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The Symphonic Virtual Orchestration Course Your strategic step-by-step action plan to help you Compose, Arrange, Mix, and Master your orchestral music and produce professional-sounding midi mockups.

Shot on location at Tim Lerch’s West Coast studio, Jazz Blues Foundation is an exploration of very simple and very effective ways to frame your jazz solos and improvisations with hip sounding chord punches. Players like Kenny Burrell, Barney Kessel, Hollywood Fats and all the great B3 players incorporate this creative approach into their playing all of the time.

Given that film is, at its heart, a visual medium, you might assume that video is more important than audio. However, in some ways, audio can be more important than video. You would probably watch a movie that had subpar picture quality but good audio, but could you sit through a film that had a clear picture with audio that was full of hisses, pops, inaudible dialog, and terrible music? In part 12 of his Creating a Short Film series, Chad Perkins focuses on the importance of audio, covering topics like recording audio on set, composing and recording the score, sound design, and mixing. Chad addresses a wide variety of artistic, technical, and interpersonal issues that may arise when dealing with audio choices, from what kind of mics to use to which personnel to hire. As Chad illustrates in this course, enhancing the audio of your film can make a huge difference in the impact it has on the people who see it.

If you're holding down the lead guitar role in a country-western band, you'll need command of a wide variety of classic and modern country soloing techniques, across the full spectrum of country and honky tonk grooves and feels. Mathew Lee's Lead Edition of Honky Tonk Guitar will deliver all of the fretboard goods you'll need to perform at the highest level.

In this Funk edition of Trading Solos with Chris Buono, you'll jam together over five frequently encountered funk grooves, in a variety of keys and feels including a 12-bar blues, a James Brown-style jam, a slow jam in 6/8, a hip-hop vibe, and a cool fusion groove. Along the way, Chris will share some of his go-to moves, comping techniques, and other key approaches to help you develop a versatile funk vocabulary.

iZotope's Neoverb is a cutting edge plugin, combining the reverb algorithms of Michael Carnes (formerly of Lexicon and Exponential Audio) with the user-friendly feature set and intuitive GUI that iZotope have become famous for. In addition to offering several assistive facilities for setting up the plugin, there are many advanced controls under the hood that allow complete customisability of the sound. On this 2-hour course, you'll be taken through each part of the plugin and learn how to use it to design your own reverbs from the ground up.

If you love music and have always wanted to explore writing a song but don't know where to start, or you are familiar with songwriting but need some new techniques or help overcoming writers block? This class is for you!

Everything you need, directly from one of the world's most ambitious producers. If you're looking for anthemic melodies, big drops and massive energy, you should probably get this producer pack.

Gospel music is and always has been, one of the most popular styles of contemporary music. Countless vocalists and musicians performing gospel in the church go on to have mega careers in pop, blues, R&B, soul, country, and even jazz. Accompanying yourself or a vocalist on (solo) acoustic guitar requires special skills for arranging the parts to both support the melody and emphasize the rich sonic textures that gospel music is known for.

Master fingerstyle guitarist, Ton Van Bergeijk has studied gospel music for decades and has developed a unique, and very accessible approach for accompanying the beautiful spirituals, hymns and sacred songs that are synonymous with gospel music. Ton's Gospel Guitar Guidebook reveals the concepts, techniques and creative approaches for this specialized guitar accompaniment.

In this course you will learn how to produce heavy Tech House with modern Bass elements in style of Confession & Blanc. Your tutor Nervz gives you an exclusive look into his production process, shares his tips, tricks and project files and guides you from your first kick to a mastered Tech/Bass House track as if you were sitting side by side in the studio.

Jazz is a uniquely American art form, musically grown out of blues and soul. Any versatile bassist needs to have a functioning knowledge of basic jazz form and styles. In this Jazz Bass Grooves edition of Essentials, Stu Hamm guides you through 10 jazz bass performance studies in a versatile range of styles, tempos, and keys.

Want to know how to create that Future House / Don Diablo / Hexagon style sounds? Welcome to class. In this introduction, you will meet your instructor, Phillip. He will give you the rundown of what to expect and how to create sounds for Future House. This course is straightforward, to the point and shows every step in great detail. Phillip is using FL Studio and Serum. While it is not required, if you have it, feel free to follow along.

Do you want to make Future Bass like the pros? In this course, Josh Isaacs will show you 5 tips and tricks that he’s discovered to help improve your Future Bass production. You’ll learn how to make your sounds stand out through improved chord structure and composition techniques, as well as layering of different sounds. In addition, Josh will share some classic Future Bass production techniques such as pitch bending, utilization of samples, fills, & arpeggios, as well as how to get the most out of the Tremolator plugin by SoundToys. At the end of this course, you’ll have many of the tools you’ll need to create a Future Bass banger that stands up to the rest.

This course is design for you to learn the some of the most important action that needs to be taken in order to achieve a certain production goal in FL. We are looking at some of the hidden special feature inside FL that can add ease or take your production to a whole new level by improving your overall workflow.

Hi, I'm Brad Carlton and welcome to Volume 3 of Guitar Lab: Modern Harmonic Guitar. In the first two volumes, we talked about actual chord voicings and played harmonic approaches with a clean sound and discussed several concepts. Here we'll take the same concepts and apply it to soloing.