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The Wersi Drum Composer CX5 is an early digital drum machine with a punchy, aggressive sound that was clearly intended to poach on Simmons's territory. Physically, it's a monolithic slab of grey metal and plastic livened up by dozens of LEDs and a cool, Ensoniq-style vacuum fluorescent display; sonically, its low-bit-depth samples make for gritty, compressed loops that can add a really hefty foundation to a track. (It's no relation to the Yamaha CX5 music computer, by the way; that's a totally different monolithic slab of grey mid-80s metal and plastic!)

Total Samples brings you 65 Massive Presets ideal for the most Brutal Dubstep. Featuring Bass, Leads and FX. Chainsaws at the ready? Then let's begin...

'Pump Beast' is another banger that is a guaranteed hit maker with sounds inspired by Lil Pump, Gucci, Migos, 21 Savage, Future and Metro Boomin. Big Citi Loops are back with another banger that is a guaranteed hit-maker.

Alternative-universe steampunk Victorian musical box! Hundreds of samples for natural variation and character Sound design courtesy of synthesised FM tones, sample reverse and forced-pitching controls Note-off samples for clunks, clicks, whirrs and chiffs

R-O-B-O-T V-O-I-C-E-S! Need we say more? We can’t leave our Sinclair ZX Spectrum alone. Not only can it do awesome drums (see SpecDrum 2000) and print rude messages about your mates on shiny thermal paper, it can also do RO-BOT VOI-CES!

This course stresses on the importance of being a beatmaker behind music theory knowledge When you're a beatmaker, all you want to do is create amazing beats.

500MB of Professionally Designed Melody Loops with Stems!

Hard puts the NanoMod architecture to work on hard-hitting, metallized, aggressive waveforms to give you a wide variety of powerful leads and angry basslines. It’s ideally suited to sounds that need to cut through a mix assertively.

NanoMod Hats rounds out the components of our ‘NanoMod Drumkit’ with some high-frequency fizz and clank. The eight source waves here range from typical analogue white-noise hisses through various more complex, metallic tones to a couple of low-bit-depth digital sounds – for when you want a more realistic hats track which still retains a bit of vintage flavour. Tweaking the Tone control can really add some sparkle, while the Grit Filter at its higher cutoff settings dials in attitude without killing the edge.

65 expertly programmed Massive Presets ideal for Trap and Future Bass Productions, brought to you by the Total Samples team. Total Samples are really excited to bring you the most definitive and exciting collection of professional level trap presets for Native Instruments' Massive!

64 innovative Trap presets for Massive, expertly designed by the Total Samples production team. Do you need some grunge in your synth? Some dirty leads to make those legs wobble? Well take a listen to this fantastic collection of presets engineered and compiled by one of our very talented producers!

We’ve sampled amazing, expensive, state-of-the-art machines like the Emulator II and the Roland Jupiter 6, but sometimes what a track calls for is something a little more basic, a little more humble in its origins. Think soundtrack to Napoleon Dynamite. Think home keyboard. Think cheese. Think Casiotone.

Cruelle is a brutal distortion plugin designed to turn sounds into screaming feedback tones and glitch artifacts. Combining an analog style filter with audio rate modulation and an aggressive digital distortion module with adjustable shape and feedback, Cruelle allows you to quickly create wild patches thanks to its intuitive and clean user interface.

65 super heavy industrial sounding Dubstep Presets for Massive synth, expertly programmed by Total Samples. Ever wanted to pit robots against each other in sonic battle? Well now is your chance!

SYNTHS DX is a collection of inspiring sounds for creating subtle cinematic atmospheres, deep, wide sci-fi pads for film, videogame,ambient and synthwave music production. With its 60+ instrument presets you get a palette of colors for your next track.