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Meet Senfine - a handmade extensive toolkit that features a collection of truly atmospheric and emotive sounds which will inject elusive magical atmosphere into your productions.

The Montclarion Hall Grand Piano is a classic Steinway 1926 parlor grand that lives in one of our favorite recording halls. We captured in wide stereo from three distinct microphone distances (internal, external/mid and far/hall) to allow custom and surround mixing and provide different ambient flavorings. It has a crisp, solid tone ideal for classical composing, yet works equally well for soul, jazz, rock and pop. But this 7+ GB library goes well beyond a simple classical grand piano library. It also includes a wide selection of extended "prepared piano" and very useful creative FX articulations, such as percussive pounds, slams, string scrapes, steel guitar slides, mallet and pick glisses, sweeps, plucks and much more.

HORROR STRING NOISES Stringache is a modern horror library of mangled string noises. We've used close microphone techniques to record a huge deal of violin stabs and screeches, pizzicatos, cello staccatos, double bass jetè, crescendos, strident string gestures, bowed noises: all of them have been heavily processed and transformed in unsettling, hair-raising cinematic horror effects.

Featuring as apart of the Seven Days fundraiser, Waverunner Audio’s John’s Guitar. Warm nylon strings, a distinct and unique character, captured in the same space as 2 French Horns by Adaq Khan, who is usually found recording at London’s Royal Albert Hall. John’s Guitar also includes additional ethereal pad and short patches, featuring stunning artwork by friend Blake Pearson; offering inspiring colours to add to your sonic palette.

Chinee Winds contains various types of DiZi and Xiao, and is the most polished instrument of the Chinee Series that won Kong Audio the attention of the composers around the world.

ChineeKong V3: Enter the Rhythm of China ChineeKong V3 is a sample-based Chinese percussion VSTi that comes with over 850 mb of professionally recorded sample content and brings you the most authentic percussion sound originated from various parts of China. A sound that most of the Western world haven't heard of before, until now.

SanXian (literally means "3 strings") can be traced back to Qin dynasty, 3rd century B.C. It is mostly known to the West through its Japanese decedent, samisen. SanXian's sound character is a bit similar to Banjo.

The Vivacious Vessel of Harmony GuQin is among the few most distinctive and representative classical Chinese instruments ever. The written record of it can be traced back to at least 3,000 years ago.

PiPa The Never-Stopping Chattering Pipa (Chinese Lute) has its origin dated back to the Qin Dynasty (221-206 BC). As Pipa evolved, it was heavily influenced by Persian culture during the Tang Dynasty (618 - 907 AD) when the two great civilizations crossed over with each other, and became one of the most popular instruments in China ever since then.

Rippling and Dreamy Guzheng, as one of the most representative Chinese instruments, first appeared around the Warring States period (475 - 221 BC), then became extremely popular during the Tang Dynasty (618 - 907 AD) and spread to all neighboring areas ever since (e.g., Guzheng is the forefather of Japanese Koto). Guzheng was originally a rather simple instrument with only five strings. After all the years of evolution, today's Guzheng has twenty-one strings and is still widely used in all kinds of Chinese music.

A hybrid crossover of brass and woodwind Suona is rather unique. It is sort of a crossover between brass and woodwind. The sound of Suona is energetic, unapologetically harsh, abrasively brash, and proud-to-be-so-loud, blasting out everythings in sight.

Being here, to be there Erhu is a bowed instrument with two strings, originally dated back to Tang Dynasty(7th century A.D.), and is still being widely used today all over China in all kinds of music, from movie scores to opera. It's one of the most representative classical Chinese instruments nowadays. It's also very popular in the whole Asia.

Characterized by the triste tone, GuanZi (literally means Pipe) is a one-of-a-kind double-reed instrument from China. Originated in Central Asia, like many other existing Chinese instruments, GuanZi was embraced dearly and became an integral part of Chinese instruments ever since the great Tang Dynasty (7th -10th centuries).

Besides the horse-headed pegbox, Matouqin is very recognizable for its unusual playing techniques and styles. Our production approached Matouqin in pursuit of the indigenous flavour instead of the more Westernized style, and by delivering that flavour, all the composers and musicians now have a chance to explore and express in the most authentic and original Mongolian flavour easily.

Xun. One of the earliest instruments in China. Archeological excavation discovered Xun from sites more than 7,000 years ago. It is very similar to orcarina, but without a fipple. Xun is considered as a ritual instrument in Chinese history.