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Mastering is a subtle art that takes years of patience and practice to perfect. Knowing how to use the plugins and hardware at your disposal in an effective, tasteful way is crucial to the success of your masters!

Learn how to work with audio and the microphone in iOS apps Audio is what Apple is known for. The iPod and Apple’s dedication to audio is what ultimately led to the iPhone and the whole iOS ecosystem. In this course, you’ll learn how to work with and harness the power of audio in your iOS development.

The Hollywood Guns SFX Bundle comes with a selection of sounds from all of our guns, processed in four massive styles! 280 EPIC sounds included! M249 M4

The Gun Foley SFX comes with all of our gun Foley sound effects! All 301 sounds are included! Includes Foley sounds for the following guns:

Transform your approach, gain a deeper understanding of the mechanics of professional Psytrance and return to your productions with a new toolkit and a bank of inspiration.

Our Masterclasses have always been about one thing: exploring the production techniques and approaches of the world's most respected Psytrance artists to inspire, elevate and expand your toolbox.

This music library comes across with six top-drawer Construction Kits, featuring a wide range of modern synth pads, deep piano and string loops, powerful drums and chest-pumping 808 bass loops and samples to be chopped, stretched and pitched as well as the MIDI files.

'Pump Code' is a spunky pulsating dark Trap & Urban sample collection jam-packed with sounds ahead of its time, designed by Crude Sounds, the new sub-label of Kryptic Samples for Trap and Urban music followers.

'Arcane' is a stunning Trap sample collection fully loaded with the up-to-date Trap sounds designed by Crude Sounds, the new sub-label of Kryptic Samples for Trap Music producers looking to venture into the Trap & Urban Music game.

'Slaughter' is a sweltering collection crammed with the most up-to-date Trap & Urban sounds. Designed by Crude Sounds, the sub-label of Kryptic Samples for the Urban music connoisseur.

Ableton Live 10 Certified instructor Scottie Dugan brings you a collection of video tutorials designed to get you up to speed with Ableton Live’s new virtual synth, Wavetable!

Adam Pollard aka Multiplier, now focuses on Dynamics and Compressors and how they’re used in the Electronic Music genre to tame signals as well as create interesting effects and colors.

Fuse Audio Lab has launched the TCS-68, an audio effect that pays homage to one of the most iconic cassette tape based 8-track recorders. The TCS-68 cassette tape channel effect includes a faithful recreation of the preamp, the tape system and the EQ.

Bucket-500 is an authentic emulation of a bucket brigade (BBD) based analog delay circuit. Fuse Audio Labs added some convenient features in the digital domain including a tilt filter in the feed­back path, a stereo cross-feed option and an optional delay clock LFO to al­low for flanging effects. They also extended the original delay time range to 10..1000ms and included a host tempo sync facil­ity. It's possible to switch between insert and send mode.

After 2 hours at 47,000 feet above ground ... we touched down early in the evening. As the door to the hangar slid open, there were hugs and hi-fives. We were actually about to do it. What started as a hypothetical "what if" discussion at a team meeting was now as real as the Dassault Falcon that landed us here. We were kids on Christmas morning. We took our time walking around this enormous space, marveling at our individual inferiority as we stood in the abdomen of a room large enough for not one ... not two ... but yes, three airplanes. With a random series of claps and finger snaps, we tested and familiarized ourselves with the room. We knew we'd either dance or wrestle with this room for the next 24 hours. Natural reverb and delay like you wouldn't believe, but was it too noisy? Was the tail too long? Would the noise bleed into our samples and create an even more painstaking process than drum sampling already is? There were so many unanswered questions, but the most pressing was obviously, "What the hell is this going to sound like on the other side of the monitors?" We unloaded the plane and set up a 26" kick, a couple old Rogers toms, a black beauty snare, a couple Constantinoples, some mics, a mini rack, and any other gear we managed to fit onto the plane. Once everything was set up, Paul hit the first snare and we all screamed (not actual words ... mostly expletives and onomatopoeia). With wings behind us (literally), mountains beside us, and a sunset before us, we played drums deep into the night. We came away with a sound you won't believe until you hear it. As the opening act for 2018, we'd like to introduce you to a collection of drum samples unlike any you've ever heard ... Hangar.