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Repro-5 Pro Expansion is the must have expansion pack to take U-he Repro-5 to the next level. 76 inspiring new presets deliver everything from beautiful vintage keys and brassy synths, to ominous distorted pads, punchy basses, and massive unison supersaw leads.

Ever wished your music sounded more moist? Ever been listening to a foley-based, glitch artist and thought to yourself “HOW IN THE FLYING FUCK DO THEY GET THIS SHIT SO WET!? THIS GUY MUST BE A SYNTHESIS GOD!”

Let’s be real. There are samples of chains in this pack. I don’t know what kinda sport you play, but over here, I’m playing CHAIN BALL!! For real though, shaka bruh – this pack is a mash of samples spanning over 103, 44.1kHz, 24-bit wav files taking up around 56MB of your torrented e-book ridden disk space ranging from big, reverberant hits inside Hawkesbury Indoor Stadium (which I used to live right behind) to some random samples of a bike, and FUCKING CHAIN BALL!

Ever wished your music sounded more like a camera or a hose rack? No… of course you haven’t, that’d be a fucking stupid thing to sound like. *googles camera music* – oh, of course someone’s done that. Well, he shoulda just used this sample pack lol, dummy… Maybe he can retroactively make sense of this mess by buying this sample pack.

Ever thought your music sounded a bit too human? Yeah, you were probably using my organic drums pack & using the groove pool in Live & shit…dummy. Anyway, you probably need some machinery in your music if you want it to sound like a fuggn transformer shopping his ass out to the Tin Man from Wizard Of Oz at Church’s Chicken

Fuck going outside, amirite? Yes, I am… Studio is the best place… hunnid percent.So, don’t worry, I went outside for you to record these 123 samples totalling 39.8MB. This pack contains the sounds of bushes ruffling, sticks breaking, rocks crunching, a folding chair being dragged around and just other general things that people tend to do when they’re outside.

This metal-themed, foley pack is exactly as it sounds. FUCKING METAL! These samples are perfect for layering with percussion & transient-based elements to take your average, saggy, 6/10 beat into a mechanical monster that’ll make your friends be like “Woah, did you smack a mormon wearing a chastity belt in the dick with the trucks of your skateboard, record it with an Olympus LS10 field recorder, run away & then layer that on your snare!?”, to which you’ll respond “No, but thank you for asking”.

'Savage Beast' is being unleashed from the East. Big Citi Loops are back with another banger that is a guaranteed hit maker with sounds inspired by Migos, 21 Savage, Future and Metro Boomin.

LONDON CALLING.EZkeys MIDI inspired by modern British pop. Adele, Ed Sheeran, Coldplay, Amy Winehouse, Sam Smith, James Bay, Ellie Goulding – the modern British pop wonder is more than a fact, it’s a force in motion, unstoppably charging through the worldwide charts. Inspired by this wealth of music, the UK Pop EZkeys MIDI pack dives headfirst into the treasure chest of British pop to come up with new ideas that you can use to craft your tracks from.

STRAIGHT UP SHUFFLE.A broad palette of piano and keyboard playing styles – all with that unmistakable shuffle feel. The shuffled groove has been immortalized in numerous timeless songs over the years. In more modern contexts, though, it’s become somewhat synonymous with genres like AOR and fusion, but it can be found in practically any style of music – from traditional blues to contemporary pop. This is where the Shuffles EZkeys MIDI pack takes off. Rather than pinpointing a specific genre, it focuses entirely on the groove. Expect the sophistication of AOR, the twang and finesse of fusion and all the funk-infused soul, rock and pop you’ll need – all with that unmistakable shuffle feel.

AN OCEAN OF EMOTION.Modern pop and rock ballads chock-full of drama and melancholy. From jazz to R&B, soul, pop and even metal – piano-based ballads have made lasting forays into all different genres over the years. It may be that the timbre of the piano adds another dimension of heart-wrenching narrative or that its harmonic color translates especially well in wound down tempos – but regardless of reason, pair the piano with a slow tune and it seems to unequivocally throw a wet blanket of melancholy over any song. Needless to say, the piano is the perfect vehicle for infusing your ballads with an extra dose of emotion.

INSTANT INSPIRATION. Piano playing variations inspired by some of the most iconic singer-songwriters of the past few decades. For decades now, the piano has been a natural vehicle to help songwriters voice their craft. There’s just something about its expressive range that speaks on a fundamental level – it’s the perfect instrument to set a scene. In the right context, a lone piano piece can say a thousand words. Add your voice to it, and you can move mountains.

COUNTRY SONGS THAT POP.A contemporary fusion of country and pop playing styles for piano. Already back in the 1970s, artists started deviating from the traditional country mold by incorporating obvious elements of pop music, both in terms of songwriting, instrumentation and production. It proved hugely successful in reaching new audiences outside the core demographic. Still to this day, chart-topping stars like Taylor Swift, Keith Urban, Lady Antebellum and many others keep pushing the boundaries of what country is and can be.

A NEW WAVE OF IDEAS. Piano and keyboard variations inspired by the new wave of synth-driven pop predominant in the ’80s. While stemming from the post-punk era of the late ‘70s but eventually becoming more and more synonymous with the budding synth-pop scene of the early ’80s, the catch-all use of the term “new wave” has been subject to debate and stylistic confusion. However, monumental success of acts like Alphaville, Eurythmics, Depeche Mode, Duran Duran and a host of others in many ways claimed the genre, making their synth-driven pop the predominant soundtrack in the ’80s and well into the ‘90s.

Follow along as Jake Shanahan explains how to balance your bass layers by applying proper EQ technique in Logic Pro X. This treats your layers by properly allowing your sub to push through without interfering and allowing clarity between your lower frequencies. Understanding how to separate each bass layer will help with many other situations of EQ control.