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A comprehensive course covering how to play darbuka (also known as the doumbek). This drum is a lovely middle-eastern musical instrument, and course covers all things related to successfully playing it. This course covers beginner, intermediate, as well as advanced techniques of playing.

Welcome to the comprehensive course on mastering DaVinci Resolve, a leading software suite for professional video editing, color grading, and audio mastering. This course is designed to equip you with the essential skills and knowledge needed to navigate through DaVinci Resolve's powerful features and workflows. Throughout this course, you will embark on a journey divided into four distinct sections, each focusing on crucial aspects of video production:

OBLIQUE II is the second instrument in the OBLIQUE series. It is a damaged, twisted, brutal but incredibly expressive double bass instrument. Like the cello in OBLIQUE, this is not an instrument for creating soothing music - it's brimming with sharp edges and blunt force.

Pianet from our Planet with mixable sound design background. Very Sci-Fi sounding electric piano.

A SEASONAL BATCH OF 66 PATCHES FOR U-HE DIVA: HERE YOU WILL FIND A RANGE OF ARP’S, BASS, BASSLINES, DRONES, KEYS, LEADS, LOOPS, PADS, SEQUENCES & SYNTHS.

78 presets created for Synapse Audio’s The Legend. They were created during my first few months with the synth, just experimenting and messing around with knobs. Types of sounds included: Bass, Leads, Pads, Flutes, Brass, FX, Experimental, and more.

Here you can find Samples, Tutorials, the occassional Patreon track and a lot more also you get access to my discord, where you can chat with others and get feedback for your music

50 Hi Hat Loops That Can Help Start Beats Easily! Brandon Chapa just came back with a crazy new Hi Hat MIDI Loop Kit for his producer friends called “Multiple Hats”. This kit is packed with 50 brand new Hi Hat loop patterns, with the MIDI for each loop perfect for Trap, RnB and Drill.

A single 17 minute set of self playing Elektron Syntakt. No Talking, No Hands, just Syntakt. This is an 8 movement Song Mode project I made a while back. Have a look!

DaVinci Resolve 18 is the world’s most advanced editing, visual effects, color correction, and audio post-production solution for feature films, television shows, and commercials. Its revolutionary workflow lets you switch between tasks with a single click, so you don’t have to learn multiple programs or translate projects between different applications.

DaVinci Resolve 18 Core Training will guide you through Resolve’s end-to-end editing workflow from initial media import to final delivery and everything in between. In the first series of lessons you’ll edit a teaser in the Cut Page, before moving over to the Edit Page where you’ll learn essential trimming skills the pros rely on everyday.

Hello there! I'm Louay, a seasoned instructor specializing in Premiere Pro, After Effects, Video Editing, and Motion Graphics courses, which are highly rated and bestselling.

This brief course helps you get starting on your journey playing the alto saxophone. All content helps to establish a strong foundation on your goal of playing the saxophone and with our full support, you never go alone. In this course, we go over assembling the sax, disassembling the sax, how to properly align your reed, proper mouthpiece placement, embouchure training, breathing techniques, and posture.

Your Shortcut to the Iconic Sound of Lorn - Explore The Sample Libraries Trusted By Grammy Award-Wining Producers of Eminem, Madonna, Khalid and More. Technical Specifications: 150 .WAV Audio Samples and Lorn's Sampled Lead: 30 Kick Drums, 30 Snare Drums, 30 Hi-hats, 30 Found Sounds/Percussion, 15 Reece Bass Loops (1 long and 1 short for each), 1 Ableton sampler instrument of the Lorn lead sampled across 72 keys (6 octaves), and 6 octaves of the Lorn lead in audio files, to be used in your sampler of choice.

This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to the 14th centuries. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective.