notable drummers of the genre, Hatebreed drummer Matt Byrne delivers an uncompromising, full-on assault of relentless grooves spanning the whole range of the hardcore genre from then and now. Expect anything from the metal-tinged and devastatingly heavy to the alarming, crushing and aggressive onset of classic hardcore.

BEATS FOR THE SCREEN.Groove foundations for dramatic scenes, soundscapes and songs. The Action Drums MIDI pack presents a collection of unique and unconventional grooves designed for use in any dramatic or action-packed scene, soundtrack or songwriting context.

A FILL-IN-FUSED COLLECTION.More than 700 fills, tailored for fusion. Fusion. “The process or result of joining two or more things together to form a single entity”. The general dictionary definition of the word applies perfectly to the music genre as well – it’s a mix of disparate elements from several genres that, put together, make perfect sense. In a seamless merge, it combines the complexity of jazz, the groove of funk and the raw power of rock, particularly when it comes to the drums.

A NEW SCHOOL OF GROOVE.Drum beats and fills ready for your modern eighties-flavored pop songs. Pop drums in the eighties were somewhat a marriage between two eras. At one end of the scale, drum machines and monotonous beats were forcing their way into the sound of the time, while on the opposite side, groove, feel and timing were more important than ever. Amid all this was the traditional drummer, caught in an age when technology came head to head with tradition. Producers introduced click-tracks on a larger scale, asked drummers to play with machine-like precision to not clinch with their sequenced parts and had them lay down their tracks as the first step in a production – all while session drummers like John Robinson, Ricky Lawson, Phil Collins, Manu Katché, Jonathan Moffet, Jeff Porcaro, Kenny Aronoff and Stewart Copeland rose to iconic fame and had more work than ever. This era is indeed a man-against-machine scenario, where drummers who bridged the gap the best came out on top. Who’ll ever forget those gated reverbs, larger-than-life drum fill breaks and machine-like beats? Interesting time indeed.

LARGER THAN LIFE.Grooves and fills inspired by the icons of rock. Ear-deafening guitars, screeching vocals and thunderous bass in all their glory, but at the end of the day, a rock song is only as good as its heartbeat – the groove. With the Arena Rock MIDI pack, we reclaim center stage and let the floodlights shine on the drummer. This is the ultimate collection for fans of every stripe of big, earth-shattering rock where the beat is not only important, but pivotal.

SIXTIES POP CHOPS.Pop grooves and fills inspired by the '60s pop and rock revolution. Transitioning from rhythm and blues, rock 'n' roll and soul to a more open sound, the '60s pop era is one of blurred lines when it comes to drums. Suddenly, drummers were caught in the midst of a musical and cultural revolution bursting with innovation, calling for new ideas, grooves and personality. Pop and rock players like Bobby Orr, Mick Avory, Keith Moon, Levon Helm, Charlie Watts, Mitch Mitchell, Ringo Starr and others in many ways rewrote the role the drums used to have in a pop or rock song.

In order to give track elements the classic 'telephone' treatment, options are limited: invest in an expensive speaker-simulation plugin, dial in your own fiddly processing setups from scratch, or laboriously reamp the signal through an actual speaker or phone. Surely there's an easier, cheaper way?

LONDON CALLING.EZkeys MIDI inspired by modern British pop. Adele, Ed Sheeran, Coldplay, Amy Winehouse, Sam Smith, James Bay, Ellie Goulding – the modern British pop wonder is more than a fact, it’s a force in motion, unstoppably charging through the worldwide charts. Inspired by this wealth of music, the UK Pop EZkeys MIDI pack dives headfirst into the treasure chest of British pop to come up with new ideas that you can use to craft your tracks from.

Classic algorithmic reverb plugins use a combination of short feedbacking delays to create the illusion of reverberation. These delays cause unwanted metallic resonances and sharp spikes in the reverb's frequency response. The denise team challenged themselves to create something better - a perfect room - and invented their TXVerb technology. Using this technology, the denise Perfect Room doesn't use delays for the tail and will enhance the character and colouration of any audio you run through it in an extremely natural way, sounding defined and tight from the lowest kick all the way up to the highest vocal.