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Loopmasters are proud to announce Boom SFX, a big, bad and ballsy body of blasting FX! We’ve set our finest field recording agents and sound designers at work to bring you one of the biggest libraries of weaponry and explosion samples on the market today, all 100% royalty free. Get ready to accompany your compositions and moving images with destructive resonances of the highest quality!

POLYSYNTH REIMAGINEDModern take on vintage polysynth sounds in a fun eight-voice instrument 350+ presets that spark inspiration fast Easy-to-use, inspiring interface that drives creative experimentation

High Frequency Feedback Loops is a 57 sound collection of harsh, piercing analogue noise sourced from a No-Input Mixer being pushed to its limits. With constant ringing tones, random oscillations and lots of signal screaming in the higher frequency range, this library is a useful addition for your audio toolkit.

Loopmasters are proud to present Psytrance Rush! This one is a far-out sonic adventure, packed twisted and psychedelic sounds that are guaranteed to move the crowd into transcendence. Everything within is 100% royalty free and produced for maximum ease of use, so you can spend less time searching for sounds and more time in your DAW.

Stunning Phaser is an extremely high quality, stereo (or mono), internally oversampled, VST/AU phaser effect plug-in. In addition to the usual LFO, Stunning Phaser also offers a very organic and dynamic sounding envelope follower, multiple LFO waveforms, and our very own Gliss-quanti™ - an automatic sample-and-hold function that divides LFO waveforms up into discreet steps for exciting new possibilities you've never heard a phaser do before!

SCAMP is a resonant low/highpass filter plugin VST and Audio Unit effect for Windows and Mac OSX with a very convincing, classic sound. SCAMP features a separate envelope follower for each of 6 channels, a host-syncable LFO with multiple waveforms, as well as our unique Gliss-quanti™ feature for creating staircased LFO waveforms from the basic waveshapes. Also supported is full automation support and MIDI CC control of the filter cutoff frequency.

Since 1960, with the advent of musical electronics, composers and musicians have been using ever more sophisticated machines to create sonic material that presents innovation, color and new styles: electro-acoustic, electro, house, techno, etc. music. The music of Pierre Henry, Kraftwerk, Pink Floyd, Daft Punk and many others has introduced new sounds, improbable rhythms and a unique approach to composition and notation.

'Dreamlike Textures' is an otherworldly collection of thick and atmospheric sounds that are sure to drench your compositions in emotive and beautiful soundscapes. The lofty heights of ethereal ambiences await you, so come and drift away with this 100% Royalty-Free selection.

Analog Dusk for Dune 3. I like the sound of analog synthesizers, always have, always will.

Symmetrical is a set of BOTH new wavetables AND extraordinary presets for Dune 2. These 120 presets would not be possible without the wavetable expansion included with Symmetrical.

From the producers of Eminem, Wu-Tang Clan, Jedi Mind Tricks, Tech N9ne and countless others come FAT SOUND's first batch of sample packs and construction kits! Midwest Trap VOl.2 is a collection representing the midwest trap sound in the styles of Tech N9ne, Rittz, Twista and more.

A great rhythm player creates the launching pad for singers and soloists and really makes the difference between a mediocre performance and a truly memorable one. In this Rhythm Edition of TrueHeart Blues, Kirk Fletcher shares many of his philosophies, master techniques, and creative approaches on comping and rhythm playing when working in a band context.

This is a class designed for music producers who are ready to get serious about drum programming. The art of programming drums on a MIDI grid, in drum machines, or with audio files can be tricky to master but when you finish this class, your tracks will have the extra energy that comes from professional drum tracks.

This is a class designed for music producers who are ready to get serious about drum programming. The art of programming drums on a MIDI grid, in drum machines, or with audio files can be tricky to master but when you finish this class, your tracks will have the extra energy that comes from professional drum tracks.

This is a metal dumpster door with a really emotive creak. It’s pretty heavy sounding on it’s own but you’ll notice in the demo, as each sound plays, a one octave lower version of the same sound plays immediately after to show how well these pitch. The last slam is two octaves below the original.