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Uno LX Vulcan is a collection 150 patches for the wonderful Uno LX synth, developed by Togu Audio Line. The synth is a fantastically accurate emulation of the classic Roland Juno series of synths, and Vulcan utilises this great tone to bring you a soundset full of nostalgic warmth and analogue grit. And, not forgetting, THAT chorus sound.

The Ableton Live Suite quietly includes a whole new range of powerful Max for Live devices. Learn to get creative with some of the most interesting M4L effects and instruments in this course by certified trainer Noah Pred!

GOA is a unique dark ambient soundscape generator. Its 25 patches, each provided with 8 layers loaded with picturesque autumnal sound samples, enable you to create eerie, unsettling, but also dreamy and serene evolving atmospheres instantly.

Legendary producer Machinedrum steps onto the Noiiz stage with his debut release ‘Silk Heat’. A contrasting collection built from deep melodics and peaceful ambiences; juxtaposed by distorted, aggressive tones.

HQ-2 Hybrid Equalizer is actually a10 band multi band compressor, designed with the intuitive workflow of a graphic equalizer. The HQ-2 is built around 10 bands of RMS compression, which is useful for compressing the average level of a signal rather than the peak level.

Electromagnetic Field sound library features 216 stereo 96kHz recordings of more than 80 different electronic devices. The total length of the files is 6 hours and 18 minutes. Post production process was limited to EQ and compression with some noise reduction in few cases, but most of the files are ready for further processing and designing completely new sounds. Everything was recorded in stereo, and in some cases sounds are wildly flying across not only whole frequency spectrum but also pan image. Inside you’ll find a lot of different hum noises, hiss and electrical swipes and whooshes, buzzing high pitch and low pitch sounds, beeps and bleeps, servo and small engines running in a different way, data processing kind of sounds, interference and corruption effects and more. It’s a great all around library when it comes to designing various electronic machinery sound effects.

Summer Ambients sound library contains 33 beautiful WAV files recorded with Sound Devices 702, Rode NTG3, two Oktavas MK012 in MS and stereo XY pattern. All sounds were gathered in different and beautiful places like forests, lakes, meadows or swamps. You can expect amazing ambients, textures, different birds, insects, forest during rain, calm and windy days. It’s a perfect library for designing background sounds. Everything was recorded in amazing Masuria in Poland.

Harbours Of Norway sound library features 25 files with ambients recorded in Myre, Sto and Nyksund, very small towns with direct access to the sea. Most of the sound effects were recorded at night, but since it’s a polar day time of the year, it was very pleasurable to walk and look for convenient places to set up my gear. Everything was recoded with ORTF setup built from two Sennheisers MKH 8040. Inside this library, you’ll find a lot of seagulls, waves crushing on the rocks and plants, windy ambients from the cliff, industrial sound from port in Myre with ship unloading the cargo, walla with steam engine boat and additional sounds from boat engine market and air cooling aggregates from food containers. Every file was recorded in 96kHz, edited (i removed any unintentional bumps, pops and unwanted sounds). I limited EQing to removing harsh frequencies, or enhancing a little bit the good sounding ones. At the end of the chain there is a small compression, for louder sounds.

Water Flow sound library took me about six months to record, consumed about 15 thermoses of tea and 42 litres of gasoline to get to all locations. It offers 90 BWAV files recorded in different locations. Huge part of this library is based on the recording sessions on the rivers. Two completely different locations, recorded regularly for the last 5 months allowed me to create this unique sound library. Most of the recording sessions took place during winter just before the sun was rising to reduce the amount of unwanted sounds. Almost all recordings are completely clear and only few have birds in background, since it was my intention to record some location ambients with natural backgrounds.

Metal Contact sound library features the recordings of various metal surfaces tortured with different tools. From touching things with fingers, through hitting with metal bars and up to using blender or magnets to cause the materials to resonate. It’s 136 files with total length of 230 minuts. 4.16 GB of audio recorded in 96kHz and 24bits recorded with Sound Devices 702 and two Schaller Oyster contact microphones. While recording this library my goal was to cover different needs, not only for sound designers but also editors. Scrapes and squeaks were recorded with different intensity and speeds, just like the impacts. From soft and quiet, through medium up to loud and reverberant ones. In addition to the regular approach of just touching, hitting and scraping metal parts, I’ve decided to record few experimental sound effects.

Cars In Motion sound library was built from 600 WAV files, with total length of 379 minutes. It was recorded in 96kHz and 24 bits with Sound Devices 702, two Sennheisers MKH 8040, Rode NTG3 and Sony PCM-M10. It features exterior sounds of cars driving at different speeds, slow/medium/fast/very fast pass-bys, reverse sounds, accelerations, braking sounds and a lot of additional files. You’ll find different engines, and cars with different character. From small BMW 114i through powerful Jeep Grand Cherokee 4.7 V8 with Magna Flow exhaust, up to fast twin turbo BMW 640D F12. In addition to cars there are also files covering big machines like tractor or excavator. Here’s a list of all the cars that are part of this library:

Swipes & Whooshes sound library is a collection of different air-cutting sounds emitted by everyday objects flying with a high speed. It can be a great and handy tool in designing more complex sound effects for games, like weapons sound effects or game user interface. Everything was recorded with high quality equipment, able to capture frequencies well above 20kHz, so it’s a very flexible material when it comes to stretching or pitch shifting. 66 stereo ORTF files features 1841 sound effects, cause each recording contains different variations of the same activity. The total length of the files is 35 minutes, and you can read more about included sounds here. As for the post processing, everything was edited and mastered. Editing came down to removing unwanted sounds between takes, and mastering to removing harsh sounding frequencies, compressing and setting everything on level that is comfortable to work with, so you don’t have to constantly adjust the levels while looking for specific sound. Inside this library you’ll find whooshes created with objects like:

After successful recording session with wild cranes, I’ve decided to hunt for wild stags. Recording them was not as simple as I thought it would be. This library contains 45 files recorded with Sound Devices 702, two Oktavas MK012 set in XY pattern, and Rode NTG3.

Retro Games 8bit designed sound library contains 46 computer beeps and bleeps, 35 different sound effects, 12 explosions, 80 footsteps for different materials, 89 GUI sounds, 21 hits and damage sounds, 22 jumps, 52 score sounds, 226 status and 72 weapons sounds. Every file was created inside Ableton Live 9 Suite with analog, operator, native-instruments massive and effect plugins to process even more. Sounds were designed to match old school 8bit games from consoles like Nintendo NES.

Props Box sound library is a collection of different sounds emitted by everyday objects used in weird ways. It can be a great and handy tool in designing more complex sound effects for games, or just a go to pack to quickly fill the gaps in movies and other linear media. Everything was recorded with high quality equipment, able to capture frequencies well above 20kHz, so it’s a very flexible material when it comes to stretching or pitch shifting. 169 mono files features more than 1000 sound effects, cause each recording contains different variations of the same activity. The total length of the files is 292 minutes, and you can read more about included sounds here. As for the post processing, everything was edited and mastered. Editing came down to removing unwanted sounds between takes, and mastering to removing harsh sounding frequencies, compressing and setting everything on level that is comfortable to work with, so you don’t have to constantly adjust the levels while looking for specific sound.