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Based on specific real-time control and ownership of acoustic audio signatures, we produce realistic footstep sounds for most post-production needs. Sound designers get expert control on the audio and save a considerable amount of time. No more need for footstep recordings, all combinations are already available in the plug-in! Gain control over the different properties to shape the sounds you desire.

Based on specific real-time control and ownership of acoustic audio signatures, we produce realistic footstep sounds for most post-production needs. Sound designers get expert control on the audio and save a considerable amount of time. No more need for footstep recordings, all combinations are already available in the plug-in! Gain control over the different properties to shape the sounds you desire.

AudioSpace is a synthesizer dedicated to the emulation of space ambiance sounds. The synthesizer is based on AudioGaming's dynamic modeling technology and uses no sampling. That is, it produces sounds by solving, on the fly, mathematical equations modeling multiple aspect of a what could be the rumble made by different kinds of large ships. This complex synthesis engine responds dynamically to the control signals it receives and exposes high”level controls carefully mapped to the low”level synthesis model.

AudioRain is AudioWind's little brother and offers high quality rain sounds. Shape your rain sound in real time, work from the small drop to the shower. Have it your way even in 5.1 channel audio.

From idling to full throttle, AudioMotors allows you to fully control the engine as if you were driving a car. What if a Mini Cooper became a truck? It is now possible! AudioMotors plug-in is the perfect tool for creative sound design. From a basic car sound recording, you can create a totally new and astonishing engine sound.

AudioFire is a synthesizer dedicated to the emulation of fire and heat sounds. The synthesizer is based on Le Sound's dynamic modeling technology and rarely uses sampling (only for very specific modules). This complex synthesis engine responds dynamically to the control signals it receives and exposes high-level controls carefully mapped to the low-level synthesis model.

AudioElec is an electrified sound synthesizer. It generates sounds like hum, impulse, sparks and telemetry. AudioElec is a synthesizer dedicated to the emulation of electrical sounds. The synthesizer is based on Le Sound's dynamic modeling technology and uses sampling only for very specific modules. That is, it produces sounds by solving, on the fly, mathematical equations modeling the different components of electrified sound approximations developed by AudioGaming. This complex synthesis engine responds dynamically to the control signals it receives and exposes high-level controls carefully mapped to the low-level synthesis model.

R2 introduces a lush, colourful stereo reverb algorithm to Exponential Audio's familiar design. Use the chorus and gate effects to colour and shape your reverb signal to suit any music project. From swirling orchestral chambers to minimal, clean room reflections, R2 is your go-to plug-in for designing completely unique, musical spaces.

The H.L.S Drive plug-in amazingly emulates the rich-sounding Tube saturation behaviors that keep radical EQ moves sounding ultra-musical, even at extreme settings. It is based closely on the Type 69 EQ which is very musical. Add character and clean up a mix with H.L.S Drive.

Even- order harmonics produce smooth, musical characteristics as opposed to odd- order harmonics, which tend to sound harsh. FD1/2/3N ' tend to introduce some degree of even-order harmonic distortion that produces a “warming” effect by thickening the overtones of the original signal.

Smoothness and transparency. BeComp is a dynamics processor that will change the way you use and think about compressors and compression. The inherently rich and colorful tone of the BeComp helps glue tracks together. The BeComp is the thickest and heavy sounding compressor/limiters. it's also quite handy for pumping up individual tracks. It comes in mono, mono -to- stereo and stereo versions.

With high shelf and low shelf EQ , damping controls and flexible graphic interface, Babelonne-D Digital Reverb gives you the flexibility you need from a reverb effect. It will create extraordinarily natural-sounding virtual acoustic spaces. The result is sound so real and not artificial.

AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen significant UI and functional enhancements. The resulting emulation is every bit as chunky as the original, and 10x more flexible

RA is a Nonlinear plug-in for the professional Audio Engineers that demand the most from their plug-ins. The plug-in can be thought of as an amplifier that is being over driven, (Wave Form Compression), but there is control over what part is being overdriven. An analogy from photography, it is like the curve function.

Designer Dave Hill has crafted this software with the same attention to detail he used to create the electronics for ATR Service's much heralded "Aria" discrete tape recorders. His intimate knowledge of analog electronics, as well as decades of experience as a recording engineer has spawned a very useful, musical suite of plug-ins. The Phoenix II process not only incorporates the nonlinear saturation characteristics created by magnetic tape itself, but also includes the interrelation of an analog tape recorder's record/reproduce electronics and equalization curves. Phoenix II is a ground-up application derived from HEDD technology, and specifically engineered and optimized for Avid's PT 10 architecture.