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Du möchtest den Elektron Digitakt von vorne bis hinten verstehen und endlich meistern? Dann bist Du mit diesem umfassenden Videotraining bestens beraten! Elektron-Spezialist Kai Chonishvili geht jede Funktion dieser Sample-basierten Groovebox im Detail durch und zeigt die unterschiedlichsten Seiten des Digitakts.

Mit diesem Videolernkurs wirst Du den Elektron Digitone von vorne bis hinten verstehen und meistern! Elektron-Spezialist Kai Chonishvili geht jede Funktion dieses FM-Synthesizers im Detail durch und zeigt zudem die umfangreichen MIDI-Möglichkeiten des Digitone.

Jetzt Elektron Octatrack MK1/2 verstehen und beherrschen – mit unserer vierteiligen Masterclass-Serie zum Elektron Octatrack – Profi-Wissen, das dich nach vorne bringt!

Samples Choice delivers Drill Time. The pack contains 6 kits: 157 samples with 808 basses, sad and dark piano, old and toy piano, synth leads, plucks, strings, glitch voices, drum loops, top loops, kick, loops, snare loops, hi-hats loops, percussion loops and many more. You have 6 kits with main beats, the keys beats without drums, and every single instrument layered for full control to build more and more melodies. Inspired by the best drill artists as Pop Smoke, Migos, Digga D, Unknown T, Dutchvelli, Hargo, Unknow T, Bandokay & Double Lz, AXL Beats, TeeZandos, and many more. This is a great collection for your Drill productions. Pack details: 157 x wav 44.1 khz 24-bit All files are royalty-free and ready to work on all major music software. Other genres that this package may be useful in: Lo-fi Hip Hop Bass Music

In this 4 hour Masterclass you will sit in the studio next to Sefa and have him explain to you exactly how he approaches music production. No track walkthroughs this time as the main focus of this class is on making kicks, coming up with a melody + chords and using these ingredients to build a track from scratch. In the class you will be learning essential music theory and history helping you achieve a deep understanding on how to create your own banger themes. We all know Sefa is a wizard when it comes to this and he definitely hasn't held any knowledge back on these topics going deeper into sound design and mixing as well as building an insane kick from scratch in record time.

In Teil 3 – MIDI & Trigs geht es um die MIDI-Möglichkeiten des Octatracks und die zahlreichen Funktionen in denen das Wort "Trig" auftaucht. Elektron-Spezialist Kai Chonishvili zeigt dir anschaulich und detailliert, wie Du das einzigartige Potenzial des Octatracks voll ausschöpfst.

In Teil 4 – Effekte & LFOs wirst Du den Octatrack unter anderem als multifunktionales Effektgerät kennenlernen. Wir werden Synthesizer durchschleifen und mit den internen Effekten in völlig neue Klangsphären schicken. Dementsprechend geht der Autor auch auf alle Audioeffekte ein, die im Octatrack verankert sind.

Nearly a decade and some after his untimely death, the late yet legendary J. Dilla has been celebrated countless times for his accomplishments and his untouchable and innovative style of production. His magnum-opus, and highly emotional release, “Donuts” came just three days before his death in February 2006. “Donuts” is not only his most publicized work, but the calling-card of those who seek to imitate his style and/or pay homage. It is important to note, however, that Dilla’s sound in 2006 was the result of a series of sonic evolutions that had taken place over the decade. The last sounds we heard from Jay Dee on “Donuts” were a masterful collage of chopped samples from various records, but before his move to Los Angeles, collaboration with Madlib, and aside from his work with the Soulquarians, Dilla crafted instrumentals that would later end up on a beat tape known as “Old Donuts” (also known as “Another Batch”). Some of these beats can be recognized as interludes from Common’s “Like Water For Chocolate” or instrumentals from Slum Village’s earlier mixtapes, but every one of these beats shares the same sonic palette: harmonically rich samples ripped from vinyl, looped over the grooviest and crispiest drum loops programmed by Dilla himself. “Old Donuts” has more of an east coast influence, as he was directly influenced by the likes of Pete Rock and Q-Tip.

Showcasing his production prowess, the library shines a light on DNMO's sophisticated sound delivering soulful melodies alongside an organic touch through the use of lush synth lines, percolating percussion, and crude, speaker-shaking bass.