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What would happen if you gave Godzilla drumsticks? This is the original Stormdrum collection that took cinematic percussion to a new level. “The content is classic film score stuff: big fat booming drums, smaller ethnic hand percussion, enough metallic hits to make a steelworker feel at home. The ability to load up any patch and have a series of related loops synchronised to the tempo you want is heaven for any composer. Stormdrum is one of the few products these days that you could accuse of under-selling itself: a fairly plain box with no images of Mel Gibson or the like, and not smothered in endorsements from Hans Zimmer or Jerry Goldsmith, but it’s most certainly worthy of sitting where it does beside the great Symphonic Orchestra Library.” (Future Music)

What would happen if you gave Godzilla drumsticks? This is the original Stormdrum collection that took cinematic percussion to a new level. “The content is classic film score stuff: big fat booming drums, smaller ethnic hand percussion, enough metallic hits to make a steelworker feel at home. The ability to load up any patch and have a series of related loops synchronised to the tempo you want is heaven for any composer. Stormdrum is one of the few products these days that you could accuse of under-selling itself: a fairly plain box with no images of Mel Gibson or the like, and not smothered in endorsements from Hans Zimmer or Jerry Goldsmith, but it’s most certainly worthy of sitting where it does beside the great Symphonic Orchestra Library.” (Future Music)

Steve Stevens is responsible for some of the most innovative jolts on the musical seismograph. As Billy Idol’s guitarist, Stevens is the force behind “Idol’s” wall of sound, the sonic wail of the smash “Top Gun” soundtrack and Michael Jackson’s “Dirty Diana.”

From the former rhythm section of “Prince and the New Power Generation,” comes the sequel to the smash hit “Funky Ass Loops.” Smoov Grooves contains all the loops you need to lay down everything from slow grooves to 70’s funk (tempos range from 70 to 120 BPM), plus you get all the breakdowns (a full mix of each loop, then the drum part, bass, guitar, percussion, keys, etc). Smoov Grooves is, without doubt, the finest collection of laid-back and 70’s funk grooves available anywhere for any price. This is the real deal from one of the top rhythm sections in the music business

Scoring Tools is a composer’s dream come true. Immaculately recorded with a 60 piece world class symphony orchestra, Scoring Tools provides you with original orchestral loops, beginnings and endings, in three different keys, two different tempos, and seven different styles of music including Adventure, Fanfare, Magical, Mysterious, Suspense, Romantic and Western.

With this “beats and loops” collection, Public Enemy became the first major hip-hop act to release such a collection. The collection includes over two hours of “beats and loops,” presented in a “construction kit” format (fully mixed loops and all of the individual samples used to make up the entire loop).

Rich Mendelson is the programmer of the five-star rated EastWest sample collections Dance/Industrial 1 and 2. Phat+Phunky includes over 2 hours of complete loops (165 loops and over 2000 samples); plus the individual components for each loop. The featured material is R&B/Hip-Hop/Slo Jamz, perfect for any type of project. Many of the loops are almost complete tracks except, unlike other loop collections, Phat+Phunky enables you to completely customize the loops.

Percussive Adventures 2 includes 70 full multi-layered pieces. Full beds (full mixes), full bed loops, alternate mixes, phrases, endings, individual elements/layers, and some individual hits. Most of these pieces are complete in their own right and can stand on their own. You can easily expand, contract, rearrange, and remix to fit your needs. And it’s not just percussion. There is a world of fresh ambient flowing textures and events perfect for combining with the rhythmic beds for complete soundtracks.

Percussive Adventures is a critically acclaimed rhythmic journey of scoring soundscapes delivering evolving rhythmic beds as layered construction tools which are 20–40 seconds in length! The dynamic acoustic and sequenced grooves will astound you! Categories include: Chases, Sneaks, Tension, Mystery, Suspense, Ethnic, Tribal, Military, Comedy, FX, Accents and Echo Trails.

Aerosmith’s drummer Joey Kramer, has put together the most comprehensive collection of “Pump & Thump” drum loops and samples available anywhere. "The loops are hard-hitting, full-kit performances of four or more bars in duration, mainly in straight 4/4, but occasionally slipping into 12/8 or a 4/4 swung feel. Most loops have a generous number of variations for song construction, and there are tons of useful fills and a comprehensive (and highly usable) menu of 90 single hits. Tempos are listed from 71 to 149 BPM. This multitrack version enables custom drum kit mixing. The multitrack layout is: 1. kick; 2. snare; 3. hi-hat; 4+5. toms and overheads; 6+7. stereo room; 8. cowbell

New York producers Anthony “Jovier” Kerr and Eddie “E Smoove” Bell present Ill Jointz – Hip-hop and R’n’B Loops, the cutting edge of street flava all here for your sampling pleasure!

Hypnotica from Greg Hawkes (Cars) and Perry Geyer (Manufacture) is loaded with fresh-sounding, cutting-edge textures, trance and ambient loops, FX, mind-blowing sweeps, galactic noises, hypnotic sequences and magical sounds for your next rave.

SAMPLE PACK: #1 Deep House Sample Pack. Deep House is a genre that has grown immensely in popularity over the past years. Artists such as Meduza, Joel Corry, Raye, Regard, Rudimental and more have given the genre commercial attention and more and more artists are adapting this sound to their Tracks.

Chord ProgressionsThe Chord Progressions are one of the most important things when it comes to making a successful track.

The Tiny Music Box is equally powerful at creating delicate, twinkling melodies as it is at producing dark, creepy ambiances, thanks to the unique ‘age’ parameter. The ‘age’ function adds some subtle (or not so subtle) detuning, as well as processing the sound to create a darker timbre, perfect for horror scores.