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THE BRITISH BEAT.One of UK’s most in-demand session drummers lays down the groove. Having played with some of the most noted artists in modern pop history, performed on best-selling records like Adele’s “21,” recorded 52 Top 20 albums, resided as the house drummer for UK’s “The Voice,” graced covers of magazines and received numerous awards, session drummer Ash Soan has been the session drummer in the lens view of British pop for the past few decades.

DOOMED TO GROOVE.Jami Morgan of Code Orange fuses doom, sludge and hardcore into a cunning modern metal alloy. The Doom/Core MIDI pack takes the crushing heaviness of doom and sludge and melds it with the ferocity and vigor of hardcore to form a cunning fusion of grooves for modern metal. Performed by acclaimed Code Orange drummer Jami Morgan, this collection takes a toehold on not only his own band’s songs but just as much the spur of the moment. In total, you get a broad collection of inventive drumming for use in any modern heavy rock or metal context. Expect anything from devastating heaviness to relentless aggression.

THE RHYTHM OF THE WILD.Mario Duplantier of Gojira delivers a violent piece of drum art. By molding disparate elements of classic, progressive and extreme metal, the brand of sound that Gojira represents has lent them a position as one of the forerunners in today’s metal scene. One key ingredient behind the monster that has become Gojira is the incomparable drumming of Mario Duplantier – an inventive, layered and highly expressive combination of refined finesse, technicality and savage power.

BACK TO THE FOUNDRY.A versatile collection of grooves and fills for progressive metal and heavy rock. This collection of drum MIDI comes from The Progressive Foundry SDX and presents a comprehensive collection of grooves and fills specifically intended for use in progressive metal and heavy rock songwriting. It was performed by Australian drummer Brody Simpson who delivers an extremely well-played set of inspiring and inventive beats in a variety of time signatures. Get anything from straight on pummeling 4/4 grooves for your traditional heavy rock songs to intricate, polyrhythmic patterns in 5/4, 6/4 and 7/8.

THE FINAL CHAPTER. In the concluding chapter of the New York Studios series, drummer Nir Z paints with broad strokes and delivers a highly versatile battery of drum grooves and fills.

As many of us know, the volume of the track is very important in the music industry. The track that sounds louder will always be more noticeable on the background of those tracks that sound quieter. Therefore mastering is the most important element in the final processing and releasing on the label.

Ultra Pop Elements Vol 1 from Maverick Samples includes five Construction Kits containing everything you need to build hot Pop hits, including leads, percussion and FX, all 100% Royalty-Free.

A lot of the time, a good melody can’t shine without the proper sound. The melody might be great, but sometimes the lead just won’t sit right.

In this tutorial, Jake walks through five helpful MIDI tricks within Logic Pro X. While each DAW has their own MIDI tricks, Logic Pro X has its own crazy secrets. MIDI tools can push your creativity to new levels. It’s a huge writing tool that ties into the vibe, flow, and mix of your song.

Jake Shanahan covers an extremely important topic in this tutorial. Logic Pro’s ‘Flex Mode’ is crucial to your vocal tuning, timing, and overall perfecting. While it’s still a somewhat new feature inside Logic, it’s become one of the most popular features.

Repro-5 Pro Expansion is the must have expansion pack to take U-he Repro-5 to the next level. 76 inspiring new presets deliver everything from beautiful vintage keys and brassy synths, to ominous distorted pads, punchy basses, and massive unison supersaw leads.

Ever wished your music sounded more moist? Ever been listening to a foley-based, glitch artist and thought to yourself “HOW IN THE FLYING FUCK DO THEY GET THIS SHIT SO WET!? THIS GUY MUST BE A SYNTHESIS GOD!”

Let’s be real. There are samples of chains in this pack. I don’t know what kinda sport you play, but over here, I’m playing CHAIN BALL!! For real though, shaka bruh – this pack is a mash of samples spanning over 103, 44.1kHz, 24-bit wav files taking up around 56MB of your torrented e-book ridden disk space ranging from big, reverberant hits inside Hawkesbury Indoor Stadium (which I used to live right behind) to some random samples of a bike, and FUCKING CHAIN BALL!

Ever wished your music sounded more like a camera or a hose rack? No… of course you haven’t, that’d be a fucking stupid thing to sound like. *googles camera music* – oh, of course someone’s done that. Well, he shoulda just used this sample pack lol, dummy… Maybe he can retroactively make sense of this mess by buying this sample pack.

Ever thought your music sounded a bit too human? Yeah, you were probably using my organic drums pack & using the groove pool in Live & shit…dummy. Anyway, you probably need some machinery in your music if you want it to sound like a fuggn transformer shopping his ass out to the Tin Man from Wizard Of Oz at Church’s Chicken