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Class A Samples and 99 Patches are proud to present vol. 2 of «Orchestral Super Pack». 742 MB of professional samples suitable for music production, TV and Radio Commercials, Movie, TV shows soundtracks and a lot more!

For all producers who like to hit it harder, Riemann took full inspiration of its homebase Berlin and comes up with this collection of rough, distorted and noisy sounds which have been created with a variation of analog distortions and filters as well as modular synths and field recordings from abandoned factory halls.

From epic impacts to white noise sweeps, sound effects are an essential part of any EDM track. Expand your synthesis techniques with these advanced FX sound design tutorials by our dance music expert, Multiplier!

Moneymvkvz are back once again with an epic kit for music producers! Included in 'SWAG PACK' you will not only get 5 banging modern construction kits across a range of genres from Hip Hop to Trap and R&B, but also a full drum kit and Kontakt Library.

Bounce Revolution is the ultimate tool for producers looking to get the sound of Future Bounce. Future Bounce is a genre that has been made popular by Mesto, Brooks, Mike Williams, and Justin Mylo.

This new series from Riemann Kollektion is going new paths and explores one of the most influental fields of modern Techno and House which originated in Detroit. In this package of 164 WAV Loops and 40 Oneshots you will find everything to craft whole tracks like beats from drummachines mixed on analog gear for extra warmth, nice oldschool synth sequences from the Juno and similar gear from the 80s, harmonic chord loops, fx, basslines and even seperate hihat, kick, ride and percussion loops.

With its meticulously sampled instruments, NI’s Symphony Essentials lets you create authentic-sounding MIDI orchestral scores. Join trainer Matt Vanacoro in this 20-tutorial course, and see how this amazing Kontakt library can help you compose epic soundtracks!

The NLE AudioPedia series, our video-based audio encyclopedia, is an invaluable resource for sound engineers, musicians, students, educators and all audio enthusiasts. This ninth installment is about MIDI terminology.

HALion is the most comprehensive virtual sampling and sound design system available today and excels the present creative process for producers and sound designers in all areas.

Smokey Loops presents the newest pack from their Puma Loops collection second series of “Moombahton” a pack with sounds innovative for your best products. You will find Construction Kits, Drum Loops, Melody Loops, Fx, Vocals, Midi and Oneshots and all the elements you need for your best productions.

Creating a great melodic section in a song is more difficult than you think. Not only does the writing have to be great, but the sound design has to complement both the melodies and harmonies.

In todays video, Zetta creates a Riddim track from scratch in Ableton Live 10. Follow along to learn arrangement and sound design tricks to take your track to the next level!

The recent release of Ableton Live 10 came packed with tons of new stock features, effects, and instruments for all Ableton users to dive into! One of the most interesting new additions that came with Ableton Live 10 is the Wavetable instrument – a simple and effective wavetable synthesizer with endless possibilities.

Musical sounds are some of the most mobile human elements, crossing national, cultural, and regional boundaries at an ever-increasing pace in the twentieth and twenty-first centuries. Whole musical products travel easily, though not necessarily intact, via musicians, CDs (and earlier, cassettes), satellite broadcasting, digital downloads, and streaming. The introductory chapter by the volume editors develops two framing metaphors: “traveling musics” and “making waves.” The wave-making metaphor illuminates the ways that traveling musics traverse flows of globalization and migration, initiating change, and generating energy of their own. Each of the nine contributors further examines music―its songs, makers, instruments, aurality, aesthetics, and images―as it crosses oceans, continents, and islands. In the process of landing in new homes, music interacts with older established cultural environments, sometimes in unexpected ways and with surprising results. They see these traveling musics in Hawai‘i, Asia, and the Pacific as “making waves”―that is, not only riding flows of globalism, but instigating ripples of change. What is the nature of those ripples? What constitutes some of the infrastructure for the wave itself? What are some of the effects of music landing on, transported to, or appropriated from distant shores? How does the Hawai‘i-Asia-Pacific context itself shape and get shaped by these musical waves? The two poetic and evocative metaphors allow the individual contributors great leeway in charting their own course while simultaneously referring back to the influence of their mentor and colleague Ricardo D. Trimillos, whom they identify as “the wave maker.” The volume attempts to position music as at once ritual and entertainment, esoteric and exoteric, tradition and creativity, within the cultural geographies of Hawai‘i, Asia, and the Pacific. In doing so, they situate music at the very core of global human endeavors.

Al AMin carefully crafted the sounds you need to achieve your productions in the style of the modern trap music era, (Tory Lanez, Travis Scott, Quavo, Bryson Tiller, Future, 6LACK, Young Thug, and more.)