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Do you hope to expand your musical circle? Need inspiration and practical ideas for overcoming setbacks? Love music and seek new ways to enjoy it? Roots musician Gayla M. Mills will help you take your next step, whether you play jazz, roots, classical, or rock. You'll become a better musician, learning the best ways to practice, improve your singing, enjoy playing with others, get gigs and record, and bring more music to your community. Most importantly, you'll discover how music can help you live and age well."Making Music for Life is a doorway into the endless joys of making music, for everyone at any age." -- Bernard Holland, Music critic emeritus, The New York Times and author of Something I Heard

VOL. II is here! Zay’s “Melodies from Heaven VOL. II” kit contains 53 handcrafted loops. The kit differs from its predecessors taking a soulful approach to create piano melodies. In addition to soulful piano melodies, the kit includes melodies that would work for any of your favorite artists using synthesizers and authentic piano sounds. All loops were created with real hardware instruments to provide a more authentic tone we just can’t get from VSTs all the time. All loops are labeled with their corresponding keys and BPMs. Enjoy!

110 HQ samples + gross beat bank

21 808s14 Claps 8 FX 11 Hi Hats

Over 552 Drum Essentials including live drums, risers, scales, sfx + more Over 10+ Loop essentials Over 150+ Oneshot essentials

What would you say if I asked you to describe the difference between Freddie Mercury’s voice and Elvis Presley’s? What about the difference between Ariana Grande’s voice and Adele’s? Each of these singers has a unique sound; and answering that question will get us talking about tone or timbre. While we all have a general sound that comes naturally to us, we can develop and explore different tone qualities within our voice. Keep watching for a tutorial on tone.

Many singers have a hard time making the leap from vocal exercises to singing real songs. This lesson series will teach you exactly how Camille applies vocal exercises to song work, and how you can do the same!

We can broadly define a bad vocal technique as anything that hurts you or prevents you from singing with your best, most free and beautiful tone. But we’re gonna get a little more specific. This tutorial will cover the three bad techniques that I see with a majority of voice students. Part 1 covers pushing for high notes; we’ll talk about what to do instead, and practice with a few exercises. Part 2 is about neglecting either head voice or chest voice. And part 3 will cover the bad techniques that result from trying to sound good. Now, of course we do want to sound good, but some weird stuff can happen when we’re trying so hard. These techniques are most common with beginning students, but any level can benefit from these exercises and reminders.

This tutorial goes through key exercises for beginner singers! With each exercise we have a specific goal in mind or coordination we're practicing. Let's begin!

Music Theory for Producers Music theory can be a complicated, confusing subject. But it doesn't have to be! Did you know most popular songs use just a couple of easy concepts, which once you learn make the process of writing and producing music an absolute breeze.

Welcome to your tutorial on building vocals after strain or injury. Most singers watching this will not develop vocal damage that requires surgery. But, most of us will get a cold, or cough that lingers for a few weeks; most of us will experience vocal fatigue; and all of us can attest that some days our voice feels better than others.

It’s a special Christmas tutorial! Join me for some holiday fun as we learn a few favorite carols. This tutorial is great for singers of any experience level. See you there!

Welcome to your classical technique tutorial! Classical singing is characterized by maximum resonant space, liberal use of vibrato, pure vowels, and blending of the vocal registers. Before we jump in, there are two areas you should have a good grasp on. First is your posture: the exercises we’re about to do will be best if you practice them standing tall, shoulders back and down, chest and ribcage lifted, and head floating freely above the spine. Second is your breath support: we’re taking low breaths that move the ribs, belly, and back, and as we sing, we keep the chest and ribs lifted, slightly engaging the abdominal muscles “down and out”. If all of that is new to you, check out my tutorial on vibrato! There’s an entire video there dedicated to breath support. Then come back and join me here.

Welcome to your daily practice routine for altos! This tutorial is great for any experience level, and each video can be used as a stand-alone mini-warm up. In part 1, our goal is to pair breath to voice and warm up gently. Part 2 will focus on tone and resonance. And part 3 will have register-specific work for lower chest voice and navigating over your passaggio. While part 3 will specify which register to use, please use whichever register is most comfortable for parts 1 and 2.

Crescendo Music Notation is the perfect software to start composing your music today. Using a free form sheet music layout, you can write your song, score, or composition your way. Create your arrangements with a variety of notation tools, where you can change the Dynamics, Clef, Key Signature, Time Signature, and more.