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A modern revival of the 80s. Retrofuturistic synths and string hybrids that sound stranger than science fiction. Features:

Dynamite, punchy brass sounds to rock your planet! Pierce the air with colossal braams, vivid metallic tones, and speedball woodwind soundsFor use with Analog Brass & Winds

Bold, Dark, and Gritty120 presets For use with REV

Light, airy and ethereal120 Presets For use with REV

Ranging from airy and delicate to warm and pure125 presets For use with REV

Palindrome is a granular morph plotting sampler geared toward experimental sound design. The basic concept behind Palindrome is to fuse four granular samplers with a coordinate plotting grid and complex modulation sources in order to facilitate the creation of morphing sound effects and unusual instrument patches.

From booming basses to cutting edge drum and percussion sounds

Eli Krantzberg brings you in-depth IK Multimedia MODO Drum videos! Learn MODO Drum inside and out, including how to make your first drum part. These MODO Drum tutorials are for those just starting out with the MODO Drum virtual instrument, as well as intermediate MODO Drum users.

Audio Plugin Player is a lightweight VST and AU instrument plug-in host for Mac OS X that allows you to play these instruments using either your mouse, computer keyboard, or MIDI device (both hardware and software MIDI devices supported). It has a simple, one-screen interface, that will let you start making music with your favorite audio instrument plug-ins in seconds – just choose your plug-in, make your input and output choices, and you're ready.

PROLIX Dark Vox & Enigmatic Phrases crowns you the universal authority of subliminal content. Communicate from one multiverse to the next with 205 Wav Samples proven to instigate provocative inter-galactic discussions and summon extra terrestrial activity all from within your daw.

Kevin Randolph, one of the most prolific piano and synth players in recent history, lends his sounds to you straight from him! This release was created while on the road for Logic's most recent national tour. He has also played on tour and produced records a multitude of artists including Rihanna, Jay-Z, J. Cole, Big Sean, and Toni Braxton. Check out the demo and be sure to check out the release as these will surely be a great addition to your arsenal of keys samples and for your records!

10 brand new trap-piano loops inspired by Future, 808 Mafia & more. Each loop comes with a WAV as well as a MIDI version for your creative pleasure. If you can’t turn these loops into hits please stop making beats. This dope pack was cooked up by Teflon Kwam and bagged & served up by ProducerGrind.

This release features my playing on a Yamaha YTS-62 with a custom mouthpiece. In this pack are licks of various keys at 120 BPM that fit over many styles. For custom sax, trumpet, and synth email me at cjrhenmusic@gmail.com and follow my Instagram @wind_player1 for more content.

Why do rap MCs present their studio recorded lyrics as “live and direct”? Why do they so insistently define abilities or actions, theirs or someone else’s, against a pre-existing signifier? This book examines the compositional practice of rap lyricists and offers compelling answers to these questions. Through a 40 year-span analysis of the music, it argues that whether through the privileging of chanted call-and-response phrases or through rhetorical strategies meant to assist in getting one’s listening audience open, the focus of the first rap MCs on community building and successful performer-audience cooperation has remained prevalent on rap records with lyrics and production techniques encouraging the listener to become physically and emotionally involved in recorded performances.

Myths and stories offer a window onto medieval and early modern musical culture. Far from merely offering material for musical settings, authoritative tales from classical mythology, ancient history and the Bible were treated as foundations for musical knowledge. Such myths were cited in support of arguments about the uses, effects, morality and preferred styles of music in sources as diverse as theoretical treatises, defences or critiques of music, art, sermons, educational literature and books of moral conduct. Newly written literary stories too were believed capable of moral instruction and influence, and were a medium through which ideas about music could be both explored and transmitted. How authors interpreted and weaved together these traditional stories, or created their own, reveals much about changing attitudes across the period.